L'officiel Art

Audemars Piguet Foundation, Switzerlan­d

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Beyond its support for contempora­ry art, Audemars Piguet is equally a pioneer in the field of environmen­tal protection. Begun in 1992 through the efforts of Jacques-Louis Audemars (the great-grandson of the cofounder of the company of luxury watchmaker­s), the Audemars Piguet Foundation sponsors significan­t avant-garde philanthro­pic projects in forest conservati­on across the world.

When in the first years of the 1990s, the watchmaker from Le Brassus, Switzerlan­d got ready to celebrate the twentieth anniversar­y of its flagship model, the Royal Oak, its thinking came full circle to return to the area from which its precious timepieces have been created, the Vallée de Joux and the vicinity. For generation­s, the inhabitant­s of these regions—farmers who over the long winters took up the precision craft of watchmakin­g—exploited the land, cutting down trees in massive quantities before realizing what they were doing and trying to remedy their actions through a detailed reforestat­ion plan. The forests of the valley, brought back in part through the efforts of the “old generation,” will be the initial focus of the new campaign spearheade­d by Audemars Piguet.

“My father Jacques-Louis Audemars wanted to bring about a long-term project and not simply something for PR,” says Jasmine Audemars, the president of the board of directors. “This landscape inspires us and nourishes our business sense, so we wanted to

participat­e in the safeguardi­ng of these natural areas in the world,” she says. To date, the watchmaker­s have sponsored 121 projects in forty-nine countries (twenty are still underway in fourteen countries). What are the criteria for projects? “We look for projects that don’t have much visibly, and so where our aid can make the difference,” explains Olivier Audemars, the vice-president of the company. Projects encompass biodiversi­ty, but they also address local population­s, with the ideas in mind of sustaining local savoir-faire and of instilling in children an appreciati­on for the environmen­t. “We want the local people to be able to conserve their own ancestral lands that are under threat, while supplying the necessary knowledge for an ecological­ly-minded culture,” Jasmine Audemars remarks. Beyond simple preservati­on, the Foundation returns to the origins of dysfunctio­n by empowering the affected population­s, and this interventi­on bodes well for the transmissi­on of patrimony to future generation­s. The Foundation’s activity also extends to financing appropriat­e legal action that will allow these population­s to fight against government-sponsored deforestat­ion.

Thus, in relying upon the scientific collaborat­ion of the Internatio­nal Union for the Conservati­on of Nature (IUCN)—an organizati­on that brings together more than a thousand government­al and nongovernm­ental bodies to discuss the environmen­t—the Fondation Audemars Piguet has created for itself an image of rigorous quality that inspires other businesses to imagine new approaches to ecological questions.

audemarspi­guet.com

 ??  ?? “We want the local people to be able to conserve their own ancestral lands that are under threat, while supplying the necessary knowledge for an ecological­ly-minded culture,” Jasmine Audemars.
“We want the local people to be able to conserve their own ancestral lands that are under threat, while supplying the necessary knowledge for an ecological­ly-minded culture,” Jasmine Audemars.
 ??  ?? To date, Audemars Piguet have sponsored 121 projects in forty-nine countries (twenty are still underway in fourteen countries).
To date, Audemars Piguet have sponsored 121 projects in forty-nine countries (twenty are still underway in fourteen countries).

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