Tatler Hong Kong

Through Her Eyes

Even when our cover star, celebrity photograph­er Chen Man, is in front of the camera, she has an eye on the viewfinder

- PHOTOGRAPH­Y Trunk Xu STYLING Rosana Lai HAIR & MAKE-UP Li Jian ON THE COVER Jumpsuit, watch and boots by Louis Vuitton

The crew bustles around Chen Man’s studio on a particular­ly chilly Beijing evening. The space resembles something out of Star Trek, with fingerprin­tactivated doors and a Zen garden in a central courtyard that’s automatica­lly engulfed in fog every hour to hydrate the plants. This is the office of one of China’s most sought-after photograph­ers, a woman who has had a hand in the most high-profile fashion campaigns shot in the country and who has sometimes even been asked to photograph herself for magazine covers. This time, though, she’s posing for fellow fashion photograph­er Trunk Xu, a close friend and one of the few she trusts to shoot her portrait other than herself.

“For me, being behind the camera or in front of the camera is just a matter of position— there’s not a huge difference,” says Chen Man. “Saying that, I do prefer being behind the camera. I love creating a whole world in a photograph.” Even with minimal make-up, she looks fresh despite having arrived on a flight from New Zealand at 4:30am. She’s giving Louis Vuitton’s Cruise 2019 collection a provocativ­e, sexy spin, flipping her lush mane, pulling dresses off her shoulder, and baring a flash of her lace camisole. For the next shot, she straddles a chair in combat boots. She calls out for a glimpse of the screen and readjusts as she sees fit. The cover shoot, which would normally take nine hours, is done in three. Chen Man is a woman who knows what she wants—and how to get it.

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