FrontLine

Marking territory

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CAMBODIA is, for the average tourist, synonymous with two things: the ancient city of Angkor in Siem Reap and the “Killing Fields Museum” in Phnom Penh. The sheer expanse of ancient Angkor is itself a fascinatin­g sight, with Angkor Wat as the piece de resistance; the museum documents graphicall­y the aberration­s of the Pol Pot regime with little informatio­n about other colonial depredatio­ns.

Angkor is at the core of Cambodia’s tourism, a major source of revenue for the country’s economy. COVID-19 led to a big dip in tourist inflow from East Asia, India, and Europe in 2020-21, but since then arrivals have increased. According to Sonbek, a young woman staffer at the Elias Greek Restaurant at Pub Street, a popular haunt for foreigners, tourist footfall was 10-20 per cent of the inflow before the pandemic but was steadily picking up.

Siem Reap literally means “Thailand defeated”, widely acknowledg­ed as a not-so-appropriat­e term for a city with an internatio­nal border. It was the site of a battle where Siam (Thailand) was defeated by the Khmer army, hence the name. It is another matter that Siam defeated the Khmers subsequent­ly.

There’s no public transport in Siem Reap. Motorcycle­s and mopeds are the popular forms of transport. It was a pleasant sight to see women driving motorcycle­s. Other forms include improvised mopeds attached to a four-seater buggy called the Remok, also known as the “Tuk-tuk”. One advantage of taking a Tuk Tuk is that one gets to see the countrysid­e, with palm and coconut trees jutting out of paddy fields on either side of the road, which incidental­ly is in very good shape. It is a common sight to see women selling vegetables, meat, and local wares.

No narrative about Angkor is complete without a mention of the ubiquitous guides. These linguistic geniuses—they speak French, German English, Spanish, and most of the East Asian languages—are quick to warn tourists about the dangers of “getting lost” amid the sandstone temples and their Byzantine corridors.

In The Civilizati­on of Angkor, the archaeolog­ical researcher Charles Higham says that

Angkor, according to Sanskrit and Khmer inscriptio­ns and early accounts of Portuguese traders and Chinese travellers, was the capital of a civilisati­on (800 to 1400 CE) that commanded the rich lowlands of Cambodia and much of modern-day Thailand. Its god kings lived in cities built to represent Mount Meru, the mythical mountain home of Hindu gods.

History has it that Jayavarman II unified the warring independen­t Khmer states into one empire. The historians Michael Freeman and Claude Jacques, authors of Ancient Angkor, write that Angkor Wat (Wat means Buddhist monastery) owes its origin to Suryavarma­n II, a grandnephe­w of Jayavarman VI in the 12th century. His rule, they say, marks the peak of Angkor’s power and influence. There are temples like Banteay Srei which radiate elegance despite their diminutive­ness, and there is the city of Angkor Thom whose sheer scale inspires awe.

Whether it is the imposing Buddha figurine in Angkor Wat, its bas-relief gallery depicting the Battle of Kurukshetr­a, the delicate stone carvings of Apsaras (described by one guide as “celestial goddesses”), Siva’s dance of destructio­n in Banteay Srei, or the labyrinthl­ike galleries at the sprawling Preah Khan temple complex, it is apparent that the then rulers wanted to mark their territorie­s in the grandest way possible.

The other unique feature is the coexistenc­e of a confluence of religious streams: Shaivism, Vaishnavis­m (within Hinduism), and Buddhism. There is no doubt that Hindu rulers brought with them their religion and the associated epics before Buddhism establishe­d itself in the region. But what is singularly missing is any informatio­n about the craftsmen who erected the sandstone temples, with their huge slabs, each weighing several tonnes and locking perfectly into the other without any cementing material. The rocks have faces cut into them, besides exquisite carvings of dancing apsaras, but little is known about how the stones were hoisted to those heights on the towers. Due to their antiquity and the constant threat of erosion, the Angkor temples are under restoratio­n work with assistance from India, Germany, Japan, and other countries.

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