Vocable (Anglais)

Emily Mortimer thankful she booked The Bookshop

Portrait d’une actrice britanniqu­e en pleine ascension.

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The Bookshop, dernier film de la réalisatri­ce espagnole Isabel Coixet, nous transporte dans un petit village fictionnel du Suffolk à la fin des années 1950. Florence Green (Emily Mortimer), une veuve de guerre, décide d’y ouvrir une librairie, ce qui lui attire les foudres de l’élite locale. Le film, au cinéma à partir du 19 décembre, a reçu le Hitchcock Coup de Coeur décerné par l’associatio­n La Règle du Jeu au dernier Dinard Film Festival. Portrait de l'actrice britanniqu­e Emily Mortimer.

There were two major rules in Emily Mortimer’s home when she was growing up in England. Her father, author John Mortimer, made it clear everyone in the household had to like Charles Dickens or they would not be considered cool. And, anyone who liked sports would be uncool. It was easy 1. rule règle / to make, made, made sth clear faire clairement comprendre qch / household foyer, ménage, famille / for her to follow her father’s first rule as Mortimer grew up with such a passion for books she studied literature both in English and Russian while attending college.

2. The sports rule has not had much impact on Mortimer’s acting career but books >>> such a un(e) tel(le) / both à la fois (et) / to attend fréquenter, faire des études à / college université.

definitely play a role in her latest work, The Bookshop. Mortimer portrays a widow who in 1959 decides to take a major chance and open a bookshop in a very conservati­ve coastal town. Her passion for books earns her the admiration of a reclusive widower (Bill Nighy) and makes her a target for the town’s grand dame (Patricia Clarkson) who wants to use the shop as an art center.

3. Not only do the books' storylines weave in and out of quaint shop, the film is based on the 1978 novel of the same name by Penelope Fitzgerald. Mortimer was not aware of the source material before landing the job but sought it out immediatel­y. “With any role, you are grabbing for anything to grab hold of that helps with the process of finding a part, the character,” Mortimer says. “When there is a book to read, you read it and use it as much as you can for research and to help understand the world of the character.

CAST AND CREW

4. The other helpful parts for taking on The Bookshop came from cast and crew. Mortimer knew from her first meeting with director/writer Isabel Coixet that she wanted to work with her and it was Clarkson who brought the role to her attention. The 2. definitely indubitabl­ement / latest dernier (en date), plus récent / work oeuvre; ici, rôle dans un film / to portray incarner / widow veuve (widower veuf) / to take, took, taken a chance tenter sa chance, prendre un risque / to earn ici, valoir (à) / reclusive reclus, solitaire / target cible, proie / grand influent. 3. storyline histoire, intrigue / to weave, wove, woven in and out of se faufiler entre; ici, être tissé autour de / quaint au charme désuet / novel roman / to be aware of ici, avoir connaissan­ce de / source material document original (ici, roman) / to land ici, décrocher (rôle) / to seek, sought, sought sth out (re)chercher / to grab (hold of) saisir, prendre / part rôle, facette, aspect / character personnage. 4. cast distributi­on, acteurs / crew équipe de tournage / to take, took, taken on ici, accepter (de jouer dans) / director ici, réalisateu­r / to bring, brought, brought sth to sb's attention parler à/informer qn de qch / advice Clarkson gave to Mortimer was that she would be a fool not to be in the film. And then there was the chance to work with Nighy, the man Mortimer calls a matinee idol. Just before doing the interview, Mortimer and Nighy were texting each other in regards to how they should do another movie together and that it should be shot in Paris.

5. Her process of researchin­g a role has been very important over the years as Mortimer has put together an eclectic collection of credits. She’s been an animated voice in Cars 2, took on the task of playing a television producer in The Newsroom and starred in her own twisted reality show with Doll & Em. Mortimer describes her process of selecting jobs in that it comes out of a desire to “be a moving target.” “Part of why I am drawn to performing is that it allows you to not be defined as one thing. You can be a million things,” Mortimer says.

RESEARCH

6. The amount of research she does to show off all those different parts of herself depends on the role. Movies based on books, as in the case of The Bookshop, come with a built-in research resource. When she doesn’t have that kind of material and she finds herself struggling with finding the way to play the role, Mortimer will write long pages of thoughts about the character’s past and

advice (inv.) conseils / fool idiot, crétin / matinee idol bellâtre / to text envoyer un SMS (à) / in regards to au sujet de / to shoot, shot, shot ici, tourner. 5. over ici, au cours de / to put, put, put together ici, cumuler / credit mérite; ici, rôle lui ayant conféré une certaine reconnaiss­ance / animated dans un film d'animation / to star être la vedette / own propre / twisted tordu; ici, complexe / reality show émission de téléréalit­é / to be drawn to être attiré par / to perform ici, interpréte­r, jouer / to allow permettre à. 6. amount quantité / to show, showed, shown off faire étalage de, révéler / built-in intégré, déjà existant / kind genre, type / material ici, ressource / to struggle with éprouver des difficulté­s à / way façon, manière / who she thinks they are. A lot of times she will just turn to bits and pieces of her own life to fill in the blanks. That was even the case with Doll & Em, a British television comedy about an actress named Em (Mortimer) and her best friend Doll (Dolly Wells) who has been hired as Em’s assistant. The stories were a blend of fiction and reality as many of Mortimer’s family members appeared in the show.

7. No matter the role, the process is the same to Mortimer. “You have to make the scene work and you have to find ways of making the scene seem real and believable.” Working on The Bookshop put Mortimer back in the world of books that were so much a part of her life while growing up. These days – both because she’s a mother and a very busy working actor – Mortimer has trouble finding the time to open a book unless it’s something full of material she can use for her next job.

bits and pieces ici, épisodes, séquences / to fill in the blanks combler / even même / to hire embaucher / blend mélange, combinaiso­n. 7. no matter peu importe, quel que soit / to work fonctionne­r, "marcher", "rendre" / to make, made, made ici, faire en sorte que / to seem sembler, paraître / to put, put, put back ramener / these days aujourd'hui, désormais / to have, had, had trouble (+ ger.) avoir du mal à / unless à moins que.

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(Lisbeth Salas / Septieme Factory) Emily Mortimer is Florence Green in
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