STEVE McCURRY
The World of Steve Steve Mccurry exhibition presents more than 150 photographs printed in large format for the first time in Paris. It is the most comprehensive retrospective dedicated to the great American photographer. It features his most famous photographs from his 40-year career, as well as his most recent and many previously unpublished images.
Each of Steve Steve Mccurry's images, most of which are known worldwide, contains a complex world of experience and emotion.
The exhibition, conceived by Biba Giacchetti, proposes a long journey through Steve Steve Mccurry's world, from Afghanistan to India, from South-east Asia to Africa, from Cuba to the United States, from Brazil to Italy, through his vast and fascinating repertoire of images, in which the human being is always the main protagonist, even if he is only evoked.
biography
Steve Steve Mccurry was born in Philadelphia, Pennsylvania, and attended Penn State University. He originally planned to study cinematography and filmmaking, but instead gained a degree in theater arts and graduated in 1974. He became interested in photography when he started taking pictures for the Penn State newspaper The Daily Collegian. After a year working in India, Steve Mccurry traveled to northern Pakistan where he met two Afghans who told him about the war across the border in Afghanistan.
Steve Steve Mccurry's career was launched when, disguised in Afghani garb, he crossed the Pakistan border into rebel-controlled areas of Afghanistan just before the Soviet invasion.[5] "As soon as I crossed the border, I came across about 40 houses and a few schools that were just bombed out," he says. He left with rolls of film sewn into his turban and stuffed in his socks and underwear.these images were subsequently published by The New York Times, Time and Paris Match[6] and won him the Robert Capa Gold Medal for Best Photographic Reporting from Abroad.
Steve Steve Mccurry covered more armed conflicts like the Iran–iraq War, Lebanon Civil War, the Cambodian Civil War, the Islamic insurgency in the Philippines, the Gulf War and the Afghan Civil War. There have been a couple of dangerous moments where Steve Mccurry came close to losing his life. He was almost drowned in India and he survived an airplane crash in Yugoslavia. Steve Mccurry has had his work featured in magazines worldwide and he is a frequent contributor to National Geographic.
Steve Steve Mccurry concentrates on the toll war takes on humans. He intends to show what war does to not only the landscape, but to the people who inhabit that land. "Most of my images are grounded in people. I look for the unguarded moment, the essential soul peeking out, experience etched on a person’s face. I try to convey what it is like to be that person, a person caught in a broader landscape, that you could call the human condition."[6] What Steve Mccurry wants his viewers to take away from his photographs is the "human connection between all of us." He believes there is always some common thing between all humans despite the differences in religion, language, ethnicity, etc.[4] Steve Mccurry also states, "I have found that I get completely consumed by the importance of the story I am telling, the feeling that the world has got to know. It's never about the adrenaline. It's about the story."[3] However, sometimes Steve Mccurry has witnessed some "horrific" and "distressing" sights. In times like these, he uses his camera as a "shield" because it's easier to witness these events through a viewfinder.
On September 10, 2001, Steve Steve Mccurry had just gotten back from Tibet. The morning of September 11, Steve Steve Mccurryreceived a call saying the World Trade Center was on fire. He went up to the roof of his building and started taking photographs, unaware that it was a plane that had hit the towers. Steve Mccurry was on the roof when both of the towers fell, "they were just gone. It didn’t seem possible. Like you’re seeing something but you don’t really believe what you’re seeing."[8] After the fall of the towers, Steve Mccurry ran to Ground Zero with his assistant. He describes the scene, "there was this very fine white powder everywhere and all this office paper, but there was no recognizable office equipment—no filing cabinets, telephones, computers. It seemed like the whole thing had been pulverized." Steve Mccurry left later that night and went back early on September 12, he didn't have any press credentials and had to sneak past security. He was eventually caught and escorted off Ground Zero, he wouldn't go back again.
Steve Mccurry switched from shooting color slide film to digital capture in 2005 for the convenience of editing in the field and transmitting images to photo editors. He said that he had no nostalgia about working in film in an interview with The Guardian. "Perhaps old habits are hard to break, but my experience is that the majority of my colleagues, regardless of age, have switched over... The quality has never been better. You can work in extremely low light situations, for example."
Steve Mccurry shoots in both film and digital, but says he prefers shooting with transparency film. Eastman Kodak gifted him the last roll of Kodachrome film to ever be produced by Kodak. Steve Mccurry shot the roll, which was processed in July 2010 by Dwayne's Photo in Parsons, Kansas. Most of these photos were published on the Internet by Vanity Fair. Steve Mccurry states, "I shot it for 30 years and I have several hundred thousand pictures on Kodachrome in my archive. I'm trying to shoot 36 pictures that act as some kind of wrap up – to mark the passing of Kodachrome. It was a wonderful film."