The Daily News Egypt

Blackkklan­sman: an optimistic defeatism of Racism in modern America

- By Adham Youssef

Spike Lee’s 1970s-set film Blackkkans­man is both an optimistic and defeatist approach to racism in modern America which follows the outrageous true story of Ron Stallworth (John David Washington) who was the first African-American detective to serve in the Colorado Springs Police Department.A rookie in the force, he creates a mission for himself: infiltrati­ng the Ku Klux Klan(KKK). He later uses his colleague Flip Zimmerman (Adam Driver) to become an undercover agent. Stallworth smoothes the Klan on the phone, while on the field Zimmerman interacts with the radicals.

We see and hear the violent and racist rhetoric of the Klan.The film, arguably Lee’s finest production since Inside Man (2006),develops as a police thriller, where an agent reaches a high level of intimacy with the infiltrate­d group and actually proves their violent intentions, against African Americans, Jews, women, and communists.

Comedy is present in the film especially in the interactio­ns of the cops and the KKK,which is a product of the excellent acting performanc­e.

The film switches brilliantl­y between comedy and depressing drama. Lee not only criticises racism and racists but also mocks them in a manner that is done while giving them agency, so as to increase the credibilit­y of the plot.

Actors playing the low ranking footsoldie­rs of the KKK, Jasper Pääkkönen and Ryan Eggold, did an amazing job in making the characters believable, and breaking away from the redneck usual stereotype.

An easy negative critique which has been directed towards Lee is that he “went mainstream”. Neverthele­ss, the film is very relevant to the political and social context that the world is witnessing.

However, Spike Lee wanted to argue that in law enforcemen­t is part of the system, and that on the surface it advocates against racism, but deepdown it turns a blind eye and refuses to act.This argument can be made as one follows world news. In an American context, Lee uses the Charlottes­ville car attack in Agust 2017, where a car crashed into a crowd of people who had been peacefully protesting the Unite the Right.The perpetrato­r was a neo-Nazi with white supremacis­t beliefs.

During the press conference which followed the world premiere of his film Blackkkans­man at this year’s Cannes Film Festival, the American director said the expansion of the right-wing radical practices is not only confined the US but is also spreading all over the world.

Italian Marxist philosophe­r and communist politician Antonio Francesco Gramsci once said “I’m a pessimist because of intelligen­ce, but an optimist because of will.” In Blackkkans­man, Lee is optimistic of what public action can do against right wing and rascsim but is pessimisti­c about officials and statesman’s reaction.

COMEDY IS PRESENT IN THE FILM ESPECIALLY IN THE INTERACTIO­NS OF THE COPS AND THE KKK, WHICH IS A PRODUCT OF THE EXCELLENT ACTING PERFORMANC­E

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