Cyprus Today

Review of the latest releases

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SAVE THE CINEMA

(12A, 109 mins) Drama/Comedy/Roman ce. Samantha Morton, Owain Yeoman, Adeel Akhtar, Tom Felton, Erin Richards, Susan Wokoma, Jonathan Pryce, Harry Luke, Joe Hurst, Flynn Edwards, Colm Meaney. Director: Sara Sugarman. Showing now in UK & Ireland cinemas and streaming exclusivel­y on Sky Cinema

On July 15 1993, approximat­ely five minutes before opening credits rolled on the glitzy European premiere of Jurassic Park in London’s Leicester Square attended by Diana, Princess of Wales, excited residents of Carmarthen in south-west Wales became the first paying audience in Britain to tremble at the dinoblockb­uster.

Director Steven Spielberg had lent his personal copy of the film to Liz Evans, figurehead of a campaign to save The Lyric cinema from demolition, so she could host a “people’s premiere” in the resplenden­t Art Deco picture palace and keep bulldozers from the front door. Media from around the world covered the event and Evans was subsequent­ly awarded an MBE.

A rousing true-life story of community spirit and old-fashioned gumption provides the loose inspiratio­n for director Sara Sugarman’s unabashedl­y feelgood drama, which arrives on the big screen as independen­t cinemas around the UK and Ireland proudly keep projectors lit with reduced capacities and social distancing in the face of Covid.

Written by Piers Ashworth, Save The Cinema orchestrat­es a crowd-pleasing battle between passionate residents and a corrupt mayor for the soul of The Lyric. Shortly after Evans (Samantha Morton) hosts a free screening of John Ford’s 1941 film How Green Was My Valley to woo locals back to the cinema, a teenager sums up his feelings about the black and white masterpiec­e: “A bit cheesy.”

The same pithy critique applies to Sugarman’s film — she serves up generous slabs of Welsh blue cheese — but a heartfelt central performanc­e from Morton, colourful supporting turns and bountiful good will glisten in every sentimenta­l frame.

In 1993, hairdresse­r Liz (Morton), who runs Scissors n Combs with sassy assistant Dolly

(Susan Wokoma), learns that mayor Tom Jenkins

(Adeel Akhtar) has secured a council meeting majority vote to replace The Lyric with a shopping centre constructe­d by his property developer pal (Colm Meaney).

Supported by her husband David (Owain Yeoman) and three sons, Mark (Harry Luke), Huw (Joe Hurst) and Wynne (Flynn Edwards), Liz takes up temporary residence in The Lyric, knowing that a wrecking ball cannot swing at the listed building while she is inside.

An increasing­ly tense stand-off forces residents to choose sides and Liz welcomes the mayor’s executive assistant (Erin Richards), a town postman (Tom Felton) and her old drama teacher (Jonathan Pryce) to her tub-thumping cause. Save The Cinema abides sweetly by convention and Akhtar gamely embraces his role as the sneering pantomime villain guilty of boo-hiss cronyism. Sugarman’s familiar concoction won’t shake the foundation­s of modern cinema like Jurassic Park but her film goes down as smoothly as one of the potent T-Rextasy cocktails that Dolly serves at the Carmarthen premiere and brings tears to eyes with its fuzzy final reel resolution.

COW (12A, 94 mins) Showing now in UK & Ireland cinemas and streaming exclusivel­y on MUBI from February 11

British director Andrea Arnold OBE has won three coveted jury prizes at the Cannes Film Festival for her dramatic features Red Road, Fish Tank and American Honey.

Cow is her debut feature documentar­y and, as the title suggests, explores the day-to-day life of a dairy animal called Luma.

The film opens with her giving birth to a calf but the pair are quickly separated on an industrial farm where time is precious and the herd must be quickly and efficientl­y milked for profit.

Working closely with her regular cinematogr­apher Robbie Ryan, Arnold follows Luma as she fulfils daily demands, punctuated by moments when she and the herd are released on to green pastures to graze.

 ?? ?? Adeel Akhtar as Tom in Save The Cinema
Adeel Akhtar as Tom in Save The Cinema

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