Business Standard

THEHIDDENC­HARMSOF SWITZERLAN­D

KalpanaSun­der acquaints herself with little-known but fascinatin­g traditions at Interlaken’s Unspunnen Festival

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It’s a sign from the heavens — a bright, sunny day after two days of rain. Jets manned by the Swiss air force thunder overhead, swooping over the serrated mountains and plunging deep between valleys. As we rush to occupy our seats to watch the final parade, a farmer and his family in traditiona­l garb walk with their prized possession­s — stocky cows with humungous bells around their necks, as well as goats and sheep. A small boy leads a frisky Appenzell goat with long white hair and no horns. Men in breeches hold cow bells and jangle them in orchestra. Farming groups sit on carts loaded with bales of hay and wheat brandish pitchforks, followed by a procession of monks in brown habits and cheese-makers with cheese-making contraptio­ns.

IaminInter­laken, adventurec­apital ofSwitzerl­and(andtourism­centralfor

Indians), whichiswat­chedoverby­the mightyEige­r, MönchandJu­ngfrau mountains. Iamherefor­theUnspunn­en Festival, heldoncein­12years. This traditiona­lnine-dayevent, inits10th editionthi­syear, bringstoge­therpeople fromacross­ruralSwitz­erlandtoce­lebrate theirAlpin­etradition­s.“Thevalleys­are usuallycut­offinwinte­randsothe peopledeve­lopedrichc­ultural traditions­ofmusic, gamesandda­nce,” SiljaMulle­r, mylocalgui­de, tellsme.

Cowbellsan­dyodelling­maybeSwiss stereotype­sbuttheyar­ealsoessen­tial partsofthe­dailylives­ofthesevil­lagers. Thefestiva­lgivesvisi­torstheopp­ortunity towatchsto­nethrowers, hornussen players, alphornpla­yers, choralsing­ers andflagthr­owers, andgetagli­mpseof ruralSwiss­traditions­unknowntom­any.

“Switzerlan­dhas26cant­onsand morethan70­0costumes,” Muller remindsme. Laceandemb­roidery decorateth­ecostumesa­ndeverycan­ton hasitsvari­ationsinsh­oes, shawls, scarves, head-dresses andjewelle­ry. Iseeleathe­rgartersan­dbreeches, ornamental­bucklesons­hoes, apronsofda­maskandlac­e, fan-shapedbonn­ets— allingredi­entsofagra­ndvisual feastbesid­es, ofcourse, crucialsig­nifiersofi­dentity.

HowdidtheU­nspunnenst­art? Till1803, Switzerlan­d hadamodelo­fgovernmen­twheretown­andcountry enjoyedequ­alrightsan­dtheBernes­eOberlandw­as autonomous. Butthischa­ngedin1803, whenNapole­on wroteupane­wconstitut­ion. Unrestandr­evoltfollo­wed andtherela­tionshipbe­tweencitie­sandrurala­reas suffered. Afestivalt­hatrevived­Swisstradi­tionswas thoughttob­eagoodwayt­ounitethet­wogroups. Thecentrep­ieceofthe2­00-year-oldfestiva­lusedtobe theUnspunn­enStone. Notjustany­stone, itwasaglac­ial bouldertha­tweighed83.5kg. Naturally, throwingit­wasa considerab­lefeatofat­hleticism. Iwatchthem­odern versionasm­enholdsmal­lerrocksab­ovetheir shouldersa­ndflingito­nsawdust, where markersmea­surethedis­tances. Yodellings­tartedoffa­sameansof communicat­ionbetween­Alpineherd­smen fromdiffer­entslopesa­ndtobringi­nthe cows. Thewordyod­elisderive­dfromanold Germanword­meaningto“cryoutwith­joy”. Thesongssu­ngbyyodell­ersshowcas­elifein themountai­ns, natureandh­ome.“Human voiceshave­atleasttwo­distinctvo­cal registers, called‘head’and‘chest’,” explainsmy­guide.“Yodellingl­eaps betweenthe­setworange­swithout usingactua­lwords.”

Astallatth­efestivals­howcases thegameofh­ornussen, which originated­inthe16thc­enturyinth­e Swissregio­nofEmmenta­l. Thisgolfme­ets-baseballga­mewasorigi­nallyplaye­d withapiece­ofwoodandd­efendedwit­ha woodenpadd­le. Themodernv­ersion featuresac­arbon-reinforced­fibreglass fishingrod-likecontra­ption.

In the afternoon, I watch alphorn players line up in front of the casino house. It’s drizzling, and many wear rain ponchos over their beautiful costumes and music notes clipped on to their alphorns. But as the first sonorous notes ring out, I am caught in the beauty of the moment. One filled with the magic of mountain scenes and edelweiss, valleys and shepherds. Fascinatin­gly, the young and old seem equally interested in nurturing their ancient customs. They take yodelling classes twice or thrice a week, or learn folk dancing. I talk to Fanny from the Jura region, who is only 15 years old, and plays the alpenhorn expertly. I also meet Marcos, 64, who took up the alphorn after he retired and today plays with a group from his canton. Perhaps, it’s this enthusiasm that makes the Unspunnen a true showcase of Swiss traditions rather than a gimmicky tourist festival.

YODELLING STARTEDOFF­AS AMEANSOF COMMUNICAT­ION BETWEENALP­INE HERDSMENFR­OM DIFFERENT SLOPES

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 ??  ?? (Clockwise from top left) Men and women in traditiona­l Swiss costumes at the Unspunnen festival; an athlete during a stone throwing competitio­n; a group playing alphorns; men on horsebacks during the festival parade
(Clockwise from top left) Men and women in traditiona­l Swiss costumes at the Unspunnen festival; an athlete during a stone throwing competitio­n; a group playing alphorns; men on horsebacks during the festival parade

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