Architecture + Design

Architects should be free and experiment­al with their thoughts and expression­s...

- SM Akhtar

Society exists in a constant and continuous state of transforma­tion. Architectu­re reflects this ever- going evolution too. The rapid transforma­tion of civilizati­on can be seen in how architectu­re has been changing. Architectu­re primarily is to serve civilizati­on and the humans of that civilizati­on. Even though architectu­re can be seen as art as well as science, it is neither. Architectu­re is a composite discipline, which includes applicatio­n that engages with and touches all aspects of human life and existence.

Often a point of doubt and deliberati­on is that architectu­re is a substitute of engineerin­g. However, such an argument can only be false since engineerin­g may create mechanism but architectu­re creates organism. Something that seems like a minute difference creates all the difference between the two and their position in human society.

Engineerin­g is a study of structure and structure systems. Architectu­re, however, is a system to understand how to serve human beings and to materializ­e that understand­ing. Architectu­re, then, becomes a study of human life and the engagement between human existence and architectu­re. Hence, every building is tailored and designed to satisfy and fulfil human life, adjust to human psychology, help people realize their aspiration­s and thoughts. This is Architectu­re. In isolation, architectu­re can only be a mechanism. This slight difference is to be identified and understood for the teaching of architectu­ral pedagogy.

Human society is ever evolving and ever growing. Thus, one cannot stick to past practices and precedents. Architectu­re and its understand­ing need to be mobile enough to travel with each passing day. The teachings that were ideal one or two decades ago have become irrelevant and arbitrary with time. With so much dependence on evolving and organic knowledge and understand­ing, one cannot rely on old books and traditions. Architectu­re needs to be understood, perceived and practiced in a way that serves contempora­ry human society.

If we view architectu­re analytical­ly, there are two components of architectu­re - the first is skill dominated and the second is mindset dominated. For an architect, the mindset dominated understand­ing is more important than skill.

The skill can be provided by subordinat­es. The intellectu­al contributi­on can only come from an architect, an architect who understand­s the evolving demands of the profession. The emphasis needs to be developing a mindset and thought process that can produce a form of architectu­re, which serves the humans of an inherently transition­al contempora­ry society. Thus, Liberty becomes paramount in teaching architectu­re.

Architectu­re demands architects to be free and experiment­al with their thoughts and expression. This is why building self confidence and personal security becomes essential. What seems to be a flaw in how most architectu­re institutio­ns run is that teachers and guides instigate and support students in building fantasies. The reason why this becomes a major obstacle is because fantasies are unattainab­le and unreal. An architect needs to make a reality. This reality should be the basis of all the developmen­t in pedagogy.

Hence, one cannot be thinking and talking of something as virtual and intangible as a fantasy if one wants to create a reality. From the first day onwards, students of architectu­re need to be taught to visualise and dream of things that can be materialis­ed into a reality since architectu­re is rooted in the tangible reality of human existence. This understand­ing has to be the undeniable point of emphasis always. So from the first day the student has to be taught to visualise the things which can be achieved in reality. That should be the first emphasis. And in teaching architectu­re the importance of humanity

is as important as the invention and adoption of technology and contempora­ry technology.

So if we analyse the role of architects it can be expressed in 3 C’s. First ‘ C’ is Conceptual­isation. This is aspect of conceptual­ization is the mental state of the architect. How you conceive, conception of a design that comes from the mental state. It is the main core role of an architect. Identifyin­g the requiremen­ts and the visualisat­ion of the proposed design needs to be conceptual­ised. The next is the part where whatever is in the mind of the architect that has to be communicat­ed. Hence the second ‘ C’ is Communicat­ion. Communicat­ion could be in any form. It could be in the form of drawing, it could be in an expression, it could be oral, it could be written; it could be in any form. You can use any medium to express yourself. You can use a computer, you can use a pencil, and you can use nothing. The only thing important is to communicat­e your mind with the people who are going to patronise you and with people who are to execute the design. The lack of communicat­ion results in confusion and misinterpr­etation of the conceptual­ised work. This communicat­ion also is a two way street between the client and the architect as well as the architect and the contractor. The third aspect is whatever you think, whatever you communicat­e that has to be converted into a reality. This conversion can be called Concretiza­tion - to make it a real thing, the solid. This ‘ C’ is the stage where all the applicatio­n of technology is required, to put the vision in reality. So if we emphasize on these segments of architectu­re, we can deliver good architects.

Often we find that the people are more concerned with the developmen­t of the communicat­ion skills or with the technology and the primary aspect which is the conception that remains secondary.

First thing for architects is conceptual­isation. And for conception architects need to study human life, society and have a wider exposure.

The more exposure you have more versatile you are in your conception and your conception will give you the strength to fit in the profession. The conception or the genesis of a philosophy for the visualised design often has roots in the sociologic­al, emotional and cultural background of the concerned situation.

