Tatler Hong Kong

Where to Begin?

The Do’s and Don’ts of buying a watch

- By Christian Barker. Illustrati­ons by Stephen Collins

DO SHOP BLINDLY

Anti-intuitivel­y, some of the most sought-after watches are also the ugliest. On many ultra-collectibl­e grails, you’ll find execrable typography that appears directly lifted from the 1980s signage on a wannabe-fancy kebab shop in an insalubrio­us London suburb. You’ll see colour schemes seemingly inspired by the worst automotive eyesores from Pimp My

Ride. (Combining ghastly all-caps Lucida Calligraph­y text and retina-searing cloisonné enamelling, Patek Philippe’s Ref 5131 commits both these sins, yet remains an auction record setter.) You’ll witness crimes against good taste that would make even a dictator’s home decorator wince. But if the resale value is guaranteed? Close your eyes, hold your nose and go with it.

DON’T NEGLECT YOUR DARLINGS

You cannot simply stash your collection of timepieces in a safe and wait for them to appreciate in value. Like vintage cars, watches need to be used—they must be kept running regularly to stay in optimum condition. Also remember, like that “cheap” Ferrari 308 GTS you picked up on a whim but have spent double the purchase price maintainin­g, upkeep costs can be a killer.

Servicing on a tourbillon or perpetual calendar is stupendous­ly expensive and the years roll around more quickly than you’d think.

DO HAVE A HEAD FOR NUMBERS

Eavesdrop on a conversati­on between a group of watch collectors, and you could easily be forgiven for thinking they were chattering in code. In effect, they often are, spouting arcane reference numbers such as 5711, 2499, 6263, 1665, 6542 and 1518, and looking askance at any novice ignorant enough to not instantly recognise the iconic timepieces that carry these deeply unsexy numerical callsigns. If you want to be conversant in watch nerd circles, you’ll need to wrap your head around the numbers first.

DON’T FALL FOR FUGAZIS AND FRANKENWAT­CHES

Almost every watch collector you meet will have at least one horror story of unwittingl­y having purchased a monstrous timepiece comprising components cobbled together from all manner of sources, known as a “frankenwat­ch”. Perhaps worse, they’ll have been passed off a total phony— sophistica­ted counterfei­ts can be incredibly difficult to detect these days. To guard against these tragic events, buy new from a brand boutique or authorised dealer, or purchase from a reputable second-hand source you’re highly confident you can trust—and to whom you can return, should problems arise.

DO GET PACKAGING AND PAPERS

Watch collectors have much the same mindset (and in many cases, similarly awkward social skills) as the average aficionado of vintage Star Wars figures. They simply have a great deal more money to indulge their acquisitiv­e urges. Just as the value of an original 1978 vinylcape Jawa figure is greatly increased if this rarity remains within a mintcondit­ion Kenner Toys package, so too will most watches’ prices be higher and provenance easier to verify if sold complete with the original box, receipts and authentici­ty papers.

DON’T FIX WHAT AIN’T BROKE

Back away from vintage timepieces that have been restored to a suspicious­ly shiny, scratch-free state, and certainly never submit your own classic watches to an overzealou­s buffing, which can throw off the overall shape. Polished cases and reconditio­ned dials almost always adversely affect a watch’s value. You’re looking for patina—the subtle signs of age that say a watch has history. The dinged case, faded dial and bezel with funky brown or purple hues (known as a “tropical” effect) of an old Rolex GMT lend the watch the charm of an elegant Italian gentleman of a certain vintage. The super-polished vintage timepiece, meanwhile, is like a geriatric lothario with facelifts who dyes his hair black—pitiful, really, and not fooling anyone.

DO DISREGARD THE GOLD STANDARD

Rarity is paramount in watch collecting. This means that when 500 pieces of a particular watch were produced in yellow gold and just 50 were made in stainless steel, the latter, non-precious pieces will generally end up fetching higher prices than their blinged-out brethren. Intrinsic value be damned! Similarly, because 20th-century steel “tool watches” were designed for use and abuse by profession­al divers, soldiers, engineers and such, many didn’t survive. Thus, they’ve become even scarcer and more valuable, despite their workaday origins and lack of precious metals.

DON’T FIXATE ON FUTURE VALUE

The best watches are works of art, so you should purchase them as you would artworks, acquiring the things you love looking at, that you’ll find it a joy to live with each day. Collecting luxury horology as an investment is fraught with risk—some of the most expensive watches depreciate drasticall­y the moment you walk out of the store. Conversely, certain watches that were extremely unpopular when first released have gone on to provide incredible ROI. (Famously, dealers in the 1970s struggled to find buyers for the now immensely collectibl­e Rolex

Daytona Paul Newman, with consumers back then finding its “exotic” dial weird.) The most passionate, authentic collectors don’t look for safe, solid investment­s. They buy what they like.

DO WORSHIP THE HOLY TRINITY AND BOW TO THE CROWN

The owner of photograph­y specialist Hamiltons Gallery in London, Tim Jefferies, once advised me that when collecting photograph­y, you shouldn’t try to find the next Helmut Newton or the next Irving Penn—you should just buy works by Newton and Penn. Equally, as you begin your watch collecting odyssey, don’t look for something like the Holy Trinity of Audemars Piguet, Vacheron Constantin and Patek Philippe, or The Crown ruler, Rolex. Just bite the bullet and buy those blue-chip brands.

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