At home on China stage
If you go
Center Arts.
Also a successful stage-design artist, he has won a series of national prizes for his sets for events such as the Beijing Olympics in 2008.
“I am intrigued by the fate of ordinary people,” Wang says, explaining why he decided to stage Streetcar.
The time and society in Tennessee Williams’ writing has much in common with today’s China, he says.
“We are standing at a turning point, when old social rules are declining and new commercial civilization is in the making.
“In Streetcar, you find the main characters are migrants, just like in China today — many people leave their hometown to build a new life in big cities such as Beijing and Shanghai.”
Among the urban dwellers in China are many women with good educations and cultural sensitivity, just like Blanche, the lead character in Streetcar.
Williams’ play was written in 1947 and has become recognized as a modern classic of American literature. In the for the Performing 7:30 pm, April 25-29. National Center for the Performing Arts, 2 Chang’an Street West, Xicheng district, Beijing. 010-6655-0000. 7:30 pm, May 5-6. Shanghai City Theater, 4889 Dushi Road, Minhang district, Shanghai. 021-5415-7496. 7:30 pm, May 19-20. Hangzhou Grand Theater, 39 Xinye Road, Jianggan district, Hangzhou, Zhejiang province. 0571-8685-5003. 7:30 pm, May 26-27. Chongqing Guotai Art Center, 1 Linjiang Zhilu, Yuzhong district, Chongqing. 023-6386-0588. Blanche, a former schoolteacher of English, moves in with her younger married sister, Stella, after losing their family home.
Blanche finds Stella’s working-class husband, Stanley, loudandrough,whileinreturn Stanley dislikes his sister-inlaw. Yet Blanche stays on, and makes friends with Stanley’s poker-game pal, Mitch.
But the conflict between Blanche and Stanley escalates, as he digs out her scandalous history.
The antagonism comes to a climax when Stanley rapes Blanche, leading to her psychotic crisis. Stella, who has just had a new baby, decides to live on with Stanley, and has Blanche sent away to a mental asylum.
One of the most famous plays of the 20th century, Streetcar was made into a movie in 1951, with Vivien Leigh and Marlon Brando creating two of the most iconic figures in film history.
Wang found all the major characters in Streetcar to be misfits and insecure, just like many of the people in China now. To help audiences relate to the story and characters, he intentionally blurs the American background and focuses on the fate and encounter of the characters.
Widely recognized as a theater classic, Streetcar has grown out of the rich soil of the realisplay, tic theater tradition in Europe, and “made a big step forward”, resultinginextremesituations and multifaceted characters, says Wang.
In the past decade, huaju , or “theater plays”, have gained popularity in urban China, in contrast to the traditional folk opera featuring poetic lyrics and stylized performances. But Wang says classical or established plays are not sufficiently presented in China, compared with contemporary comedies and plays adapted from popular novels, TV series and films.
Streetcar and other plays that have become part of the world’s literary canon are worth presenting to contemporary Chinese audience because “their themes transcend time, and today’s audiences can find resonance in their own existences”, says Wang.
The first-round performance in July won acclaim from critics, encouraging the Shanghai Dramatic Arts Center to take it on tour this year. The new cast features Zhang Lu as Blanche and Wen Xiaowei as Stanley. Both are actors at the SDAC.
“You can’t just follow your own gut if you want to create such a complicated and famous role as Blanche,” Zhang says.
“I need to absorb nourishment from all the preceding works, from Vivien Leigh’s film to the National Theatre Live.”
Zhang has played leading roles in major theater productions, musicals and TV series, and says she finds Blanche to be a challenging and inspiring character. veteran