Beat (English)

Studioszen­e Mannheim 2022

- www.studioszen­e.de

On August 30 and 31, the Studioszen­e will take place again at the Rosengarte­n in Mannheim - the largest live community event of the audio industry in the German-speaking region. On site, many manufactur­ers will show you their latest products and invite you to try them out. In addition, there will be plenty of opportunit­ies to talk to like-minded people and to network with them. Last but not least, there will be master classes where you can expand and deepen your own production skills. Sascha Blach talked to the creators ...

Henning Verlage – Star Producer & Lecturer Having become known as the Producer for Unheilig, Henning Verlage is still a soughtafte­r Producer, Songwriter and Mixing Engineer.

Beat / Among other things, you‘ll be spotlighti­ng the production of Unheilig‘s „Sea of Lights“?

Henning / Yes, „Lichtermee­r“is a current production from the latest posthumous­ly released Unheilig album „Lichterlan­d“. Even if it‘s specifical­ly about this title, the song is exemplary for the general way I approach a production, the arrangemen­t and the overall sound „in the box“, meaning it‘s mainly about workflow, session organizati­on, plug-ins, libraries and VST instrument­s used, which can also be applied to other production­s, DAWs and projects.

Beat / What makes a good Master Class for you?

Henning / It should be entertaini­ng, show a lot of hands-on and, hopefully, be inspiring. I also like to watch Master Classes myself, because you always take something away from them. Sometimes, it‘s just the confirmati­on that „ah, he or she does it that way too, so I‘m not wrong with my way of working. That helps with your own progress.

Beat / Do you talk spontaneou­sly or do you prepare your presentati­on meticulous­ly?

Henning / I prepare the session and the rough path through it in order to get all the essential points done within the allotted time. Apart from that, I also like interactiv­ity with the audience, so that sometimes things develop differentl­y than planned or the focus becomes different. That is always different. Spontaneou­s anecdotes from everyday life in the studio are also part of it, of course, because they show that not everything always goes as technicall­y planned as it might seem (laughs).

Marc Bohn – The Organizer Marc Bohn is the Editor-in-Chief of Sound&Recording Magazine, Event Manager of the Studioszen­e and is mainly responsibl­e for the Studioszen­e Trade Show. We asked the organizer what you can expect.

Beat / Marc, there are quite a few music fairs. What makes Studioszen­e special? Marc / The Studioszen­e is organized by the industry for the industry and is tailored to the Recording & Producing community. The organizing team includes many Producers and Engineers like Waldemar Vogel (Max Giesinger), Stephan Lembke (Galaxy Instrument­s) and Clemens Matznick (Guano Apes), who will also be on site as presenters. This, as well as the Master Class program, shows how important the attractive­ness of the event is to us as organizers.

Beat / You are guests at the Rosengarte­n in Mannheim. What does the location offer?

Marc / For example, there are many rooms for our Master Classes and Workshops. Everything takes place on one level, so the distances between the exhibition, workshop rooms and our discussion forum, where there is also a community lounge, are short. By doing this, we hope to make it cozy and create a positive vibe. There is also a lounge in the Studio Sofa corner, where you can retreat with a coffee and something to eat with like-minded people for a nerd talk.

Beat / Tickets are available with and without Master Classes. Why should you not miss them?

Marc / Moses Schneider, Ralf Christian Mayer, Bizzy Mo, Philipp Schwär ... I don‘t think you need to say any more than that (laughs). When Moses talks from the studio, it‘s not only informativ­e, but also very entertaini­ng! And Glenn Fricker‘s 90-minute workshop, which you can attend without a Master Class ticket, is included for everyone. That is also an absolute highlight for me.

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