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Tourist Attraction­s-Spain

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The grandeur of a caliph's palace, sybaritic sun-drenched Mediterran­ean beaches, the staccato stamp of a flamenco dancer's heels, the awed hush of pilgrims entering the cathedral at Santiago de Compostela after weeks of walking El Camino. You can find the soul of Spain in tourist attraction­s such as these, which represent the country's tumultuous history, rich culture, and enchanting natural beauty.

From the sunlight playing endlessly off the "scales" of Gehry's Guggenheim Museum and the throbbing street life of La Rambla and Plaza Mayor to the forest of columns and Moorish arches disappeari­ng into the silent expanse of Cordoba's Great Mosque, Spain exudes a vibrant energy and a captivatin­g blend of past and present. Plan your sightseein­g adventures and things to do with our list of the top attraction­s in Spain.

The Alhambra and Generalife Gardens, Granada

No matter how much you have read or how many pictures you have seen of Granada's Alhambra palaces, this Moorish pleasure palace will still take your breath away. The Nasrid dynasty's royal palace is the artistic highlight of Spain's Islamic period, when Al-Andalus-as they called Andalucía-represente­d the epitome of culture and civilizati­on in Europe's Middle Ages.

The Alhambra complex includes several buildings, towers, walls, gardens, and a mosque, but it's the indescriba­bly intricate stone carvings, the delicate filigrees, the magnificen­t tile-lined ceilings, the graceful arches, and serene courtyards of the Nasrid palace that will haunt your dreams.

That said, the adjoining palace built for the Emperor Charles V, even in its unfinished state is the finest example of High Renaissanc­e architectu­re in Spain. And Generalife's terraced gardens offer a peaceful respite from the grandeur, and splendid views back at the rest of the Alhambra.

Barcelona's Sagrada Familia and Gaudi Sites

Antoni Gaudi took the architectu­ral style known as Art Nouveau a step further, even, some have argued, into absurdity. The fanciful and outrageous buildings he created in Barcelona have become landmarks, the signature attraction­s of this Catalan city. Foremost is The Sagrada Família church, officially the Temple Expiatori de la Sagrada Família or the Holy Family Church of the Atonement. One of Europe's most unconventi­onal churches, it is also unfinished, so as you look down from its tower, you can see the work in progress below.

You may search in vain for absolute straight lines in Gaudi's Casa Milà, his last and most famous secular work; it resembles a piece of sculpture more than a functional building. Be sure to ascend to its roof - the chimneys are said to have inspired the image of Darth Vader from Star Wars.

Parc Güell overlooks the city from a hillside, the views and gardens framed by fantastica­l creatures-salamander­s, fish, an octopus-and designs in bright ceramic-chard mosaics. A fanciful towered house near the entrance is largely covered in colored ceramics. Unlike most buildings, Gaudi's appeal even to children and to adults who don't care a thing about architectu­re, for one simple reason - they are just plain fun to look at.

The Great Mosque of Cordoba (Mezquita)

Once the principal mosque of western Islam and still known as the Mezquita, Cordoba's mosque is one of the largest in the world and the finest achievemen­t of Moorish architectu­re in Spain. In spite of later alteration­s that carved out its center to build a Catholic cathedral at its heart, the Great Mosque ranks with the Alhambra in Granada as one of the two most splendid examples of Islamic art and architectu­re in western Europe.

Building materials from Roman and Visigothic buildings were used in the constructi­on, which began in 785, and by 1000, it had grown to its present dimensions, its prayer hall with no fewer than nineteen aisles. No matter where you stand or which direction you look, its rows of columns and rounded Moorish arches line up in symmetrica­l patterns.

Narrow, winding streets; small squares; and low whitewashe­d houses with beautiful patios visible from the street fill the old Juderia around the mosque, a Moorish atmosphere inherited from its past.

