Vocable (Anglais)

Billboards: a booming ad medium

L’essor des panneaux publicitai­res.

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Les panneaux publicitai­res, qui font partie intégrante du paysage new-yorkais depuis le XIXe siècle, sont aujourd’hui plus utilisés que jamais aux États-Unis. Avec l’avènement du smartphone et le développem­ent des technologi­es de « tracking », les grosses entreprise­s ont redécouver­t les avantages de ce support publicitai­re intemporel.

Pedestrian­s strolling down 8th Avenue in Manhattan’s Hell’s Kitchen neighbourh­ood will be struck by the castlimest­one façade of the Hearst Magazine Building. Commission­ed by William Randolph Hearst in 1926, the 40,000-square- foot (3,716-square-metre) art deco building is adorned with fluted columns and statues and topped by a 600-foot (183-metre) glass and steel skyscraper. Another conspicuou­s fea- ture is a vast digital screen transmitti­ng advertisem­ents from BuzzFeed, ESPN and Vice. This blend of history and modernity is emblematic of the outdoor-advertisin­g business itself, which, despite being one of the world’s oldest forms of marketing is embracing digital technologi­es.

2. Most forms of convention­al advertisin­g— print, radio and broadcast television—have been losing ground to online ads for years; only billboards, dating back to the 1800s, and TV ads are holding their own. Such out-of-home (OOH) advertisin­g, as it is known, is expected to grow by 3.4% in 2018, and digital out-of-home (DOOH) advertisin­g, which includes the LCD screens found in airports and shopping malls, by 16%. Such ads draw viewers’ attention from phones and cannot be skipped or blocked, unlike ads online.

ADAPTABILI­TY

3. Billboard owners are also making hay from the location data that are pouring off people’s smartphone­s. Informatio­n about their owners’ whereabout­s and online browsing gets aggregated and anonymised by carriers and data vendors and sold to media owners. They then use these data to work out when different demographi­c groups— “business travellers”, say—walk by their ads. That knowledge is added to insights into traffic, weather and other external data to produce highly relevant ads. DOOH providers can deliver ads for coffee when it is cold and fizzy drinks when it is warm. Billboards can be programmed to show ads for allergy medication when the air is full of pollen.

“PROGRAMMAT­IC” ADVERTISIN­G

4. Such targeting works particular­ly well when it is accompanie­d by “programmat­ic” advertisin­g methods, a term that describes the use of data to automate and improve ads. In the past year billboard owners such as Clear Channel and JCDecaux have launched programmat­ic platforms which allow brands and media buy- ers to select, purchase and place ads in minutes, rather than days or weeks. Industry boosters say outdoor ads will increasing­ly be bought like online ones, based on audience and views as well as location.

5. That is possible because billboard owners claim to be able to measure how well their ads are working, even though no “click-through” rates are involved. Data firms can tell advertiser­s how many people walk past individual advertisem­ents at particular times of the day. Advertiser­s can estimate how many individual­s exposed to an ad for a Louis Vuitton handbag then go on to visit a nearby shop (or website) and buy the product. Such metrics make outdoor ads more data-driven, automated and measurable, argues Michael Provenzano, co-founder of Vistar Media, an ad-tech firm in New York.

FAVOURED BY THE TECH GIANTS

6. As the outdoor-ad industry becomes more datadriven, tech giants are among those to see more value in it. Netflix recently acquired a string of billboards along Hollywood’s Sunset Strip, where it will start advertisin­g its films and TV shows. Tech firms, among them Apple and Google, are heavy buyers of OOH ads, accounting for 25 of the top 100 OOH ad spenders in America.

7. The outdoor-ad revolution is not problem-free. The collection of mobile-phone data raises privacy concerns. And criticisms of the online-ad business for being opaque, and occasional­ly fraudulent, may also be lobbed at the OOH business as it becomes bigger and more complex.

 ?? (SIPA) ?? Advertisin­g for J.J. Abrams’ Star Wars: The Force Awakens on a giant LED screen in Times Square, New York, December 2015.
(SIPA) Advertisin­g for J.J. Abrams’ Star Wars: The Force Awakens on a giant LED screen in Times Square, New York, December 2015.

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