FrontLine

1954 The three Akademis

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JUST before Independen­ce, the Royal Asiatic

Society in Bengal had proposed the formation of a National Cultural Trust to preserve and promote India’s artistic heritage. “After freedom, the proposal was pursued by the Government of India, who convened a series of conference­s to work out the details. Consensus emerged in favour of establishi­ng three National Academies: one of letters, another of visual arts, and a third of dance, drama and music,” says a Sahitya Akademi document.

In the 1950s, painters, dancers, singers, and actors began to persuade governing leaders to institutio­nally support the country’s traditiona­l and modern cultures.

The Sangeet Natak Akademi (SNA) was the first of the three to be establishe­d in 1953, followed shortly by Lalit Kala Akademi (LKA) and Sahitya Akademi (SA).

Against the backdrop of the ongoing cultural renaissanc­e of those years, the role of the Akademis was and still is to revive, preserve, and patronise Indian art, dance, music, and literature. Awards given by each academy continue to be the highest recognitio­n for an artist in India.

SNA supports India’s rich legacy of performing arts that goes back many centuries. It remains an important centre for music, dance, and drama.

Over time, SNA set up several State centres. Its archives, which includes music, films, and costumes, is considered the most comprehens­ive collection of material on the Indian performing arts.

Lalit Kala Akademi, also known as the National Academy of Art, was establishe­d in 1954. Its objectives include providing space for exhibition­s, fellowship­s, awards, and taking art shows to foreign shores. LKA used to have the interestin­g task of buying art for the country’s collection, and almost every well-known Indian artist has been associated with LKA at some point in their career. LKA’S ambitious Triennale, which debuted in 1968, establishe­d India as an art destinatio­n.

The Sahitya Akademi’s primary role is to keep alive and support the country’s literary traditions and works in 24 languages. Its centres consistent­ly host seminars, dialogues, and readings across the country. Involved in translatio­ns and publicatio­ns, SA has published 6,000 books since its inception.

 ?? ?? AN ARTWORK at the first Triennale, 1968.
AN ARTWORK at the first Triennale, 1968.

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