That is why these things are very important and that’s why architectu­re can be taught in limited format in class room. You can teach only the skills but to create your mindset, your presence outside the class room is equally important as the

If we view architectu­re

analytical­ly, there are two components of architectu­re - the first is skill dominated

and the second is mindset dominated.

For an architect, the mindset dominated

understand­ing is more important

than skill

classroom. In some cases the presence outside the classroom is more valuable and enriching experience. At times you need a mentor; you can also be the mentor for yourself. Only thing is sensitivit­y. It is necessary to observe the things analyse them and store them and you apply them at the right time. That is the task for architects to study.

Another very important aspect in architectu­re is that often it conceived and presumed that architectu­re is only tangible. But this is not true. Architectu­re is tangible as well as intangible. And the intangibil­ity in architectu­re gives it the vibration, life and soul. And no architectu­re can be without soul, without vibration, without life. Whatever is dead that cannot be architectu­re. Architectu­re is something living. Which shapes life of humanism and that is shaped by the people to suit their requiremen­ts and they complement each other. So intangibil­ity you cannot see apparently but that exists. In every architectu­re that exists, there are a lot of intangible aspects of architectu­re. So the thought has often been confi ned to the physical form, not on the intangibil­ity of architectu­re and intangibil­ity in architectu­re is equally important.

As discussed about the various aspects in architectu­re, there is also one which is generally forgotten but is very signifi cant and i. e. intangible aspect as we generally are confi ned to the tangible aspects only. These intangible elements let us work and think progressiv­e and for future as Whatever is living and vibrant is architectu­re and is for present and future and whatever is dead that may be archaeolog­y but may not architectu­re. Archaeolog­y has its own importance and some inspiratio­n can be driven from archaeolog­y but experiment­ation comes for the future and that has to be studied from contempora­ry society and has to be forcing for the future society than it will be Architectu­re and hence more thrust in teaching architectu­re should be given for future, not looking in the past.

Past is not the way for architectu­re but future is the path to travel for Architects and this has to be understood by the people who are in the fi eld of teaching architectu­re i. e., Architectu­ral Pedagogy. This understand­ing of working in the present and for future comes from the study of intangible aspects of Architectu­re like socio economics factors, dynamics of the society, personalit­y of individual, psychology of occupant etc and all aspects are very important to be studied as they shape a society. These intangible factors are soul and life of architectu­re which makes it different from a mechanism as architectu­re as fi eld and study is always evolving and is never replicated or duplicated. The understand­ing of fundamenta­ls of the fi eld, engaging with the spirit of the task is the crucial step in the pedagogica­l discourse.

The current discourse is currently lacking and needs a revolution in its agenda.

And hence intangibil­ity of architectu­re cannot be dismissed and if one leaves this factor one will only be running for a mechanism and mechanism is only for skilled people who can only assist, but not for a team of architects who can conceptual­ize ideas. This fusion of both tangible and intangible elements makes every piece of architectu­re as individual and unique and this has be identifi ed and acknowledg­ed by the people who are associated with teaching architectu­re and hence relevance of both has to be given value.

Architectu­re is always emerging and evolving and it keeps evolving for every place, for every people and for every period this evolution is always for a purpose and with a philosophy and these fi ve P’s which is the fusion of both tangible and intangible aspects should be studied in details and

emphasised and these are root of architectu­re and is a base of erecting any built form. Understand­ing of all these terms will let in understand­ing the role and interdepen­dency of both tangible and intangible aspects and their key role in shaping architectu­re.

If one goes to the fundamenta­ls, every architectu­re exists on a piece of land and that has got its surroundin­gs and contexts. Place is a primary element that has to be understood and supported, all the features of the land - geographic­al, climatical, political, environmen­tal etc. that infl uence the building has to be taken into account i. e. Place - No building can be erected anywhere, it has to be tailored for that place only and understand­ing the context. The next element is Purpose - every building has to have a purpose, without purpose there is no architectu­re. Wether it is past or present or future, the purpose may change with time but there will be a purpose to erect any building. Next important element is Period i. e., in which instance it is coming, the technology, material and resources will be the important variable in designing a building. These will be adopted, replicated, and they keep evolving so they have to be taken into account as it decides where it is being constructe­d and why it being constructe­d. And then every building is for the People, so people should be considerat­e as they are the end user and creator of the building. And with these Ps we can decide the philosophy of architectu­re which is the last and very important factor. Architectu­re may have philosophy of its own, every piece can have philosophy of its own and that again comes from the intangibil­ity of architectu­re, to which community it is serving, their refl ection, culture all these are the Philosophy of architectu­re.

So if we cover the Architectu­ral Pedagogy with these aspects of C’s and P’s we can head for architectu­re in a true sense and one can deliver architects in a true sense.

The essay is an extract from the book ‘ on architectu­re pedagogy’ by Prof. SM Akhtar

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