Navigated
Pianist
Pianist

Pianist Zeitschrift Online-Abonnements

oder

Abonnieren Sie Select

15 Zeitungs- oder Magazinausgaben Ihrer Wahl pro Monat

US $11,99/Monat

Erhalten diese Artikel

Pianist, 26 Sept. 2025

Abonnieren Sie Pianist

US $40,99/12 Monate

Beschreibung

Pianist zeitschrift ist online mit PressReader verfügbar. Laden Sie die aktuelle Ausgabe herunter, um sie später zu lesen, oder stöbern Sie in den älteren Ausgaben von Pianist im Archiv.

In dieser Ausgabe

ArticleStreet Pianos

What’s it really like to per­form in pub­lic? To find out, we asked War­wick Thompson to play to the crowds on the newly installed Kawai at St Pan­cras sta­tion Pianos in pub­lic spaces have been on the rise since the early 2000s, as Chan­nel 4’s The...

Street Pianos

ArticleHow to Play 2

Chopin’s Bal­lade No 2 is full of mixed emo­tions, says Chenyin Li. Read her les­son, then watch her stun­ning per­form­ance on the Pian­ist You­Tube chan­nel Fiery tur­bu­lence and abso­lute con­trol: these are just two tech­niques you will need to...

How to Play 2

ArticlePian­ist Prime

Dis­cover how to gain access to dozens of archive issues, free piano webinars and more by becom­ing a mem­ber of Pian­ist Prime or Pian­ist Prime Plus

Pian­ist Prime

ArticleHow to Play 3

Melanie Spanswick helps you to pro­duce your best legato in Grieg’s poignant ‘Prayer’ from his 23 Short Pieces Legato is of the utmost import­ance in this poignant mini­ature by the Nor­we­gian col­our­ist, says Melanie Spanswick, who offers...

How to Play 3

ArticleStein­way Hall @ 150

John Evans talks to Stein­way’s expert tech­ni­cians and looks at the musical vis­ion of the All-Stein­way Schools If the qual­ity of a com­pany can be meas­ured by the length of ser­vice of its staff, then Stein­way UK, this year cel­eb­rat­ing its...

Stein­way Hall @ 150

ArticleClare Ham­mond

The Brit­ish pian­ist on reviv­ing rep­er­toire, tak­ing music to new audi­ences, and try­ing to har­ness some ultra-fast tem­pos Pat­terns, says Clare Ham­mond. Learn­ing a new piece, espe­cially if you’re com­mit­ting it to memory, and the clock is...

Clare Ham­mond