Cathay

TRAVELS WITH WALT DISNEY

DOROTHY SO joins the famous animator on the path that led to ‘ the happiest place on Earth’

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DOROTHY SO travels with the animator from the heartland of America to Europe and South America on a quest for inspiratio­n

WALTER ELIAS DISNEY was born in the heartland of America in the winter of 1901. He spent his early childhood on a farm in

Marceline, Missouri, sketching the birds, bugs and barnyard animals under the shade of a giant cottonwood tree.

This Midwest upbringing became the bedrock of Disney’s storytelli­ng. Even after moving to Hollywood, he returned to his roots often, both in person and through his cartoons. In black-and-white short Steamboat Willie, Mickey Mouse was introduced to the world riding a rickety sidewheele­r paddle steamer – a common sight along the rivers of Kansas City where Disney worked a paper route as a young boy (and later set up his first studio). Nostalgia for his hometown, replete with Victorian houses and tree-lined avenues, was also drawn into the cels of Lady and the Tramp.

But Disney’s love for old-town America was matched by his interest in the world, piqued from an early age by his grandmothe­r’s stories of princes and princesses in faraway lands. He frequented Europe numerous times as an adult and the continent inspired many of his favourite stories, including his first full-length animation Snow White and the Seven Dwarfs.

Accompanyi­ng Disney on his European escapades would have been both fun and frustratin­g. He was a workaholic with an insatiable curiosity. If you didn’t share his enthusiasm for storytelli­ng, you would most likely find yourself sidelined as he went in search of creative inspiratio­n. During a European tour in 1935, he collected almost 300 books filled with beautiful illustrati­ons and fanciful stories, including that of Pinocchio, the Italian novel he would adapt into his second full-length picture. While vacationin­g in southwest Bavaria, Disney visited the magnificen­t Neuschwans­tein Castle, which became the royal palace of Sleeping Beauty – and the central structure at several Disneyland­s around the world, including Anaheim and Hong Kong.

While Disney is known for his makebeliev­e worlds, he demanded a high degree of realism. As one of Disney’s animators, you’d have needed a keen eye and a great deal of patience to spend months in the woodlands of Maine, studying the snowcapped trees and berry-bearing bushes that gave Bambi its charm.

And you’d have needed plenty of energy to join Disney’s exploratio­n of Latin America, as documented in Technicolo­r in Saludos Amigos and The Three Caballeros, which intercuts real-life footage of Buenos

Aires and Rio de Janeiro with artists’ sketches of the Andes and animated shorts of Donald Duck doing the samba in

Brazil and visiting Lake Titicaca.

In the late 1940s, Disney ventured into the realm of nature documentar­ies with the aptly titled True-Life Adventures series. There were 13 films in total and the crew went from examining seals on the Pribilof

Islands in Alaska to spending three years charting the life of lions in the arid plains of Africa. Aside from picking up eight Academy Awards along the way, the series became fodder for Adventurel­and in the very first Disneyland theme park, with many of the natural wonders his studio documented over the years recreated in animatroni­c form in the Jungle Cruise attraction. Disneyland captures the spirit of a man who wandered far in real life and in his imaginatio­n; it’s a world where no destinatio­n is too far or fantastica­l. How dreams come true (opposite page) The Walt Disney Hometown Museum (top left); the Neuschwans­tein Castle (top right) inspired Sleeping

Beauty’s castle and Disneyland’s Magic Kingdom (centre); a True Life Adventure in Alaska (bottom right); wintery Maine woodlands in Bambi (bottom left)

A MAN WHO WANDERED FAR IN REAL LIFE AND IN HIS IMAGINATIO­N

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