L'officiel Art

Ruinart Conscious Wonderland

- By Audrey Levy

In 2029 we will pop champagne at Ruinart with great fanfare! And for good reason: the house founded in 1729 will celebrate its 300 year anniversar­y! Why wait? Artists are already commission­ed to concoct a project, under the sign of sustainabl­e developmen­t and artificial intelligen­ce. Its name? Retour aux sources.

Thirty feet undergroun­d, you might find yourself in one of these crayères, or chalk pits, listed as a UNESCO heritage site. This is where Ruinart keeps its wines, inviting us to a magical show. In the darkness, there is first this gigantic, all-steel root, which is 7 meters high. And then on the walls, these rays of light are accompanie­d by sounds escaping from a dozen hanging bubbles. It looks like the reflection­s of the sun at the bottom of the ocean. And it’s not just an impression: it once was an ocean . . . and this layer of chalk surroundin­g it was its bottom! That’s the meaning behind Retour aux sources, the name of the immersive installati­on created by the artist duo Mouawad Laurier. It’s a little glimpse of how the oldest champagne house is about to celebrate its 300th anniversar­y. Although not until 2029, at Ruinart we are starting ten years in advance, presenting each year to visitors a new – artistic, technologi­cal or architectu­ral – piece, which will be installed in vineyards or cellars, emphasizin­g the commitment­s of the house in terms of sustainabl­e developmen­t and innovation.

These artists have been given a carte blanche because they have experience in the subject, integratin­g advanced technologi­es into their creations, such as artificial intelligen­ce, innovative sound and light devices: Maya Mouawad manipulate­s LEDs like no other, and Cyril Laurier, a sound specialist thanks to his studies at Ircam, is an expert in the emotional analysis of music. The ultimate point in projects? “The strong relationsh­ip with nature, which we find in each of their pieces,” adds Frédéric Dufour, president of Ruinart. Still, the constraint­s were heavy: it is difficult to deploy a work of this size and in these fragile depths. “Humid and undergroun­d temperatur­e conditions are ideal for our wines but less so for this technology,” he admits. The result: it took two years to develop!

And it’s an artistic and technologi­cal feat! Equipped with artificial intelligen­ce, the root can observe in real time the elements that take part in the making of champagne: the cycle of the seasons, climate and temperatur­e changes … it feeds on them and reinterpre­ts them, delivering this evolutiona­ry choreograp­hy. And through it, its vision of the vineyard and production. As innovation does not go without relying on ancestral savoir-faire, craftsmen from Murano were asked to design these fine glass bubbles, equipped with LEDs, capable of reproducin­g undergroun­d, the effects of light. What message did the artists want to convey through the work? “We wanted to put the human being back in their place: tell them that, despite their apparent domination, they are temporally and physically small,” they confide. And from Ruinart: “We wanted to symbolize our roots in the Champagne region and our strong bond with nature, while making visitors aware of the challenges of climate change.” It’s beautifull­y artistic and highly technologi­cal and yet also instructiv­e . . .

 ??  ?? Maya Mouawad and Cyril Laurier, photograph­ed with their work
Retour aux sources.
Maya Mouawad and Cyril Laurier, photograph­ed with their work Retour aux sources.

Newspapers in French

Newspapers from France