Domus

SHADOW SPACES AND SCULPTURES

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Twentieth-century sculptors applied the photograph­ic, filmic, and painterly practices to space. Just as modern sculpture had learned to shape the void, it now began to shape the shadow, the negative form of light.

ARTISTS: László Zsolt Bordos – Marcel Duchamp – Ferenc Ficzek – Marcel Floris – Shilpa Gupta – JakobMattn­er–AnthonyMcC­all–JerzyOlek–Goran Petercol – Sigurd Rompza – Regina Silveira – Giuseppe Uncini – Grazia Varisco – Markus Wilfling

 ?? (Photos: Tobias Wootton) ?? Bottom: Berta Fischer, Aya, 2007, acrylic glass; Courtesy Galerie Barbara Weiss, Berlin [Exhibition chapter :From Plane to Space]
Left: Adolf Luther, Fokussiere­nder Raum, 1968; concave silver mirrors, electric engine, wooden frame, illuminant, electrical­ly driven smoke; 200 x 200 cm; Adolf-LutherStif­tung, Krefeld [Exhibition chapter: Virtual Volumes]
(Photos: Tobias Wootton) Bottom: Berta Fischer, Aya, 2007, acrylic glass; Courtesy Galerie Barbara Weiss, Berlin [Exhibition chapter :From Plane to Space] Left: Adolf Luther, Fokussiere­nder Raum, 1968; concave silver mirrors, electric engine, wooden frame, illuminant, electrical­ly driven smoke; 200 x 200 cm; Adolf-LutherStif­tung, Krefeld [Exhibition chapter: Virtual Volumes]
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 ?? the artists Opposite page: Paul Le Grand, (dis)appear, 2008/2019; steel, mirror glass; 7 steles; Courtesy of the artist (Photos: Tobias Wootton) ??
the artists Opposite page: Paul Le Grand, (dis)appear, 2008/2019; steel, mirror glass; 7 steles; Courtesy of the artist (Photos: Tobias Wootton)
 ??  ?? This page, top: Anthony McCall, Line Describing a Cone 2.0; 1973/2010; 16 mm film, digitized, b/w, silent, 31:40 min (computer, quicktime movie file, video projector, haze machine); dimensions variable; Courtesy of the artist bottom: Douglas Henderson, David Henderson, The Sea Is a Big Green Lens, 2014; Stainless steel, urethane foam, loudspeake­rs, 14-channel audio in loop, 22:30 min; dimensions variable; Courtesy of
This page, top: Anthony McCall, Line Describing a Cone 2.0; 1973/2010; 16 mm film, digitized, b/w, silent, 31:40 min (computer, quicktime movie file, video projector, haze machine); dimensions variable; Courtesy of the artist bottom: Douglas Henderson, David Henderson, The Sea Is a Big Green Lens, 2014; Stainless steel, urethane foam, loudspeake­rs, 14-channel audio in loop, 22:30 min; dimensions variable; Courtesy of
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