The latest releases to watch at home
THE KING OF STATEN ISLAND (15, 137 mins) Comedy/Drama/Romance. Pete Davidson, Marisa Tomei, Bill Burr, Maude Apatow, Bel Powley, Ricky Velez, Moises Arias, Lou Wilson, Pamela Adlon. Director: Judd Apatow.
Released: Now (streaming and available to download from Amazon Prime Video, Google Play, iTunes, Microsoft Store, PlayStation Store, Sky Store, Virgin Media)
DEDICATED to the memory of actor Pete Davidson’s firefighter father, who died on September 11 2001,
The King Of Staten Island is a loosely autobiographical comedy drama about mental health, grief and self-destruction.
Director Judd Apatow co-wrote the script with Davidson and one of his best friends, Dave Sirus, adding fictional gloss to a deeply personal story that mines gallows humour from palpable human despair.
The film opens with the troubled lead character intentionally closing his eyes behind the wheel of a speeding car, while driving without a seat belt on a busy highway.
This heart-stopping scene is inspired by a real-life incident and buckles us tightly, and uncomfortably, to Davidson’s manic alter ego as he battles personal demons.
Soul-searching is counterbalanced with pottymouthed, snarky humour reminiscent of Apatow’s earlier work (The 40-Year-Old Virgin, Knocked Up) like when Davidson’s dropout upholds the right to compliment a woman’s appearance.
“I just said she looked nice in those pants,” he protests. “I didn’t know I’d get MeToo-ed for it!”
Tonal gear changes aren’t consistently smooth, the 137-minute running time is excessive and the lead character’s heartfelt redemptions sometimes feel like crowd-pleasing nods to convention rather than graduated changes in outlook or behaviour.
Seventeen years ago, Scott Carlin (Davidson) lost his firefighter father in a hotel blaze.
Now 24, the pothead struggles to articulate feelings to his ER nurse mother Margie (Marisa Tomei) and younger sister Claire (Maude Apatow), who is poised to leave for college.
Instead, Scott puffs merrily on the pipe dream of opening a tattoo parlour-themed restaurant, oblivious to health and safety concerns about mixing needles and noodles.
In the absence of a strong male figurehead, Scott wrestles with attention deficit disorder, Crohn’s disease and dark thoughts in the company of stoner buddies Igor (Moises Arias), Oscar (Ricky Velez) and Richie (Lou Wilson).
They sell pills to local kids and Scott occasionally shares the bed of childhood pal Kelsey (Bel Powley), whom he has known since fourth grade.
“You deserve somebody way better than me,” he confesses in a rare moment of clarity.
Margie remains faithful to Stan’s memory until she unexpectedly opens her heart to firefighter Ray (Bill Burr).
The arrival of another man in uniform sends Scott into a downward spiral and he resolves to poison Margie and Ray’s relationship using ammunition supplied by Ray’s embittered ex-wife (Pamela Adlon).
The King Of Staten Island is a touching if uneven underdog story that hits more frequently than it misses.
Davidson is a sympathetic ball of pent-up energy, sparring effectively with Tomei and Burr in their emotionally charged scenes.
London-born Powley sports an impressive accent as one person who truly understands Scott but knows, deep down, the only person who can save him from the inferno is himself.
ARTEMIS FOWL (PG TBC, 115 mins) Fantasy/Action/Adventure/Drama. Ferdia Shaw, Nonso Anozie, Lara McDonnell, Josh Gad, Colin Farrell, Dame Judi Dench, Miranda Raison, Tarama Smart. Director: Kenneth Branagh.
Released: Now (streaming exclusively on Disney+)
DIRECTOR Sir Kenneth Branagh’s big-budget action adventure, adapted for the screen by Conor McPherson and Hamish McColl from the first novel in Eoin Colfer’s Artemis Fowl series, becomes one of the jewels in the crown of Disney+ when it premieres exclusively on the streaming service this week.
Highly intelligent 12-year-old criminal mastermind Artemis Fowl II (Ferdia Shaw) follows in the footsteps of his father Artemis Fowl I (Colin Farrell), who has mysteriously disappeared.
The boy’s mother Angelina (Miranda Raison) has been driven to the brink of madness by the loss of her husband, and she retreats to her bedroom.
Young Artemis searches desperately for his missing parent in the company of trusted bodyguard Domovoi Butler (Nonso Anozie), dwarf informant Mulch Diggums (Josh Gad) and elf officer Holly Short (Lara McDonnell).
This motley crew of magical misfits ventures into a world of enraged fairies and renegade trolls.
En route, young Artemis meets Commander Julius Root (Dame Judi Dench) and Domovoi’s younger sister and enthusiastic protegee, Juliet (Tarama Smart).
YOU DON'T NOMI (18, 92 mins) Documentary. Director: Jeffrey McHale.
Released: June 12 (streaming and available to download from Amazon Prime Video, BFI Player, Curzon Home Cinema, iTunes, Rakuten TV, Sky Store)
IN THE mid-1990s, Dutch director Paul Verhoeven was surfing on the crest of a wave from back-to-back successes with RoboCop, Total Recall and Basic
Instinct.
The film-maker hoped to repeat the feat with his salacious 1995 picture Showgirls which was met with a deafening chorus of derision from critics, and bombed at the box office.
In the intervening 25 years, Verhoeven's picture has gained an unlikely status as a cult classic. McHale, feature-length documentary You Don't
Nomi looks back at the making of Showgirls and examines the film's legacy with lively contributions from film critics, cultural scholars and ardent fans.