Shades of Color

MATHIEU FORGET

Interview

-

Can you tell us about yourself and your learning path in photograph­y?

I am a former athlete. I played tennis at a high level in France and then at a university in the US. In the meantime, I discovered hip-hop dance and its universe when I was 15 years old (dance, video, music), and I became passionate about it. I wanted to learn how to dance and do acrobatics so that one day I could be in his videos. My journey led me to the United States, where I discovered photograph­y in New York with photograph­ers I contacted over time to establish collaborat­ions.

Finally, I learned photograph­y on the job, and I continue to do so by observing, informing myself, and diversifyi­ng my creations in a self-taught way.

What kind of images were you looking at when you started?

When I discovered hip-hop, I watched the videos and tours of my favorite artists like Michael Jackson, Usher, B2K, and Justin Timberlake. Then the more I got interested in "street photograph­y," the street photos in NY of different artists. I love the design and architectu­re photos that still inspire me today.

What are your main influences in painting and photograph­y?

I was inspired by the photos of great artists like Philippe Halsman, Yves Klein, David Lachapelle, and Michael Kenna but also by the movements of some dancers, athletes, and artists captured in motion.

How would you define your style?

As an artist in motion, a dancer, photograph­er, and performer attracted to geometry, architectu­re, improvisat­ion, and color. I am also captivated by the lightness and ease of the body. If I had a superpower, I would love to be able to fly.

I do motion and movement photograph­y. I consider it almost like poetry in motion.

How do you find your inspiratio­n?

A little bit of everything like today's designers, in my daily life through the places I visit, the trips I take, the encounters I have, or the outfits I wear. It's both everything and nothing. Social networks bring me a lot of inspiratio­n too.

How do you design these images? Do you make sketches or storyboard­s?

I mainly improvise. However, I sometimes plan more in advance for big projects and collaborat­ions. Still, it's primarily where I will create the images that inspire me. I conceive them by putting myself in the scene and trying out postures according to the luminosity and the available installati­ons.

You have a background in sports and dance. Are your jumps totally improvised, or do they depend on the

environmen­t?

Both. I adapt to my environmen­t and use it as inspiratio­n for my jumps. I improvise the postures according to the environmen­t which surrounds me.

What kind of equipment do you use?

I mainly shoot with equipment from the Sony Alpha collection. Today I vary between the A7iii and the A7RIV. Then I use my iphone to capture small videos attached to my camera for the backstage for social networks. I like to vary with RED or Sony film cameras when I create films.

How do you work on the lighting of your images? Can you describe your setup?

I never use flash, only natural light. I also have assistants and photograph­ers to look at other interestin­g angles, so I don't miss any opportunit­ies.

What was your best photograph­ic experience?

My last big project in Turkey will be released soon, especially for the landscapes, the diversity of our pictures, and the colors we discovered. I visited 5 cities in 2 weeks, and it was incredible.

Post-processing is an essential part of photograph­y today. What kind of software do you use?

I mainly use the Adobe suite and especially Lightroom and Photoshop to work on my photos. For video, I use Première.

Do you have a post-processing workflow, and what type of software do you use?

Once the photos have been taken, I transfer them quickly to my computer (the same day or the next day). And then, when I have time, and the project is not imminent, I wait a little while before rediscover­ing the images later to take a step back and select the better ones.

Social media is probably the most important tool for promoting your work. Which one is best for you, and do you have a specific strategy for using it?

I strongly believe in the power of social media. I try to use them to the best of my ability, especially IG and Tik Tok, my main platforms. I got known thanks to social networks, and I think it's a great tool for artists today. IG is a showcase, very visual, where I can communicat­e with my community. But the buzz was especially on Tik Tok, which has more fun and spontaneou­s side where you see the backstage, which works very well for me. I'm also trying to diversify, and I'm in the middle of developing my Youtube account. During my travels, I am starting to make vlogs to explain the process of my shoots. I want the creations to be as transparen­t as possible.i also participat­e in podcasts when I have the opportunit­y to explain my background, my training, and my work in general.

Do you have any upcoming projects you want to talk about?

I currently have an exhibition of 36 works at Bercy village (court St-émilion) available until the end of April, which presents a small part of my work.as I mentioned, the project in Turkey will be my first exhibition abroad in collaborat­ion with the French Institute of Turkey and other local sponsors. This exhibition will present the result of two weeks of traveling around the country in beautiful places. We are also preparing a future immersive and interactiv­e exhibition in Paris. It will happen fall to showcase all my latest projects and present my work to the general public for the first time.otherwise, I continue to work on my profession­al projects with brands, create shootings in atypical and very architectu­ral places, and establish regular collaborat­ions with artists who inspire me, which diversifie­s my work.

Finally, do you have a tip or advice for aspiring photograph­ers?

The eye of the photograph­er improves with practice. That's how you become better, learn by yourself, train when you have time, study the work of profession­als to create your own style, and find your signature.

My body is also my work tool, and I think it is very important to take care of it. My advice for the passionate people who want to start is Passion, Perseveran­ce, and Patience. Stay creative, don't hesitate to try many things, and meet new ideas to fly with your own wings.

 ?? ??
 ?? ??
 ?? ??
 ?? ??
 ?? ??
 ?? ??
 ?? ??

Newspapers in English

Newspapers from France