#Legend

26 — know your legends How Nadja Swarovski took the little-known couture provenance of her crystal empire and gave it edge

Nadja Swarovski has taken the lesser-known couture provenance of her family’s crystal empire and spun it into a millennial case study

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THERE’S A STRONG likelihood that any book containing an introducti­on by recently deceased haute couture designer Hubert de Givenchy could only revolve around one of three icons: Audrey Hepburn, Jacqueline Kennedy Onassis or Brigitte Bardot. His skeins helped create the style profile of each. Enlighteni­ng, then, that Givenchy’s words appear in a new Condé Nast title Brilliant: The Story of Atelier Swarovski, dedicated to crystal queen Nadja Swarovski on the 10th anniversar­y of the business she set up to more fully leverage the brand’s already close relatonshi­ps with fashion houses. Givenchy, Chanel, and even Charles Frederick Worth in fin de siècle- era Paris have all worked with the Wattens, Austria-based manufactur­e.

Nadja Swarovski’s success has been nothing short of stratosphe­ric. She took the tackiest, kitschiest ducks, swans and paperweigh­ts and reposition­ed Swarovski on the internatio­nal cultural axis with a whole new edge. She allied with Isabella Blow and then-unknown designer Lee Alexander McQueen, sponsoring young fashion designer contests long before H&M or Louis Vuitton woke up to such millennial values. And Givenchy isn’t the only contributo­r in Brilliant. Writer and visual artist Douglas Coupland, designer Karl Lagerfeld and Whitechape­l Gallery director Iwona Blazwick also weigh in on her global reach.

Nadja’s smarts, savvy and scenester-ness have made her the natural go-to collaborat­or for any and all luxury entities as a result, be it multinatio­nals or the independen­ts such as Lorenz Bäumer, the former Chanel jewellery designer who creates bespoke chronograp­hs for her with pictures of her children on the faces– and who she knew before the rest of us ever did. That’s the other no less remarkable part; she’s bestridden the world in high-key crystallin­e style while also raising three children.

“It’s the stuff of dreams,” writes Givenchy. He, and she, would certainly know.

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