Business Today

The Female Gaze

A handful of female directors are striving to change the way women are now presented on screen.

- BY DEVIKA SINGH

One of the most controvers­ial movies of the year, Lipstick Under My Burkha had a steady run at the box office. The story features the tumultuous lives of four women from different age-groups who are struggling to take control of their lives in a patriarcha­l set-up. The ‘ladyorient­ed’ film was initially banned by the Central Board of Film Certificat­ion for its explicit scenes and use of abusive words. But Alankrita Shrivastav­a, the film’s director and co-writer, was unfazed. She appealed to the Film Certificat­ion Appellate Tribunal and got it cleared for release. Lipstick has received an overwhelmi­ng re- sponse and collected around `19 crore from the domestic market in the first four weeks of its release.

“I got support from everybody when the film was banned. It was quite clear that no one was really okay with the censor board’s decision and they were the only ones standing out like a sore thumb, representi­ng this bastion of the patriarchy,” says Shrivastav­a.

But even before that, the director had trouble with funding and distributo­rs. “The film got funding because an independen­t producer decided to take a personal risk. And the studios were not interested in distributi­ng,” she recalls. The reason they gave was – it is very new-age, very risqué.

Bollywood has often drawn flak for its false depiction of women and their objectific­ation. But only a handful of movies delve deep into women-related issues. “That is the gaze in cinema,” explains Shrivastav­a.

According to her, story-telling in India has always been controlled by men. “When it comes to women, she is either a martyr of a mother, the sacrificin­g wife or the virtuous lover. She is either untarnishe­d like a goddess or she is a vamp, and she is completely objectifie­d.”

Shrivastav­a thinks the situation may change dramatical­ly if there are more women directors. And she is keen to spearhead the change. The director is yet to pick her next project, but she is committed to bringing out films that talk about the new-age women of India. ~

 ?? ALANKRITA SHRIVASTAV­A Film- maker ?? WHY SHE MATTERS The overwhelmi­ng response in spite of the initial ban on her film shows that she felt the pulse of her audience.
ALANKRITA SHRIVASTAV­A Film- maker WHY SHE MATTERS The overwhelmi­ng response in spite of the initial ban on her film shows that she felt the pulse of her audience.

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