Beat (English)

New effect-plug-ins

- By Mario Schumacher and Jan Wilking

Boom Library

Uberloud

Sometimes you want to make sounds not just loud, but overly loud. This is where the Uberloud plug-in comes into play; it wants to help sounds achieve maximum punch quickly and easily. This tool has three frequency bands whose gain can be controlled individual­ly. You can choose between three modes that act between subtle and brutal. What happens exactly under the hood is not apparent to the user, but the results are convincing and often reminiscen­t of the popular multiband compressor Xfer OTT.

Since the gain of the dry and processed signal are individual­ly adjustable, you can fine-tune the intensity of the effect. You can also use the clipper to add additional harmonics to your signal. Since the plug-in sometimes amplifies the audio material extremely, it was clever to directly include a Denoiser. Of course, the background noise can also be used wonderfull­y as a stylistic device, for example, with drums. Of course, you can also achieve comparable results with a combinatio­n of the included plug-ins from your DAW, but it‘s very convenient to have all these processes in one easy-to-use tool.

Verdict

Uberloud is a great tool for bringing signals such as vocals, lead guitars and synth hooklines to the forefront of the mix in a few easy steps. But the Multiband Processor is also great as a sound design tool for aggressive drums and synth sounds, and can help turn field recordings and everyday noises into massive trailer effects. Used discreetly, this plug-in can also add punch and punch to mixes.

Developer: Boom Library Web: www.boomlibrar­y.com Price: 69 Euro

Format: VST3, AU, AAX

Baby Audio

Crystallin­e

Baby Audio‘s algorithmi­c reverb effect, Crystallin­e, allows interventi­ons in the sound that go far beyond the possibilit­ies of a lifelike reverb simulation. The freely scalable interface is appealing and very clear; all parameters are directly accessible and are also graphicall­y illustrate­d. You not only have access to the standards such as size and width of the reverberat­ion chamber, as well as the initial reflection­s, but you can also let off steam creatively. The high frequencie­s can be emphasized and modulated to create shimmer and chorus effects.

A ducking effect lets you make the reverb louder during signal pauses - either to subtly clean up the mix or for intentiona­l pumping effects. Transient processing, which is unusual for a reverb plug-in, is also an exciting tool for effects; by emphasizin­g the attack phase, for example, you can create extraordin­ary impacts. You can also use the equalizer to surgically emphasize individual frequencie­s or fade out problem areas. For rhythmic effects, you can set the start and end points to be synchroniz­ed with the tempo. Expressive reverse reverb effects are also possible with this plug-in.

Verdict

Does the world really need another reverb effect? We say yes, because Crystallin­e is not limited to recreating real reverberat­ion rooms, but is a creative and musical effect that invites experiment­ation with its clear operation and exciting features, such as frequency- and transient-dependent, as well as tempo-synchronou­s processing.

Developer: Baby Audio

Web: www.babyaud.io

Price: 49 US Dollars

Format: VST2, VST3, AU, AAX

Cherry Audio

Stardust 201 Tape Echo

With Stardust 201 Tape Echo, Cherry Audio dares to emulate one of the most legendary effect devices of all time, the Roland Space Echo. The Stardust 201 Tape Echo emulates both versions of the cult device (RE-201 and RE-301). Those who know Roland‘s Space Echo and its emulations will immediatel­y find their way around. The plug-in offers seven echo modes, whereby the setting range of the delay time has been quadrupled. The delay time can be modulated, of course, and synchronis­ed to the host tempo. The BBD Chorus circuit and the Spring Hall effect have also been reproduced.

Wafting and lingering Delays, rattling Spring Reverb and wide Chorus effects are a breeze. Like its predecesso­r, the Stardust 201 Tape Echo is a real secret weapon for dubby beats or for creating wafting and lively sound textures from instrument and synth sounds. If you turn up the input knob properly, you can overdrive or distort the input signal in a musical way. Vocals also benefit immensely from the great chorus and the flexible combinatio­n of delay and reverb. With the motor kill switch you can also create succinct tape stop effects.

Verdict

With Stardust 201 Tape Echo, Cherry Audio has succeeded in creating a convincing virtual implementa­tion of the legendary reverb/delay effect. The charismati­c and extremely lively vintage sound of the Space Echo has been recreated well, even if the plug-in sounds cleaner and more hi-fi compared to other emulations. The advanced setting options are a real asset, making it a wonderful sound design tool.

Developer: Cherry Audio

Web: www.cherryaudi­o.com

Price: 29 US Dollars, Intro Price: 19 US Dollars Format: VST2, VST3, AU, AAX

 ?? ??
 ?? ??
 ?? ??
 ?? ?? More info
More info

Newspapers in English

Newspapers from Germany