Cyprus Today

Pitch Perfect’s third instalment is frustratin

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AFTER a rollicking reunion in the effervesce­nt 2015 sequel Pitch Perfect 2, delightful­ly dysfunctio­nal a cappella champions The Barden Bellas are, frustratin­gly, off-key and out of sync for their teary-eyed farewell tour of the musical comedy franchise.

The uproarious original film was one of the sleeper hits of 2012, part of a modern vanguard of fabulously female-centric comedies including Bridesmaid­s.

Despite some cute moments and a nostalgic montage of behind-the-scenes footage over the end credits, director Trish Sie’s film is one rousing chorus of sisterly solidarity too far for these harmonious heroines.

Screenwrit­er Kay Cannon hits emotional bum notes for the first time.

A cacophony of hastily composed character arcs falls flat and the luminous Anna Kendrick is almost relegated to (12A, 93 mins) Comedy/Musical/Romance

backing singer in the ensuing madness.

Crushingly, John Michael Higgins and Elizabeth Banks are little more than feedback as brilliantl­y waspish commentato­rs John Smith and Gail Abernathy-McKadden.

They are shoe-horned into the background under the flimsy pretence of making a fly-on-the-wall documentar­y about the Bellas’ final hurrah “as these women approach 30 and cease to be valuable as human beings”.

Higgins and Banks deserve better. So do we.

The majority of the Bellas have left college.

It’s a hard knock life without the unstinting support of the sisterhood as Beca (Kendrick) discovers when she quits her job as music producer after creative difference­s with an artist.

Soon after, opportunit­y knocks for the Bellas to reform for an overseas tour with the United Service Organisati­ons (USO), which entertains the United States Armed Forces.

Beca and room-mate Fat Amy (Rebel Wilson) trade hugs with the rest of the gang including Aubrey (Anna Camp), Chloe (Brittany Snow), Cynthia-Rose (Ester Dean), Emily (Hailee Steinfeld), Flo (Chrissie Fit) and softly spoken beatboxer Lilly (Hana Mae Lee).

Arriving at a naval station in Spain, the Bellas are crestfalle­n to learn they will be competing on the tour against three other bands including guitar-heavy girl rockers Evermoist led by sneering siren Calamity (Ruby Rose).

The Bellas are going to have to tune up their pitch-slapping putdowns and acadapt to concert himself

Pitc familia musical ends th the mu

Like in the charmi hilariou

Scre promot a loopy Fat Am by John that we shootin

He’s and out

Wh

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