Cathay

THE GIFT OF GUILT

- French filmmaker Arnaud Desplechin chronicles a chaotic Christmas, without the trimmings. By AMANDA SHEPPARD

CHRISTMAS: a time to eat, drink and be merry with loved ones. But it’s also a time most families descend into collective chaos, the result of spending all that time together under one roof. That’s certainly the case in Arnaud Desplechin’s unconventi­onal comedy-drama

A Christmas Tale. Over the festive period, iron-willed matriarch Junon Vuillard (Catherine Deneuve) reveals that she is ill with the same cancer that claimed her six-year- old son four decades ago. She needs a risky bone marrow transplant and so her family must rally – reluctantl­y – in support. Among the ensemble are her three adult children – depressed playwright Elizabeth (Anne Consigny), fragile, sensitive Ivan (Melvil Poupaud) and outcast Henri (Mathieu Amalric), whom Elizabeth exiled years ago: the price she demanded for settling his mounting debts. Arguments unfold over unwanted opinions, whose life has fallen most off the rails and who should be most indebted to whom – with even Junon’s impending transplant used as ammunition. Stylistica­lly, the film is as confrontat­ional as its characters. Desplechin adopts a vignette-like treatment, weaving in the backstorie­s of the supporting cast and how they relate to the family. As Junon, Deneuve breaks the fourth wall, speaking directly to the camera. Voices are raised, stairs are stomped down and scene-separating chapters firmly close the door on conversati­ons that were likely nowhere near conclusion. The director is unapologet­ic in his warts-and-all depiction of the Vuillard family. Junon and Elizabeth display a startling lack of empathy. Coupled with Henri’s selfservin­g monologues and father Abel’s head-in-the-sand approach to conflict, the discord Desplechin injects into the film results in an off-kilter comedy- drama – the comedic element most successful when it seemingly shouldn’t be. No family is perfect, and A Christmas Tale is testament to this. But the Vuillards manage to put their difference­s aside – however begrudging­ly – for just long enough to survive the festive period. A true Christmas miracle.

 ??  ?? Keeping up appearance­s Peace in the Vuillard family home, before both presents and feelings are unwrapped
門面工夫
Vuillard一家­表面上和諧共處,直至拆掉禮物和虛情假­意的裝後,才顯露出內裡的恩恩怨­怨
Keeping up appearance­s Peace in the Vuillard family home, before both presents and feelings are unwrapped 門面工夫 Vuillard一家­表面上和諧共處,直至拆掉禮物和虛情假­意的裝後,才顯露出內裡的恩恩怨­怨

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