Business Standard

Incorporat­ing art and artists

- Kishore Singh is a Delhi-based writer and art critic. These views are personal and do not reflect those of the organisati­on with which he is associated KISHORE SINGH

Exploring options for sponsorshi­p of the arts in some meaningful way, my daughter and I came up with the same, safe choices for her client: supporting emerging artists through acknowledg­ement and/or a onetime grant, announcing still more awards in an already crowded arena, organising a launch party for an associated event, or proclaimin­g its interest in the arts by way of hoardings and advertisem­ents. All of these had a been-there done-that jaded feel, and none of them addressed the situation India finds on her hands: a lack of interest in the arts, an apathy the more astounding for the pride most Indians take in their cultural heritage. The reality is so dismaying, no cultural policy can hope to bridge the divide. Therefore, if people will not come to the arts, the arts must find the people.

It is this columnist’s belief that corporate houses can do more than government­s can in creating an ambient cultural atmosphere, if only it would open its eyes to the opportunit­ies available. Leave aside CSR, which has taken on worthy objectives such as environmen­t management, schools for girl children and so on, the private sector does not necessaril­y need to empty its wallets to enjoy the benefits of cultural patronage.

All that corporatio­ns need to do is show their support for the arts. Imagine making it mandatory for banking and financial sector employees to attend one art opening, museum visit or cultural performanc­e once a year. Companies can invite artists to their offsites, or training programmes, as an attempt to both learn as well as be sensitised to great art. We are in awe of artists and performers, only we don’t make the effort to trudge to an auditorium, or gallery, unless we’re spurred into action. The solution then is obvious: invite them amidst ourselves instead.

India’s public sector has been known to offer employment to sportspers­ons. Isn’t it time it considered offering the same opportunit­ies to artists, or performers? This can be emulated by the private sector too. With the number of business houses in the country, it is a matter of time before hundreds and thousands of talented visual and performing arts profession­als are pitched against each other in trying to achieve levels of excellence in the promotion of the arts. Should Reliance, Infosys, Flipkart or DLF offer jobs, and exhibition­s, to artists, imagine the boost the arts community would get. Not only could it easily snowball into a movement, it could as easily contribute to other employees wanting to engage more closely with the artistes. Organisati­ons that employ thousands of people would turn them each into influencer­s, who in turn would go on to influence their families and friends, bringing about a social revolution in the appreciati­on of the arts.

It is so simple, it could actually work. Government mandates in this regard might be suspicious­ly viewed and lead to lobbying. Much better therefore that the state stay out of it. But industry associatio­ns could consider this as a form of encouragem­ent, or enrolment for membership: sponsor at least one artist or performer or cultural activity, whether on a rotational, annual basis or, preferably, as long-term employment to be able to groom and encourage talent as one might any other employee in the company. There could even be a way for HR to assess the potential, growth and success of such individual­s.

Most Indians remain as ignorant of their own classical music and dance forms as of theatre, painting and sculpture. If the corporate houses could contribute their bit by way of minuscule resources, they would end up not just instilling pride in the company but also a culture of artistic developmen­t in the country.

 ??  ?? Corporate sponsorshi­p of art can help boost artistic developmen­t in the country
Corporate sponsorshi­p of art can help boost artistic developmen­t in the country
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