Deccan Chronicle

Etching memorable memories

- SUJIT CHANDRA KUMAR

Subinoy Das has a simple, uncluttere­d definition for a quality photograph. “A good photograph gets etched in your memory, a frame that you will remember long after you have seen it.” In each of his frames, this Delhi-based shutterbug reflects this philosophy.

After his Masters in computer applicatio­ns, he worked with reputed institutio­ns including Facebook but felt something was missing in his life. “I guess I wanted to be on my own, travel and document stories. And photograph­y seemed just right as a tool that facilitate­s such storytelli­ng, empowering one with an infinite creative freedom,” he says and adds, “I feel every photograph­er has an obsessive creative compulsion in their soul which motivates them to create unique photograph­s. I followed my heart, and my passion gradually transforme­d into my sion.” Also a filmma first documentar­y

profesaker, the that he did on Black Pottery of Nizamabad won him an award.

Since childhood, Subinoy has loved paintings and books, and these hobbies helped him shape his sensibilit­ies. As a photograph­er, he follows the works of his contempora­ries and masters like Michael Kenna, Rui Palha, Victor Habchy, Daido Moriyama, Raghubir Singh and Bill Brandt.

He mentions honesty and patience as the two virtues that helped him come up with good photograph­s.

He has done theme-based series named ‘Devi’, ‘Half Wide Open’, ‘Signature Series’, ‘Ghar O Bahir’ to name a few but he didn’t want it to be a limiting factor.

“While engrossed in creating precise photograph­s as part of a theme, sometimes we may completely overlook interestin­g happenings in front of our eyes,” he points out. “Being free from the compulsion to create under a theme, you have at your disposal, the camera, the shutter button and the viewfinder to make a photograph that you envisioned in your mind based on what you have seen moments before.”

Is it a challenge to be seen and heard when everyone with a mobile camera is a potential photograph­er? “Technologi­cal breakthrou­ghs are supposed to make life easier and better. While it’s great to watch everyone’s visual treatment, it also generates copycat recurring content barring a few. If one is introspect­ive it isn’t really difficult to filter the music from the noise,” he says.

“The photograph­s we create should be our legacy. Our work should enable everyone to understand what photograph­y meant to us, long after we are gone. Hence it is essential that we work with an honest approach and create a unique perspectiv­e through our artforms that people can respect, connect and look up to.”

 ??  ??
 ??  ?? Free soul, Mumbai 2012
Free soul, Mumbai 2012
 ??  ?? Peek a Boo, Munnar 2016
Peek a Boo, Munnar 2016
 ??  ?? Morning Starts, Chandrataa­l 2015
Morning Starts, Chandrataa­l 2015
 ??  ?? Tagore is alone today, Kolkata 2013
Tagore is alone today, Kolkata 2013
 ??  ?? A morning Saga, Varanasi 2016 PHOTOGRAPH­ER SUBINOY DAS AIMS TO CREATE A UNIQUE PERSPECTIV­E THROUGH HIS PHOTOGRAPH­S THAT PEOPLE CAN RESPECT, CONNECT AND LOOK UP TO
A morning Saga, Varanasi 2016 PHOTOGRAPH­ER SUBINOY DAS AIMS TO CREATE A UNIQUE PERSPECTIV­E THROUGH HIS PHOTOGRAPH­S THAT PEOPLE CAN RESPECT, CONNECT AND LOOK UP TO
 ??  ?? Journey, Varanasi 2013
Journey, Varanasi 2013
 ??  ?? Smile and steps, Varanasi 2016
Smile and steps, Varanasi 2016
 ??  ?? Daily ventures, Varanasi 2013
Daily ventures, Varanasi 2013
 ??  ??

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