Guide helps tourists explore and discover the cultural side of Hong Kong
Hong Kong is changing – and so are the reasons to visit and explore it. There remain plenty of tourists eager to snap photos from The Peak or shop for the latest luxury goods, but more people are interested in the city’s cultural side. Now there is a guide for them.
is a pocket-sized book produced by the Hong Kong Design Centre (HKDC) that covers Hong Kong’s museums, galleries and urban escapes, along with hotels, restaurants, shops and public spaces that might appeal to sightseers with a creative bent.
“There are so many guidebooks to Hong Kong but there are not many for those into design, art and culture,” HKDC chairman Eric Yim says.
“Hong Kong is more than a financial city. It’s not just about high-rise curtain wall buildings, and at the same time it’s not just about old temples and traditional things. It has a lot of exciting contemporary culture to explore.”
The guide opens with a series of maps charting 101 points of interest across the city, covering an expanse from Tsuen Wan in the west to Sai Kung in the east.
There are no preset itineraries – “Explore the city at your own pace,” the guide proclaims – but the attractions are divided into eight thematic categories: Insiders’ Picks, Culture and the City, Creative Landmarks, Design and Lifestyle, Architecture, Accommodation, Food and Beverage and Nightlife.
Among the sites listed wellknown landmarks such as the M+ museum of visual culture, the HK Museum of Art and the Asia Society Hong Kong Centre: necessary destinations for anyone interested in art, culture and design.
But Yim says many of the other attractions in the book were chosen because they are not quite as well known.
“There are things that may be overlooked even by local Hong Kong people,” he says.
Among these are the Shaw Auditorium at the Hong Kong University of Science and Technology, a ringlike structure designed by Danish architecture firm Henning Larsen that opened in 2021.
The guide (for which Post design editor Charmaine Chan was adviser) points to other venues that reflect this. They include the Centre for Heritage, Art and Textiles at The Mills in Tsuen Wan, known for exhibitions of contemporary textile art.
In Kwun Tong, local charity HKALPS has transformed the space under a highway flyover into Vessel, a community-based cultural hub, while in North Point, the original home of the Royal Hong Kong Yacht Club is now Oi!, an art and design venue that was expanded in 2022.
Hong Kong being a city where culture and commerce intersect, the guide naturally includes a host of shops where visitors and residents can explore locally designed products and thoughtfully curated objects from around the world.
Among them are architect André Fu’s lifestyle brand André Fu Living; Julie Progin and Jesse McLin’s Latitude 22N ceramic studio and showroom; woodworking studio Twenty One From Eight; and Douguya Hatcharea, a beguiling factory space filled with Japanese objects.
The latter is a store that Yim admits he did not know about until the guide was being compiled, but which is now one of his favourites.
Rounding out the guide is a selection of stylish places where design-oriented people can eat, drink and sleep. Also featured are a handful of well-designed public spaces such as Salisbury Garden, which reopened in 2018 after being revamped by British landscape architect James Corner and local studio LAAB Architects.
“In the past, it was hard to get to the harbourfront, but now the Harbourfront Commission has been trying hard to link up spaces for people to enjoy,” says Yim.
It is an example of how Hong Kong has evolved from the time when it was routinely dismissed as a “cultural desert” – an assessment that was never fair, and even less so today.
“Hong Kong has changed a lot,” Yim says. Even with 101 places to see, is still just a snapshot of design and culture in Hong Kong.