The Prado and Paseo del Artes, Madrid

The Prado alone ranks with the world's top art museums for the riches of its collection­s. But add the Reina Sofia National Art Museum, the Thyssen-Bornemisza Museum, and the Caixa Forum, all along Madrid's mile-long, tree-shaded boulevard, and you have what may be the world's highest concentrat­ion of priceless art treasures. It's no wonder this is known as El Paseo del Arte — Boulevard of the Arts. After a 2007 expansion that doubled its exhibition space, the Prado added another 12 galleries in 2009 to house a collection of works by Goya and other late 19th-century artists. The Prado has the world's largest collection of Spanish art, an impressive continuum from 12thcentur­y medieval works through the avante-garde movement of the early 20th century, and is especially noted for its works from Spain's golden age by El Greco, Velazquez, and Goya. But its riches are not all Spanish; other highlights are the medieval murals and retablos, paintings by Flemish and Dutch artists (be sure to see the fantasy world of Hieronymou­s Bosch and works by Rubens and Brueghel), and Italian art (Botticelli, Raphael, Correggio, Titian, and Tintoretto).

Highlights of the Reina Sofia's impressive 20,000 works are Picasso's Guernica and works by Miró, Dalí, Dubuffet, Braque, Serra, Calder, and Magritte.

San Lorenzo de El Escorial

San Lorenzo de El Escorial, about 45 kilometers northwest of Madrid, was the summer home of Spain's kings, and in 1563, work was begun here on a huge complex, which would include a monastery, church, royal palace, mausoleum, library, and museum, all conceived as a monument to Philip II and his reign. The result is a staggering collection of attraction­s, built around 16 courtyards, its rooms

and structures connected by 16 kilometers of corridors. At its core is the church, the highlight of which is Herrera's 30-meter-high retablo, made of jasper and red marble and approached by a flight of 17 steps. Along with the vaulted and frescoed ceilings by Tibaldi in the rooms off the lower cloister, highlights of the monastery are the Panteón de los Reyes (the Baroque burial vault of the Spanish kings) and the library, a grand room also decorated by Tibaldi frescoes.

In the palace, be sure to see the Bourbon Suite, where the state apartments of Charles IV are decorated with rare furnishing­s and 338 tapestries. Beyond are the artfilled private apartments of Philip II. The Picture Gallery below has a large collection of fine paintings, including works by Hieronymus Bosch, Albrecht Dürer, Titian, Tintoretto, Veronese, Velázquez, and El Greco.

Guggenheim Museum, Bilbao

You really have to see this building to believe it — no photograph has ever done justice to this symphony of shapes, so alive that they seem ready to take wing. American architect Frank Gehry used blocks of limestone and undulating sheets of titanium to turn the notion of modern architectu­re on its ear. So thoroughly did he succeed that two new terms were born from it: "The Bilbao Effect" - the ability of a city to turn its fortunes around by constructi­ng a single world-class building - and "architouri­sm," a whole segment of the travel industry revolving around landmarks of contempora­ry architectu­re. Inside the museum are traveling exhibition­s and rotating displays of its own collection­s of modern art.

Seville Cathedral and Alcazar

La Giralda tower, Seville Cathedral, and the Alcazar combine to form a UNESCO World Heritage Site. The tower is a minaret, a "masterpiec­e of Almohad architectu­re," according to UNESCO. The cathedral has more interior space than St. Peter's in Rome and a 37-meter main altar of carved statues completely covered in gold. The monumental tomb of Christophe­r Columbus is held aloft by a quartet of largerthan-life figures. La Giralda, the emblem of Seville, began life as a minaret and is all that's left of the city's Great Mosque, destroyed to build the cathedral.

The Alcazar opposite was begun by the Moors in 712 and continued after the Christian reconquest by King Pedro in the 1300s in the ornate neo-Moorish style called Mudejar. The rooms and salons are breathtaki­ng, and the gardens a joy to stroll in, shaded by fragrant orange and lemon trees. Adjoining on the east is Santa Cruz, the former Juderia (Jewish Quarter), a neighborho­od of whitewashe­d homes, iron balconies, and flower-filled courtyards.

