Vocable (Anglais)

Banksy’s new prank

La dernière farce de Banksy

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L’énigmatiqu­e artiste anticapita­liste a encore frappé.

Le mois dernier, lors d’une vente chez Sotheby’s, à Londres, le tableau Girl with Balloon de Banksy s’est partiellem­ent autodétrui­t devant une assistance médusée après son acquisitio­n pour 1,2 million d’euros. Banksy avait caché une broyeuse à papier dans le cadre du tableau. La surprise a mis le marché de l’art en émoi. Mais l’artiste engagé et anticapita­liste n’en était pas à son coup d’essai...

London — The U.K. street artist Banksy is no stranger to provocatio­n. But on October 5, his antagonist­ic streak reached beyond his painting and into its frame. At a London Sotheby’s auction of his 2006 spraypaint work “Girl With Balloon,” the artist rigged a secret shredding contraptio­n into the base of the frame that destroyed the work via remote control. The painting had sold moments before for $1.4 million to an unidentifi­ed buyer, who purchased the painting via telephone.

2. Banksy posted a video of the event on Instagram, which showed stunned auction-goers watching as an alarm sounded before the painting slipped through the frame and shredded roughly half of the canvas into ribbons. A representa­tive for Banksy, when reached, cited the artist’s quotation of Picasso that “the urge to destroy is also a creative urge.”

3. The painting, which was auctioned off as part of Sotheby’s “Frieze Week” contempora­ry art sale, had fetched more than three times its initial estimate and set a record sale price for the artist. Banksy — whose identity still has yet to be confirmed — often incorporat­es political messaging, anti-capitalist ideas, and art world satire into his work.

ANTI-CAPITALIST ARTIST

4. In 2013 he even set up a pop-up stand in New York’s Central Park, where original canvases of his work were sold to customers for $60 a piece, far below the large sums his work usually demands. In March 2005, he sneaked his own artworks into four of New York’s most prominent museums, including the American Museum of Natural History, where he left a beetle with missiles on its wings in the “Hall of Biodiversi­ty.”

5. In September 2006, Banksy installed an inflatable version of a Guantanamo Bay prisoner near the Big Thunder Mountain Railroad ride in

Disneyland. His 2006 debut in America took place in a warehouse in downtown L.A., which featured a live elephant painted like wallpaper standing in a faux living room. His new stunt, perhaps his most tangible critique of the art market yet, has instantly become the talk of the U.K. art world.

STILL RELEVANT

6. Artist Isaiah King, who is exhibiting at The Other Art Fair in London, said the event was abuzz with news of Banksy’s antics. “I keep waiting for him to be irrelevant and then he goes and does something like that,” King said. “If he was a lesser artist, he would have destroyed the art’s value. But because it’s Banksy it will only be worth more now.”

7. Dan Chrichlow, creative director of the creative management agency Dutch Uncle, had a more skeptical view. “I think the auction house knew it was going to happen. I think the whole thing was created. They check everything,” he said. “I like the fact that Banksy did it and created a whole story, which is a very Banksy thing to do. But it doesn’t feel authentic.” It’s unclear if Sotheby’s was in on the artist’s intent to destroy the work.

8. Shepard Fairey, the popular L.A.based street artist — most well known for his Obama “Hope” posters — said that “I do agree with the underlying sentiment of it. This is an ephemeral art form that street artists who come from the street art world understand: ‘It’s not gonna last.’ Then, ironically, there becomes a demand for it.” “I think Banksy’s idea here is that an appreciati­on for the concept is more important than an appreciati­on of the object,” he added.

THE BEGINNINGS

9. “Girl With Balloon,” which depicts a child reaching upward toward a heart-shaped balloon, was first stenciled on a wall in East London. It has since become one of Banksy’s most identifiab­le images in a career that, despite his anonymity, is meant for maximum public view. Banksy began his career in the Bristol graffiti scene, tagging buildings with politicall­y trenchant pieces critiquing police violence, Western imperialis­m and consumer capitalism. He frequently turns to elaborate, clandestin­e pranks to needle the high-end gallery and museum scene which, while making him rich, has also served as foil for his satirical work.

10. In 2005, he secretly hung on a wall at the British Museum a piece depicting a prehistori­c human pushing a shopping cart. The work remained in the museum for several days before staff noticed it. In 2015, he built “Dismaland,” an entire theme park in an abandoned swimming resort, as a comment on British depression and entertainm­ent culture in modern capitalism.

11. Although he is one of the world’s best-known contempora­ry artists, Banksy has always had a mixed relationsh­ip with fame, even anonymousl­y. The 2010 documentar­y Exit Through the Gift Shop took a somewhat jaundiced view of the booming street art scene at the time, which made global celebritie­s out of artists like himself and Fairey. Fairey likens Banksy’s “Girl With Balloon” prank to performanc­e art: ephemeral but everlastin­g, regardless of how the auction house ultimately proceeds regarding the work’s new buyer.

12. “Once he realized that media would latch on to what he was doing, he thought less about the viability of the piece for long-term exposure, (and) more about if the concept and the context was strong enough, it would live forever,” Fairey said. “He’s always thinking in a multi-layered way, and that’s part of his genius.”

“Art should comfort the disturbed and disturb the comfortabl­e."

 ?? (Ray Tang/ REX/Shuttersto­ck/SIPA) ?? Banksy's surprise interventi­on into Sotheby's Contempora­ry Art Evening Sale on 5 October.
(Ray Tang/ REX/Shuttersto­ck/SIPA) Banksy's surprise interventi­on into Sotheby's Contempora­ry Art Evening Sale on 5 October.
 ??  ?? Consumer Jesus (2004) by Banksy. (Richard Young/REX/ Shuttersto­ck/SIPA)
Consumer Jesus (2004) by Banksy. (Richard Young/REX/ Shuttersto­ck/SIPA)

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