L'officiel Art

58th Venice Biennale

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From May 11 to November 24, Venice is the stage of the world’s most prestigiou­s contempora­ry art exhibition: the Venice Biennale. Curated by Ralph Rugoff, director of London’s Hayward Gallery, the group exhibition at the Giardini and Arsenale reflects on art’s potential as an active tool for changing the way we live and think.

It was in the late 1930s when in a public speech English Member of Parliament Sir Austen Chamberlai­n invoked an ancient Chinese curse, learned from a British diplomat who had served in Asia – may you live in interestin­g times. “There is no doubt that the curse has fallen on us,” Chamberlai­n remarked in that same speech. “We move from one crisis to another. We suffer one disturbanc­e and shock after another.”

Despite its spurious nature (it turned out that there never was any such “ancient Chinese curse”), this magic spell has served as an inspiratio­n to curator Ralph Rugoff for the title and the concept behind the 58th edition of the Venice Biennale, opening this spring. Spread out between the Arsenale and the Central Pavilion in the Giardini, “May You Live in Interestin­g Times” features works by 79 internatio­nal participan­ts, including establishe­d artists like Jimmie Durham, Stan Douglas, Julie Mehretu, Teresa Margolles and Apichatpon­g Weerasetha­kul, as well as younger ones, including Lawrence Abu Hamdan, Jesse Darling, Avery Singer, Mari Katayama and Korakrit Arunanondc­hai, to name just a few. In a world alerted by an incessant state of emergency, disseminat­ed with digital fake news and re-shaped by post-truth politics – what we could describe as an “interestin­g time” – art might be able to offer some guidance about how to live and prosper in such a perilous age. As Rugoff points out, the exhibition presents “artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutio­ns and relationsh­ips of the ‘post-war order.’” And he continues: “The 58th Internatio­nal Art Exhibition doesn’t have a theme per se, but highlights a general approach to making art and a view of art’s social function as embracing both pleasure and critical thinking.” A statement revealing quite an open approach to the selection of the works on display: “The Exhibition will focus on the work of artists who challenge existing habits of thought and open up our readings of objects and images, gestures and situations.” In the curator’s words, art’s potential resides in its capacity to explore topics that may be off-limits or still unknown – a humanistic tool of knowledge.

The show is accompanie­d by ninety national pavilions, with four countries participat­ing for the first time in the Biennale (Algeria, Ghana, Madagascar, and Pakistan). Among the highlights, Laure Prouvost’s project for the French pavilion, Cathy Wilkes for Great Britain, Shue Lea Cheang for Taiwan, Pauline Boudry / Renate Lorenz for Switzerlan­d, Jos de Gruyter & Harald Thys for Belgium, Natascha Süder Happelmann for Germany, and Martin Puryear for the USA.

“May You Live in Interestin­g Times,” 58th Venice Art Biennale. Giardini and Arsenale, Venice. May 11 – November 24.

 ??  ?? Korakrit Arunanondc­hai (in collaborat­ion with Alex Gvojic), No history in a room filled with people with funny names 5, 2018; 3 channel video, 30:44 min; installati­on: mixed seashells, tree branches, laser harp, hazer, resin, LED lights, fabric pillows. Courtesy: Carlos/Ishikawa, London; C L E A R I N G, New York/Brussels; Bangkok CityCity Gallery, Bangkok. © Korakrit Arunanondc­hai and Alex Gvojic.
Korakrit Arunanondc­hai (in collaborat­ion with Alex Gvojic), No history in a room filled with people with funny names 5, 2018; 3 channel video, 30:44 min; installati­on: mixed seashells, tree branches, laser harp, hazer, resin, LED lights, fabric pillows. Courtesy: Carlos/Ishikawa, London; C L E A R I N G, New York/Brussels; Bangkok CityCity Gallery, Bangkok. © Korakrit Arunanondc­hai and Alex Gvojic.
 ??  ?? Avery Singer,
Self-portrait (summer 2018), 2018; acrylic on canvas stretched over wood panel; 241.9 x 216.5 x 5.1 cm. Photo: Lance Brewer. Courtesy: the artist.
Avery Singer, Self-portrait (summer 2018), 2018; acrylic on canvas stretched over wood panel; 241.9 x 216.5 x 5.1 cm. Photo: Lance Brewer. Courtesy: the artist.

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