Tatler Hong Kong

Jewels in the Crown

The secrets of Hemmerle jewellery’s one-of-a-kind creations have been passed down for four generation­s

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The year is 1893. Thomas Edison constructs the world’s first motion picture studio in the United States. New Zealand grants women the right to vote. In Japan, Mikimoto Kōkichi cultivates the first cultured pearl. And in a quiet corner of Bavaria, history is made for another reason: brothers Anton and Joseph Hemmerle acquire a small Bavarian goldsmith, giving rise to what would become Hemmerle, now an internatio­nally renowned, fourth-generation jeweller.

In 1900, the house exhibited a precious golden Bishop’s Cross at the World Exhibition in Paris that became a highlight of the show and garnered one of its top prizes. Hemmerle went on to supply papal medals to the Vatican and, from 1905, earned the exclusive right to make the Bavarian Maximilian Order, awarded for excellence in the arts and sciences.

Third-generation member Stefan Hemmerle, who assumed control in 1970, has been instrument­al in preserving not only his family’s heritage, but also the skillset of its artisans. The house revived a 19th-century Austrian technique involving hand-carved and drilled gem beads woven and knitted together to create a mesh effect. Hemmerle and his wife, Sylveli, who joined the company in 1995, sought to expand their presence overseas. Hemmerle made its debut at TEFAF in Maastricht in 1995, and has since exhibited at other prestigiou­s fairs, including at Palm Beach in Florida and PAD and Masterpiec­e in London.

It was during this time that Hemmerle designs began to push boundaries. Precious gems were juxtaposed with more unconventi­onal materials like aluminium, copper and wood. The notion of value was turned on its head—the focus was less on monetary price and more on aesthetic integrity. With its recognisab­le aesthetic, Hemmerle seeks to create one-of-a-kind high jewellery symbolic not

only of the brand, but also of the women who wear it. Across languages, cultures, ages and background­s, Hemmerle women share certain characteri­stics—they are, like the jewellery itself, understate­d, powerful and confident. Perhaps nowhere is this as clear as the Harmony Bangle, an open-ended piece with a seamless closure that’s seen several incarnatio­ns through the years. Celebratin­g its 30th anniversar­y this year, the bangle is an example of creativity and craftsmans­hip that has stood the test of time. The Harmony Bangle features in the permanent collection­s of London’s Victoria and Albert Museum and the Cooper Hewitt Smithsonia­n Design Museum in New York, while the Bishop’s Cross is part of the permanent collection of the Metropolit­an Museum of Art in New York.

With Hemmerle’s son, Christian, and his wife, Yasmin, joining the company in 2006, two generation­s now work in partnershi­p, and the brand’s signature craftsmans­hip has evolved to reflect the moments when inspiratio­n strikes.

A trip to Cairo, where Yasmin’s family is from, inspired both the Egyptian Story and Revived Treasures collection­s, celebratin­g the ancient civilisati­on’s reverence of jewels. A previous project, Delicious Jewels, brought to life a vegetable-inspired collection and featured a book published in collaborat­ion with food writer Tamasin Day-lewis. The [AL] Project reflects the brand’s appreciati­on of unorthodox materials. Through a process called anodising, rich hues are created to both complement and contrast the natural beauty of coloured gemstones. Each design is made at the atelier and can take seasoned craftsmen more than 500 hours to complete, which is why the brand releases only 200 pieces each year.

The Hemmerle boutique opened its doors on the prestigiou­s Maximilian­strasse in Munich in 1904, where the house has retained a presence for more than a century. While the beauty of a Hemmerle design speaks for itself, it is best appreciate­d in person. Private appointmen­ts can be arranged anywhere in the world (or held online when travel is unmanageab­le).

In its storied, 128-year history, Hemmerle has grown from a small family-run jeweller and purveyor to the Bavarian crown to a globally recognised brand that bridges tradition with innovation. Four generation­s have been continuall­y inspired to interpret their surroundin­gs in new and innovative ways as the brand’s identity has evolved, all the while retaining its reverence for its heritage—a trait likely to be passed down for generation­s to come.

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 ?? Earrings in bronze and white gold set with centreston­e old-mine diamonds weighing over 7 carats each by Hemmerle. Opposite page: Ring in iron and white gold set with a more than 12 carat D/IF diamond by Hemmerle ??
Earrings in bronze and white gold set with centreston­e old-mine diamonds weighing over 7 carats each by Hemmerle. Opposite page: Ring in iron and white gold set with a more than 12 carat D/IF diamond by Hemmerle
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 ??  ?? Clockwise, from top: Earrings in aluminium and white gold set with sapphires by Hemmerle; Harmony bangle in bronze and white gold set with over 1,400 emeralds weighing a total of 94 carats by Hemmerle; earrings in aluminium and gold set with diamonds, from The [AL] Project by Hemmerle; earrings in stainless steel and white gold set with aquamarine­s weighing over 33 carats each by Hemmerle; Yasmin and Christian Hemmerle
Clockwise, from top: Earrings in aluminium and white gold set with sapphires by Hemmerle; Harmony bangle in bronze and white gold set with over 1,400 emeralds weighing a total of 94 carats by Hemmerle; earrings in aluminium and gold set with diamonds, from The [AL] Project by Hemmerle; earrings in stainless steel and white gold set with aquamarine­s weighing over 33 carats each by Hemmerle; Yasmin and Christian Hemmerle
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