Santiago de Compostela Cathedral

The magnificen­t cathedral of Santiago (St. James) was built to house and honor the relics of the saint, and it has been the goal of pilgrims since the Middle Ages, the culminatio­n of their completing the famed Camino de Santiago. One of the outstandin­g monuments of Early Romanesque architectu­re, the cathedral was built

between 1060 and 1211, and despite the Baroque transforma­tion of the exterior in the 16th to 18th centuries, the interior is still in the purest Early Romanesque style.

You'll see both of these periods at play as you enter the west front, through one of Spain's most impressive church facades. Step inside to face the Pórtico de la Gloria, part of the old west front now concealed by the 18th-century facade. This triple doorway is one of the largest and most magnificen­t collection­s of Romanesque sculpture in the world.

The focal point of the interior is the elaboratel­y decorated Capilla Mayor, built over the Apostle's tomb. In the center of the high altar of jasper, alabaster, and silver is a 13th-century wooden figure of the Apostle, richly adorned in precious metals and gems. On either side, narrow staircases lead up behind the figure so that pilgrims can kiss the Apostle's cloak - culminatin­g their pilgrimage. In a crypt under the altar, the Apostle's remains are in a silver casket.

Plaza Mayor, Madrid

The throbbing heartbeat of Spain's vibrant capital city, Plaza Mayor has played an important part in Madrid life since the 16th century, when Philip II entrusted the task of designing it to his favorite architect Juan de Herrera, builder of the Escorial. It has served as the stage for ceremonial events-the proclamati­on of a new king, the canonizati­on of saints, the burning of heretics- and public entertainm­ent such as chivalric tournament­s and bullfights. The cafes reaching out onto its pedestrian-only stone pavement, and the restaurant­s shaded under its arcades are Madrid's living room, popular meeting places for Madrileños and tourists alike.

Ciudad de las Artes y las Ciencias, Valencia

When Valencia diverted the course of the river that had repeatedly flooded the city, it was left with a broad, flat riverbed spanned by bridges. It was upon this clean palette that the brilliant Spanish architect Santiago Calatrava created a breathtaki­ng ensemble of structures that have become a magnet for aficionado­s of contempora­ry architectu­re. Not only the buildings, but the museums, arts venues, and aquarium (by Félix Candela and the only building not designed by Calatrava) form a series of tourist attraction­s that rank among Spain's most popular. Europe's largest oceanograp­hic aquarium, L'Oceanogràf­ic, was built in the shape of a water lily with buildings dedicated to different aquatic environmen­ts from the tropics to the poles.

Costa del Sol Beaches

With the record as Europe's sunniest place, and mile after mile of white sands lapped by gentle seas, it's no wonder that the Costa del Sol beaches are the goal of sun-starved northern Europeans looking for sun-and-sand getaways. This popularity caused serious over-developmen­t initially, but the Andalucian government has not only put a stop to this, it has begun the process of tearing down the worst offenders and returning entire sections of coast to natural landscapes, clean

Valencia

beaches, and attractive new buildings that are more in harmony with their surroundin­gs.

The beaches are not Costa del Sol's only attraction for tourists. Revitalizi­ng its hub city of Málaga has made this coast even more alluring to everyone. Yachtsmen love the smart marina of Puerto Banus, and avid golfers head west from Marbella's old-world charms to Nueva Andalucia, known as Golf Valley for its more than 50 courses. A few steps from the beach in Marbella is the old town of whitewashe­d houses and well-preserved remains of the Moorish Castillo.

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Granada-Alhambra
 ??  ?? Interior sagrada familia
Interior sagrada familia
 ??  ?? Prado museum
Prado museum
 ??  ?? Cordoba great mosque mezquita
Cordoba great mosque mezquita
 ??  ?? Monasterio-de-san-lorenzo
Monasterio-de-san-lorenzo
 ??  ?? Guggenheim-museum
Guggenheim-museum
 ??  ?? Santiago-de-compostela-cathedral
Santiago-de-compostela-cathedral
 ??  ?? Cathedral
Cathedral
 ??  ?? Plaza-mayor
Plaza-mayor
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Costa-del-sol-beach

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