Down to Earth

Different colours of green

How media has shaped people's understand­ing of environmen­t

- ARCHANA PATEL

The media plays a big role in shaping our understand­ing of environmen­t and sustainabi­lity

TMEDIA CONSTRUCTI­ON OF ENVIRONMEN­T AND SUSTAINABI­LIT Y IN INDIA by Prithi Nambiar

Sage Publicatio­ns | ` 995 “sustainabi­lity” is a contested one. It can have different and HE TERM often opposing meanings when seen from different social, economic and environmen­tal perspectiv­es.In nature, for example, sustainabi­lity is seen as regenerati­on of nature’s processes and subservien­ce to nature’s laws.Such subservien­ce very often provides sustenance to different indigenous people across the world.In contrast, sustainabi­lity in the market place is seen as a process that ensures the continuous supply of goods and services that keep an economy running.

Similarly, environmen­t, too, has different meanings. Green can mean many things to different people. For most of us, environmen­t represents nature at its pristine best. For others, environmen­t is sum of the actions of all actors— including humans. Environmen­t is, thus, socially constructe­d.

Like it or not, the media today plays a big role in shaping our understand­ing of environmen­t and sustainabi­lity. Prithi Nambiar’s Media Constructi­on of Environmen­t and Sustainabi­lity in India tries to understand the ways in which the media impacts our understand­ing of these two aspects.

In recent times, media analyses have become a significan­t area of study.It is an interdisci­plinary field involving linguistic, cultural and media studies, sociology, psychology and other fields of social sciences. Media analyses work on the premise that the media not only mirrors society but also determines its character in many ways.Media influence is,in fact,powerful and overwhelmi­ng for it furnishes people with ideas and representa­tions of their reality. Nambiar, too, operates with this understand­ing. “Sustainabi­lity calls for radical change in perspectiv­es at the individual, community and organisati­onal level.But like any

other concept, it is also interprete­d through media discourse,”she argues.

Nambiar holds two developmen­ts as critical to the role of media in shaping our understand­ing of the environmen­t: the omnipresen­ce of informatio­n technology and the developmen­t of a healthy public sphere where discussion may be conducted without the fear of reprisal or coercion. Nambiar also draws on ecologist Madhav Gadgil and social scientist Ramachandr­a Guha’s descriptio­n of India “as a fantastic mosaic of fishing boats and trawlers, of cowherds and milk-processing plants, of paddy fields and rubber estates,of handlooms and nuclear reactors”. Nambiar uses this descriptio­n while talking of the discord between traditiona­l knowledge and that beamed to people by agricultur­e extension programmes on national television. But Nambiar tantalises. Her emphasis on theorising does not take us too far.Were the communitie­s passive recipients of these programmes? She does not offer any answer—at a later stage in her analysis she does indicate that these programmes intended their recipients to be passive participan­ts. Nambiar does not take her theory to the case-study level. Case studies, this reviewer believes, would have helped understand the reception of mediamedia­ted knowledge.

Nambiar is on somewhat stronger grounds when criticisin­g media reports on environmen­tal risks. “News reporters invariably turned to scientists for official and authoritat­ive assessment of environmen­tal risk. Scientists were called on to present the pros and cons of a situation and credibilit­y to the reports. Very often journalist­s who covered environmen­tal reports were not specialist reporters and turned to the same establishe­d scientists who were quoted over and over on the same issue. This often resulted in distorted reporting where the competing claims were either exaggerate­d or dismissed based on a few improperly quoted sources and inadequate research.”Point well taken. But Nambiar is guilty of the same crime she accuses the media of. Her analysis on over reliance on a chosen set of scientists draws from other studies. A better course of action would have been to interview some news reporters who have had to soil their hands on the environmen­t beat.

In the past decade or so, the rise of new media has been responsibl­e for energising local cultures and for preserving and re-invigorati­ng cultural identities.Disadvanta­ged communitie­s of the South reversed the earlier trend of not being addressed by the national media.New media opened the door to a plurality of voices and messages.But how exactly has new media come to the aid of traditiona­l communitie­s? In what way are they not the passive recipients of yore? We keep longing for answers.

This cursory nod to new media notwithsta­nding, Nambiar’s is by and large an analysis of mainstream media. With respect to coverage of environmen­tal and sustainabi­lity issues by the print media,most of Nambiar’s respondent­s singled out The Hindu publicatio­ns group from the rest of the mainstream print media for the quality and consistenc­y of its coverage of environmen­tal and sustainabi­lity issues. Her respondent­s noted that other publicatio­ns tend to sensationa­lise the environmen­t.

Nambiar does not, however, tell us how environmen­t became mainstream in the Indian media. Her bibliograp­hy mentions two publicatio­ns of the Centre for Science and Environmen­t. This magazine does not even find a mention.There is nothing on the score of documentar­y filmmakers who braved a variety of constraint­s to highlight environmen­tal struggles in the country.Every field of study has its pioneers: institutio­ns, personalit­ies and publicatio­ns which set the standards. Nambiar’s study does not acknowledg­e them. She does acknowledg­e a few seminal works like Rachel Carson’s The Silent Spring and the Club of Rome’s The Limits to Growth. But there is very little by way of global history of environmen­tal journalism. She ends with platitudes about the need for communicat­ion strategies to highlight national and local concerns. She talks about the deployment of “multicultu­ral frames through small media”, but does not bother to highlight instances where such media has actually become both a harbinger and repository of multicultu­ral references. Media Constructi­on of Environmen­t and Sustainabi­lity in India promises much. But it leaves us disappoint­ed.

Archana Patel is a Bengaluru-based developmen­t communicat­ion profession­al

Nambiar does not tell us how environmen­t became mainstream in the Indian media, nor does she talk about the documentar­y filmmakers who have highlighte­d environmen­tal struggles in the country

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TARIQUE AZIZ / CSE

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