China Daily

Celebratin­g its leading role

National Centre for the Performing Arts welcomes the public to its anniversar­y events, Chen Nan reports.

- Contact the writer at chennan@chinadaily.com.cn

It was early in the morning one Friday when the capital’s Chang’an Avenue was already busy with heavy traffic. At the National Centre for the Performing Arts near Tian’anmen Square, a crowd was already forming.

These people were not just regular tourists visiting the iconic venue where musicians and artists from around the world come and perform. They were going to the venue’s annual open day on Dec 22, to mark the center’s 16th anniversar­y.

People entered the north-tosouth entrance galleries, which led to the venue’s major auditorium­s. Throughout the day, various activities took place at different parts of the center, such as the resident singers performing arias from classic operas, musicians from the NCPA Orchestra playing popular pieces and dancers displaying their wellhoned technique.

“I have been participat­ing in the NCPA’s open day event since 2009. It feels like celebratin­g my birthday whenever I come here on Dec 22,” says Jin Li, who arrived at the venue at 8 am.

“We brought our 2-year-old daughter with us, letting her enjoy the celebratio­n of art,” says a young mother surnamed Yang, who came here with her husband and daughter. The couple used to participat­e in the open day event before becoming parents.

At 9 am, the resident singers opened the celebratio­n with the song, Happy Birthday to You, which was followed by more songs, such as the popular aria, Drinking Song, from Verdi’s opera La Traviata.

Inside the concert hall, musicians from the China Broadcasti­ng Chinese Orchestra performed works featuring a diversity of traditiona­l musical instrument­s, such as A Moonlit Night on the Spring River, a pipa (a four-stringed plucked lute) piece of the Chinese classical repertoire, named after a Tang Dynasty (618-907) poem by Zhang Ruoxu, and Hundreds of Birds Paying Homage to the Phoenix,a suona

It’s like a reunion with our audience. We feel very excited this year.”

Gong Jicheng, vice-president of the National Centre for the Performing Arts

(a double-reed woodwind instrument) piece.

According to Gong Jicheng, vicepresid­ent of the center, the institutio­n had to celebrate its birthday by holding online events from 2020 to 2022 due to COVID-19. A 12-hour “online arts festival”, for example, was held to mark its 13th birthday.

“It’s like a reunion with our audience. We feel very excited this year,” Gong says.

Veteran actor-director Pu Cunxin and writer Liang Xiaosheng appeared at the celebratio­n with their new books.

“It’s a great delight to be an actor, not only because I can play different roles, which allow me to experience different lives, but also because I can get instant feedback from the audience,” says Pu, who just wrapped up his latest performanc­e in the drama, Jane Eyre, produced by the center based on English writer Charlotte Bronte’s novel of the same title.

Pu, 70, has played the role of Rochester in the drama since 2009. The actor from the Beijing People’s Art Theatre also read a chapter from his new book, titled Wo He

Wode Juese (Me and My Roles), in which he recorded his decadeslon­g acting career.

Liang also met the audience at the center, with his new book, titled Ren

Huozhe (Living), a prose collection of Liang. His award-winning novel

Renshijian (A Lifelong Journey) has been adapted into a Chinese play, which was staged at the center.

Liang was impressed by the large audience for the center’s 16th birthday. The 74-year-old says that he doesn’t visit the venue regularly to watch performanc­es, but he often passes by the iconic architectu­re. “It changes colors during the four seasons and has different looks during the daytime and the night,” he adds.

Since its inception in 2007, the center has produced 103 theatrical production­s and held more than 600 exhibition­s. It has built connection­s with 400-odd art institutio­ns from over 70 countries and regions.

According to Gong, art education has been a major part of the center’s mission with about 14,000 art educationa­l programs, which attracted 5.4 million people since 2007. The online programs have garnered 5.5 billion clicks.

What made this year’s celebratio­n special is that two other venues also opened to the public — the NCPA Taihu Stage Art Centre, located in Taihu town, Beijing’s Tongzhou district, and the recently opened Beijing Performing Arts Centre, near the Grand Canal in Tongzhou, one of the most important waterways in ancient China. And at the latter venue, The Ballad of Canal, a Chinese opera produced by the NCPA, was staged as its opening performanc­e on Dec 22. In 2024, the Beijing Performing Arts Centre plans to stage about 300 performanc­es and about 300 art educationa­l events.

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 ?? PHOTOS PROVIDED TO CHINA DAILY ?? From top: A scene from Peking Opera piece, The Drunken Concubine, is displayed on a large 3D LED screen, as part of an exhibition at the National Centre for the Performing Arts. Its resident singers perform arias in front of the opera house on Dec 22. Visitors gather at the venue. Bottom: The Beijing Performing Arts Centre, one of the NCPA’s two new venues.
PHOTOS PROVIDED TO CHINA DAILY From top: A scene from Peking Opera piece, The Drunken Concubine, is displayed on a large 3D LED screen, as part of an exhibition at the National Centre for the Performing Arts. Its resident singers perform arias in front of the opera house on Dec 22. Visitors gather at the venue. Bottom: The Beijing Performing Arts Centre, one of the NCPA’s two new venues.

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