Flying Apsara inspires a unique dance
IT is another busy day. Peals of handclaps and the rustling of bodies twisting on the ground float out from a dance studio in Lanzhou, capital of northwest China’s Gansu Province. Then a lady’s voice rings out.
“Get ready. Mind your manners and begin. First, high kick ... Now try again,” said Jin Liang, director of a research center for Dunhuang mural dance of the Lanzhou University of Arts and Science.
Dunhuang mural dance drew inspiration from the iconic figure of the flying Apsara found on the murals of the Mogao Grottoes — a 1,650-year-old UNESCO World Heritage Site home to more than 2,000 colored sculptures and 45,000 square meters of murals in Dunhuang.
The dance genre is especially acclaimed for its graceful gestures, which require brief bursts of strength and good balance.
All the attention in the studio is on Jin, who gives precise instructions for the gestures of the hands, waist and even the rhythm of breath and facial expressions.
Hao Rumeng, 17, has been practicing Dunhuang mural dance for two and a half years. Her morning often begins at 6:30 in the studio and wraps up after eight hours of practice. Sometimes she ties a 10-kilogram sandbag to her legs to train her muscles.
“Dunhuang mural dance is a new genre of classical dance. It has distinct movements and requires systematic training every day,” said Jin.
The prototype of Dunhuang mural dance was born 40 years ago in “Silk Road” — a dance drama to celebrate the 30th anniversary of the founding of the People’s Republic of China.
Inspired by the drama, Gao Jinrong, then vice president of the provincial art school, devised a training system and gave birth to Dunhuang mural dance a year later.
Now Dunhuang mural dance has become a popular major with nearly a thousand graduates over the past four decades. One of the most famous dance dramas “Thousand Hand Buddha” caused a sensation not only in China, but also on the global stage when it toured in countries including the United States and Britain. More dramas are being choreographed to take Dunhuang mural dance even further.
Back in its birthplace, performers continue to search for new inspiration from the ancient grottoes.
“Seeing the murals with their own eyes achieves more than hours of studying history in class,” said Jin.
(Xinhua)