Shanghai Daily

Essence of China on display at Shanghai Museum

- Wang Jie

Mo Yan, a winner of the Nobel Prize in Literature, visited an exhibition at Shanghai Museum over two days, commenting — “How splendid and glorious the ancient Chinese civilizati­on was!”

“The Making of China: Civilizati­on of the Xia, Shang and Zhou Dynasties,” really deserves this year’s “best exhibition” title.

“It took us more than two years to prepare for the exhibition, not to mention the difficulti­es and challenges amid the pandemic,” said Yang Zhigang, director of Shanghai Museum.

In fact, this is the very first part of the exhibition series — “The Essence of China” — in collaborat­ion with Henan Museum.

Henan, a province in China’s central plains, used to be regarded as the “Center of the World” in ancient China. One of the cradles of the Chinese civilizati­on, the area served as the capital of the Xia (2070-1600 BC), Shang (1600-1046 BC) and Zhou dynasties (1046-256 BC).

“Henan Province is where the civilizati­on of Xia, Shang and Zhou dynasties originated and flourished,” said Ma Xiaolin, director of Henan Museum.

“The diverse cultures of China, through ages of evolution and integratio­n, merged into an advanced civilizati­on in the region. Here the kings ruled from their capital and kept the whole territory under control. By then, the structure of Chinese society had undergone profound changes, and an early state came into shape.”

Undoubtedl­y, it is bronze that represents the glory and wonder of ancient Chinese civilizati­on.

The exhibition features more than 310 cultural relics including ancient bronze vessels. It is rare for visitors to see such a collection.

“The growth of agricultur­e and further division in handcraft industry led to a leap in productivi­ty, setting the stage for the exquisite bronzes and the splendid ritual system,” said Hu Jialin, a researcher with Shanghai Museum. “The bronze civilizati­on laid the foundation for the culture and spirit of China.”

The highlight of the exhibition is a Ding (food vessel) with the grid pattern of the late Xia Dynasty. Actually it is the earliest Ding ever found in the country.

At the root of Henan bronze culture was the Erlitou Culture during the Xia Dynasty, which left behind only a few bronzes of limited types, and this earliest Ding is one of them.

Erlitou, a site in Yanshi at the confluence of the rivers Yi and Luo, is generally recognized as the capital

of the late Xia Dynasty.

Covering almost 4 million square meters, the site was a large city carefully designed with a comprehens­ive layout, serving as milestone in China’s urban planning.

Here have been found China’s earliest palace complex built on a central axis, earliest palace city, earliest closed state-run handicraft workshops and earliest ritual bronze sets.

Visitors would also find “Narrowwais­ted Jue,” a kind of wine vessel excavated in Erlitou.

If visitors closely inspect the bronzes at the exhibition, they might find different traits of these vessels in different periods.

For example, the ripening of bronze art reached its climax during the early Shang Dynasty. At that time, a system of sacrificia­l vessels, predominat­ed by those for alcohol, took shape. The ritual bronzes unearthed are more serene and sophistica­ted in details.

Exhibition informatio­n

Date: Through October 23 (closed on Mondays), 9am-5pm

Venue: Shanghai Museum

Address: 201 People’s Avenue

 ?? ?? The exhibition features more than 310 cultural relics including ancient bronze vessels. — Dong Jun
The exhibition features more than 310 cultural relics including ancient bronze vessels. — Dong Jun
 ?? ?? Rectangula­r Sheng
(measuring vessel) commission­ed by Shang Yang, late Warring States
Rectangula­r Sheng (measuring vessel) commission­ed by Shang Yang, late Warring States
 ?? ?? Turquoise-inlaid plaque with the animal-mask pattern, late Xia Dynasty
Turquoise-inlaid plaque with the animal-mask pattern, late Xia Dynasty
 ?? ?? Owl-shaped Zun (wine vessel) with the inscriptio­n: “Fu Hao,” late Shang
Owl-shaped Zun (wine vessel) with the inscriptio­n: “Fu Hao,” late Shang
 ?? ?? Tortoise plastron with divinatory inscriptio­ns, late Shang Dynasty
Tortoise plastron with divinatory inscriptio­ns, late Shang Dynasty

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