China Daily

TV talent due for a shakeup

Networks looking to replace aging commentato­rs

- By ASSOCIATED PRESS in San Diego

Peter Kostis went to the Ryder Cup as a swing coach and left with a broadcasti­ng career.

USA Network televised the 1989 matches when no one else wanted the Ryder Cup. Jim Simpson was the lead announcer. Gary McCord, Ben Wright and journalist Don Wade were part of the reporting crew.

“They get over there and realize they may be short a person,” Kostis said. “I had several players on both teams that I was coaching, so they said, ‘ Would you like to be an on- course reporter?’ I said, ‘ What do I have to do?’ They said, ‘ Just walk and tell us what’s going on.’ I jumped at it. And that was my first foray into television broadcasti­ng.”

Roger Maltbie was handed a microphone, but no manual.

“I had no clue what I was doing,” he said of his television debut in 1991 at the Bob Hope Classic. “They just put you out there, and either you have some aptitude for it or you don’t.”

Larry Cirillo was NBC’s golf producer and gave Maltbie the only advice he ever needed: Just be yourself.

Inside the ropes, golf has been going through a significan­t generation­al shift over the past few years.

For the first time since the world rankings began in 1986, the top three players were all in their 20s. And with Rickie Fowler winning in Abu Dhabi last week, make that the top four. On the air, another generation­al shift might not be far behind.

Gary McCord has been with CBS Sports since 1986. Kostis is starting his 25th year with CBS. Gary Koch started with ESPN in 1990 and enters his 20th year with NBC.

Koch and Maltbie already are starting to cut back on their schedules. Mark Rolfing, who is recovering from a rare form of cancer, is approachin­g 30 years in television, all but six of those with NBC.

Their voices — not to mention Johnny Miller — have filled living rooms for a quarter century or more.

Golf on TV already is going through a few changes this year. David Feherty has left CBS and brings his brand of humor to NBC and the Golf Channel starting next week at the Phoenix Open.

Dottie Pepper makes her debut this week at Torrey Pines with CBS and will become the first woman to be part of the announcing crew at the Masters. Notah Begay was hired three years ago at NBC when Pepper left.

But that core of voices in booths and on the course — Koch, Kostis, Maltbie, McCord and Rolfing — are all in the mid- to upper- 60s. Who is next? “It’s going to be interestin­g,” Kostis said. “I don’t see very many guys who want to work hard enough to do a good job.”

Golf Channel executive producer Molly Solomon referred to the Feherty hire as a “bridge to the next generation”.

The biggest hole to fill is Miller, whenever he decides to step away — although Solomon said getting the British Open has rejuvenate­d him.

But it is clear the network already is making plans, especially with Maltbie and Koch starting to cut back.

Brandel Chamblee has been a strong presence on Golf Channel. Golf Channel last year brought on David Duval, a former British Open champion and world No 1, primarily for studio work.

Justin Leonard made his TV debut at the Hero World Challenge last month and likely will get a few more looks.

“What helps is having a deep bench,” Solomon said.

The networks did not always have that. It is almost as if they found on- course reporters by accident.

Rolfing was playing in the old Kapalua Internatio­nal when he won a car for being closest to the pin, was invited to the booth and made enough of an impression to get offered a job.

Maltbie started at the Bob Hope in 1991, but only if NBC let him work the Ryder Cup at Kiawah Island. And that is where he thought his career was over before it really started.

He was pulled off his group to find Mark Calcavecch­ia, who had just blown his match against Colin Montgomeri­e. Maltbie said Calcavecch­ia had been sobbing so hard his eyes were swollen. He was not about to interview him, so he left.

“My mindset back then was I wasn’t a TV guy. I was still a player,” Maltbie said.

“I walked over to the production compound and ( producer) Terry O’Neil is standing at the door. I said, ‘ I found him, but he can’t talk.’ He said, ‘ Stay with him. He’ ll talk.’ I looked at Terry and said, ‘ You stay with him and maybe he’ ll talk to you. But I’m not doing it.’

“Less than a month later, Terry O’Neil offered me a job.”

Newspapers in English

Newspapers from Hong Kong