SLEEK

A piece of art idea: Il Grande Teatro delle Civiltà

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SLEEK FENDI founded its headquarte­rs in the Fondazione Arnaldo Pomodoro former exhibition venue in Milan. What does that say about FENDI?

Serge Brunschwig I consider the former Fondazione Arnaldo Pomodoro exhibition venue in Milan as the perfect space for FENDI. It unites important qualities that are important for us to do shows, set up showrooms or create and coordinate in our office. We absolutely love the unique space: we care und cherish it including its artworks by Pomodoro, for example Il Labirinto (‘The Labyrinth’), a room created by Arnaldo Pomodoro, in the basement.

S FENDI has collaborat­ed with a number of high-profile artists and designers over the years. Now, at their headquarte­rs in Rome – the Palazzo della Civiltà Italiana –FENDI is partnering up with the Fondazione Arnaldo Pomodoro for the exhibition Il Grande Teatro delle Civiltà. How does Arnaldo Pomodoro’s work resemble FENDI’s, and which values do you share?

SB At some point, things have to make sense from an artistic point of view. First, I had a discussion with Arnaldo himself, talking about the idea of an exhibition in our headquarte­rs at the Palazzo della Civiltà Italiana (Esposizion­e Universale di Roma). Both of us immediatel­y liked the idea. We started contacting curators and came across Lorenzo Respi and Andrea Villani. The idea grew and became a bloody good plan very quickly. We not only share the same values and heritage, the partnershi­p also makes sense on a more pragmatic level.

S A pragmatic level?

SB The space at the Palazzo della Civiltà Italiana – FENDI’s headquarte­rs in Rome – fits the artworks by Arnaldo Pomodoro. It’s a fantastic dialogue between Rome, this particular building, Arnaldo’s work such as the statues in front of the building. I never thought we would place five pieces of art outside the space. The idea grew over time, so the former pragmatic decision became at some point also an intellectu­al one. The artist, curators and our team together created something new by merging our building and the artworks.

S Can you speak about the importance of art in fashion?

SB They have some things in common probably, but there’s a major difference. Artworks are made for eternity rather than creating seasonal objects to sell. We don’t have the same ambition to create objects for ever, even though it’s an inspiratio­n to us. It’s an absolute. Our similariti­es lie in the creation itself, maybe even using similar techniques such as the mutual inspiratio­n. The purpose is a different one.

S What’s your personal approach to art?

SB I love creation, sculpture, paintings or cinema.

Art fosters creativity and inspires me in my work. Art is one of the key ingredient­s for my work and gives me the element of emotion that I need to be creative.

S Arnaldo Pomodoro reinterpre­ted the iconic Peekaboo bag, created by Silvia Venturini for FENDI in 2008. Who specifical­ly chose this bag and why?

SB It was as simple as that: We asked him and he said yes. Because he was inspired by the bag’s shape and because our Peekaboo bag has a history of being reinterpre­ted by several artists. So for him to agree to work on the Peekaboo bag was extraordin­ary to us.

S The perfect combinatio­n from fashion to art. SB A piece of art idea. ●

 ?? ?? SLEEK talked to the CEO of FENDI Serge Brunschwig about their latest partnershi­p and exhibition together with the Fondazione Arnaldo Pomodoro, Il Grande Teatro delle Civiltà in Rome, and their headquarte­rs in Milan.
SLEEK talked to the CEO of FENDI Serge Brunschwig about their latest partnershi­p and exhibition together with the Fondazione Arnaldo Pomodoro, Il Grande Teatro delle Civiltà in Rome, and their headquarte­rs in Milan.
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