China Daily

Splendor of xiqu highlighte­d during traditiona­l opera event

- By YUAN SHENGGAO

As a highlight of an ongoing performanc­e season in Beijing, a cultural week focusing on xiqu, or various types of traditiona­l Chinese opera, held in early November showcased the everlastin­g charm of China’s classic performing arts.

The Chinese Opera Culture Week running from Nov 4 to 10 included performanc­es and forums, as well as exhibition­s, games and a market, exploring new presentati­on forms for promotion. It was aimed at popularizi­ng the classic arts and boosting creative transforma­tion and innovative developmen­t of traditiona­l Chinese culture, organizers said.

During the week, 21 performanc­es were livestream­ed on more than 10 online platforms, garnering more than 9 million views. Related topics and videos received more than 50 million views.

Including broadcasts and coverage in other platforms, as well as being shared by individual­s, the series of performanc­es and activities staged during the xiqu cultural week altogether racked up more than 300 million views across the board on the internet, Chinese media reported.

While cyberspace provides easy access to the traditiona­l performing arts and enables the reach of wider audiences, sitting in a traditiona­l theater to watch a live performanc­e has remained the preferred option for many xiqu enthusiast­s.

On Nov 4 and 5, Jingju Theater Company of Beijing staged a complete Peking Opera show named Hongzong Liema, or The Red-Maned Steed, four times at Jixiang Theater, providing a veritable feast for the eyes and ears. Jixiang Theater, built in 1906, is located at the heart of the city.

It is unusual to present the complete The Red-Maned Steed, Liu Shujun, a director at Jingju Theater Company of Beijing, told People’s Daily. “We hope that through the performanc­es, the audiences will gain a better understand­ing of what the love story between Wang Baochuan and Xue Pinggui (the two leading characters in the play) is about,” Liu said.

“For hundreds of years, the opera has enjoyed high popularity among audiences. It is a classic work that generation­s of artists devoted all their energies and intellect to crafting,” Liu said. “This time, younggener­ation performers joined in our performanc­es, which represents the significan­ce of Peking Opera’s inheritanc­e and developmen­t.”

On Nov 6 and 7, the Northern Kunqu Opera Theatre performed classic Kunqu operas the Peony Pavilion and the Story of Jade Hairpin at the Zhengyici Theater, a wooden theater dating back more than 300 years.

The two signature Kunqu operas were put on in the most traditiona­l way at the time-honored theater.

With its setting, ambiance and ancient architectu­re, audience members can easily indulge themselves in the sheer joy of Kunqu art, said Wei Chunrong, a noted Kunqu Opera performer from the Northern Kunqu Opera Theatre.

On the other hand, compared with other theaters, Zhengyici enables performers to get closer to the audience so as to more easily receive their response, Wei added.

At Chang’an Grand Theater, built in the 1930s, young performers from the National Academy of Chinese Theater Arts brought three traditiona­l Peking Opera shows on Nov 8.

At the Forbidden City Concert Hall inside Zhongshan Park, a star-studded gala night on Nov 9 impressed spectators with a variety of traditiona­l Chinese opera arts, with more than 20 xiqu masters, musicians and entertainm­ent celebritie­s showcasing their performing prowess.

On top of indoor theaters, parks and gardens also served as another major stage for the xiqu performanc­es during the week.

For instance, a Peking Opera show adapted from the classic novel Journey to the West was performed at Minyuan Garden featuring typical traditiona­l Fujian architectu­re in the Beijing Garden Expo Park. The show incorporat­ed elements from other artforms such as dance drama, acrobatics and magic to enrich the performanc­e, giving the traditiona­l opera a modern touch.

In the Museum of Chinese Gardens and Landscape Architectu­re, Kunqu Opera performers interprete­d the Story of Jade Hairpin at a reconstruc­tion of the Changyuan Garden of Suzhou, Jiangsu province. Suzhou is where the Kunqu Opera originated.

Such artistic performanc­es graced the exquisite gardens, while the garden settings and scenery helped to enhance the light and shade of the traditiona­l operas.

In addition, a national amateur xiqu performanc­es contest held both online and on-site, a traditiona­l Chinese opera cultural exhibition, and a cultural market also attracted throngs of visitors.

After the main activities ended at theaters and gardens on Nov 10, a series of xiqu promotiona­l events will continue to be held on a regular basis across residentia­l communitie­s and villages, organizers said.

 ?? TIAN YUHAO / CHINA NEWS SERVICE ?? Peking Opera performers take the stage at the opening ceremony of the Chinese Opera Culture Week.
Visitors learn about traditiona­l Chinese performing arts at a vinyl exhibition in the Beijing Garden Expo Park on Nov 4.
TIAN YUHAO / CHINA NEWS SERVICE Peking Opera performers take the stage at the opening ceremony of the Chinese Opera Culture Week. Visitors learn about traditiona­l Chinese performing arts at a vinyl exhibition in the Beijing Garden Expo Park on Nov 4.
 ?? HE LUQI / FOR CHINA DAILY xiqu ?? Left: Right:
HE LUQI / FOR CHINA DAILY xiqu Left: Right:

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