Prestige Hong Kong - Tic Talk

“FRANCK MULLER’S DNA HAS ALWAYS BEEN QUITE UNUSUAL, BOLD AND LARGER THAN LIFE, AND THAT’S WHAT MAKES THE BRAND SO SPECIAL”

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Nicholas Rudaz COO, Franck Muller

The 15th anniversar­y of Franck Muller’s Crazy Hours collection went with a bang: with a name like that, it really ought to. Attended by Franck Muller himself, a recent soiree at Singapore’s Infinite Studios had guests exploring five thematic party rooms, featuring bathtubs filled with bespoke drinks, a themed diner, and a tropical- themed photo booth with flamingo floats. Among the flamboyant­ly dressed guests was chief operations officer Nicholas Rudaz, who wore a Crazy Hours in rose gold and diamonds.

Rudaz, who joined Franck Muller as COO in 2007, is responsibl­e for the brand’s business strategy and operations, and is also its official spokespers­on. He says that this has been a positive year.

“We are happy to say that all the figures are up. We’ve seen Hong Kong back in force again, so that’s a relief. Asia has always been a very important market for us. We even do Franck Muller weddings in Japan, with Franck Muller- themed tableware, gifts and, of course, Franck Muller watches for the couple. So for us, it is only natural to celebrate our 15th anniversar­y with Asia.

“Franck Muller’s DNA has always been quite unusual, bold and larger than life, and that’s what makes the brand so special. The Franck Muller watch is very recognisab­le from a distance, and people who wear one like to show that uniqueness off. This anniversar­y is a milestone for a beautiful product, and we wanted to celebrate it in style.”

Living up to its name, the eccentric watch flaunts disordered hour numerals in a signature art deco aesthetic. While the minute hand sweeps convention­ally around the dial, the hour hand leaps across some 120 degrees to the next correct digit every 60 minutes. The chaotic complicati­on is surprising­ly subtle, however, especially to a casual gaze. “Whenever I present the Crazy Hours to people around the world, I ask them to look a little closer, and that’s when they realise what’s really going on,” says Rudaz.

The brand recently released a Crazy Hours 15th Anniversar­y Asia Exclusive in three sizes. Sporting blue or grey dials with pops of colour, this commemorat­ive model is available in 40 possible combinatio­ns in stainless steel, diamond and rose- gold variants. The watch also shows off the signature Cintrée Curvex case, featuring the brand’s take on the tonneau case in an ergonomic silhouette, where three curved axes join at a single spherical point.

Crazy Hours made its debut in a very different era. “When we presented the Crazy Hours then, I think the majority of people couldn’t see what was really going on inside the dial,” says Rudaz. “But now, with social media, films and such, we can present the concept of the Crazy Hours much better.” He recalls a recent interactio­n during a watch exhibition in Doha, with clients who’d got wind of the publicised launch through social media: “People were coming to us with the photos of the Crazy Hours 15th Anniversar­y Asia Exclusive, saying they wanted it.

“Of course, with social media revolution­ising the way products are distribute­d, it is important for our industry to follow that trend. But as a manufactur­e, we want to concentrat­e on our design and producing exceptiona­l watches, and leave the commercial side to our agents.”

He adds that the company also has plans for a bespoke online service that allows clients to customise a watch’s shape, size, finishing and colours.

“Franck Muller watches have always been highly exclusive anyway. We’ve always had so many different [ models] all produced in limited numbers. We already have a bespoke quality in our watches because of that diversity. Furthermor­e, Franck Muller will continue to make special editions after the Asia Exclusive.”

The brand is also finishing constructi­on of two more buildings at its production site in Geneva. “The biggest challenge has always been to create novelties year after year, whether in design or complicati­ons,” says Rudaz. “It is important to maintain the Franck Muller creativity. That has been our priority for the last 26 years, and will continue to be what we strive for in years to come.”

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