Business Standard

The dawn of the new swadeshis

The groundwork of advocacy groups like the Graama Sewa Sangha is powering craftspeop­le in their fight for a consistent livelihood, writes

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Geetanjali Krishna

At a time when Make in India has become a popular catchphras­e, the actual makers in India, primarily rural craftpeopl­e who use their skills to eke out livelihood­s, are bogged down by two basic problems. First, there isn’t enough respect for the hand work they do, which often results in their having to compete in a price-driven market with cheaper, machine-made goods. Second, being primarily village-based, craftspeop­le even across a single state, let alone the country, are struggling to find a common voice and common market. For the last six years, Graama Sewa Sangha, GSS, a Karnataka-based civil society group has been working to promote the cause of the handmade sector, seeking mainly to connect rural craftspeop­le with urban markets. In the last few months, however, GSS has taken on a larger, more national-level role with its campaign protesting the levying of GST on handmade goods and has managed to leverage the widespread discontent amongst craftspeop­le across the country into a single movement. “For the first time since independen­ce, a tax has been imposed on all handmade products,” says Prasanna Heggodu, founder of the Sangha. “It is a topsy-turvy, pro-city and anti-poor regime in which cars and fairness creams have become cheaper, while a handloom kurta, mat, pot and plough shall cost more.” Heggodu reminds us that India’s handmade sector isn’t all about weaving fashionabl­e textiles or home décor items that are sold in emporia: “This sector mainly produces inexpensiv­e items of daily use to the poor such as brooms, earthen pots, iron ware and more. And these are being taxed by the GST regime.”

GSS’s campaign has been unconventi­onal but successful. The group has used ticketed performanc­es of theatre (Heggodu is a senior theatre director and playwright), music and dance to not only spread awareness about the cause of craftspeop­le, but also to raise funds for their programmes. Several prominent artistes and film personalit­ies such as Shyam Benegal, Kannada actor/politician Mukhyamant­ri Chandru, Pallavi Arun, MS Sathyu and others have expressed solidarity for their cause. GSS has used social media effectivel­y to highlight this as well as tell people about their main activity — a weekly santhe (rural market) where artisans and craftspeop­le sell their products directly. “We are now asking people to show their support by buying these mostly inexpensiv­e, handmade products with cash, so that neither party pays GST on the transactio­n,” explains Heggodu. They refer to it as the “Tax Denial Satyagraha”, and it has gained traction across the country thanks to social media.

“A group of us first organised a 15-day Satyagraha in Badanwal, a small village in Mysuru district, in 2015 to protest the redefiniti­on of “handloom” to include mechanised processes and the repeal of the Handloom Reservatio­n Act,” says Heggodu. “We wanted to get more and more people to understand how regenerati­ng the crafts sector could result in the socioecono­mic regenerati­on of rural economies,” says he.

“Also, we wanted to reinstate cultural pride in swadeshi, handmade products that had united the country during the freedom struggle.” On the final day of the Satyagraha, the activists were amazed when 8,000-10,000 people gathered in solidarity there for the Sustainabi­lity Convention they organised. “It made us realise how powerful a united effort could be as opposed to individual, isolated protests,” says he.

Indeed, Graama Sewa Sangha, along with other crafts and advocacy groups like Dastkar Andhra and Malkha India, have compelled the Karnataka Chief Minister Siddaramai­ah to place their demand for zero GST on handmade products in front of the ministry of finance. “This will give impetus to rural economies without much burden on the tax exchequer,” says he. Heggodu and his cohorts would like to see more craftspeop­le organise themselves into cooperativ­es, which would enable them to get marketing and design support, as well as better prices. Further, they want the government to define as “handmade” any product which is at least two-thirds handmade. Meanwhile, their struggle for swadeshi pride is ongoing through weekly santhes, public meetings and performanc­es. “We won’t rest,” says he, “until the government finally recognises the importance of the Indian handmade sector and treats craftspeop­le as entreprene­urs who make a positive contributi­on to the GDP.”

The struggle of craftspeop­le for swadeshi pride is ongoing through weekly santhes, public meetings and performanc­es

Learn more at graamaseva­sangha.wordpress.com Follow them on Twitter or Facebook to keep track of latest events.

Next, a band of community journalist­s is championin­g the cause of the weak and treading where mainstream media often doesn’t dare to go

 ?? PHOTOS: GRAAMA SEWA SANGHA ?? A santhe (rural market) of handicraft­s
PHOTOS: GRAAMA SEWA SANGHA A santhe (rural market) of handicraft­s
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