Global Movie

Did Salman Khan lock lips with Disha Patani in 'Radhe: Your Most Wanted Bhai', endi

When you write off good artistes, it s easier for them to beat their drums about their own people.

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Salman Khan has played the role of a romantic hero several times in his films, however, the actor always maintained that he never felt the need to kiss on screen because he finds it uncomforta­ble.

Salman had also once said that kissing scenes were not necessary for a film, however, it seems that all that has changed now as Salman kissed his "no-kiss" policy goodbye with his latest movie 'Radhe: Your Most Wanted Bhai', in which he appears to lock lips with his leading lady Disha Patani. However, after the scene went viral on Thursday, several users pointed out that Disha's mouth is taped shut when Salman appears to kiss her.

And as we all know Salman Khan's films are synonymous with adrenaline-pumping action sequences, groovy music and dance moves that end up being the nationwide trends. Keeping up with the same, Salman's 'Radhe' is all that you can expect a Bhaijaan film to be -- full of entertainm­ent, lots of action and catchy one-liners.

The trailer gives a glimpse into the world of crime Radhe is pitted against. Randeep Hooda plays the role of the main antagonist, who looks suitably menacing in the avatar of a quintessen­tial villain. Action sequences form a major highlight of Radhe trailer, and it looks like the film is all set to pack a punch.

Swara Bhasker is one actress who has happily hopped onto the OTT bandwagon and is reaping rich benefits. While others were sitting idle and baking banana bread during the lockdown, Swara had four web series out on OTT. And she isn't averse to taking risk or shying away from something risque as long as it indulges her creative cravings. She's always spoken her mind and is known for her antiestabl­ishment stance. She reasons if the artistes don't speak up when other sectors get affected, then being quiet will become a habit and they'll easily submit to curbs when creativity gets targeted. She doesn't know about others but she's unwilling to go gently into that dark night. Excerpts from a rollicking interview with the feisty actress who doesn't believe in being just another pretty face...

How does it feel to have had four web series released during the lockdown?

It feels great. Rasbhari got released in June 2020, then came Flesh in August, Bhaag Beanie Bhaag in December and the latest is Aapkey Kamrey Mein Koi Rehta Hai (AKMKRH), streaming on MX from January 2021 onwards. So I'm loving it. For a year dominated by the coronaviru­s pandemic, this is great.

Horror-comedy is not a highly explored genre in India. Were you skeptical before signing AKMKRH?

When I read a script, I never think of what genre it belongs to. I read it for what it is. So when I read its script, I really liked it. It was edgy and funny. For me, the horror in the series is how can four boys be so dumb. Gaurav Sinha, the writer and director of the series has done a good job with balancing the humour and the scary bits. Of course, there is horror but it's a story of four friends, a comedy of errors. The only thing I was worried about was that whenever a story requires a suspension of disbelief, it can get tacky or cheesy. I feel if your audience is interested in you, they don't necessaril­y have to believe in what they are watching. If you've got them hooked in, then you're okay. So the challenge for me was whether as an actor I can engage you enough that you'll be interested in my performanc­e even though you don't believe in what's happening.

What were the shooting timelines for your series? Did you shoot anything during the lockdown?

All four were shot between the end of 2018 till the start of 2020. Bhaag Beanie Bhaag was the last thing I shot before the lockdown. But I dubbed for two or three of these shows during the lockdown. So we had this impressive set-up with the sound engineer in Mumbai and I was in a studio in Delhi with a different sound engineer. Everything was sanitised after each sitting and I bought my own headphones. Everything was shot before but a lot of the post-production happened during the lockdown.

All your four roles are different from each other. How did you prepare for them and was it difficult to flow from one to the other?

As much as possible, I try not to shoot two things together. I've done it once before and it's most distractin­g and irritating. It's also very hard. Later, when I watched these shows, I realised I had prepared well for each of them. The transition from one to the other happened during the process of preparatio­n. So for me, if you prepare well for each role, you will be able to find that transition in the preparatio­n. There's also this new thing I've started doing. Actors always try hard to get into a role, but we never have a process of getting out of it. I've started to do that now. Especially after Anarkali Of Arrah. I hadn't realised that it had affected me psychologi­cally. After that film, I started to question myself as to why there was so much anger within me or what was happening with me. I realised that I got into the role but never got out of it.

Do you feel being an entertaine­r and an active voice of activism can go hand-in-hand?

I never saw them as being in opposition with each other. Having an opinion is the most natural thing. We are born with a brain and a mouth. Opinions make us human. My pet can't have an opinion and even if it does, it can't express it. So I don't understand why being an actor and having an opinion are two opposite things. I'm an artiste, I pay taxes here, I'm a citizen of this country… whatever happens in the country affects my work directly. I feel as an actor I should have an opinion. I believe in the policy of live and let live. If I have an opinion, it doesn't mean you need to have the same opinion as well. I don't judge people for not speaking up, for the choices they make or choosing to stay silent. I do judge people for breaking the law. Have whatever opinion you do, but don't try to justify murder and don't normalise hate. If you have used your voice or platform to harm someone, especially a community, then I'm not okay with that. It's okay if you don't want to work with someone to avoid the toxicity.

What is your take on censorship and the hike in ban culture?

I do not believe in censorship. The legacy of censorship in India is very problemati­c because those laws were made by the British colonial government to repress the voice of India during the freedom struggle. They didn't want people to go out there and demand freedom. That is literally the origin of censorship in India. So I don't understand why these laws still exist and why do we have to bear the burden of our colonial past even now. I believe in certificat­ion. Yes, there is content that children shouldn't watch. It's only meant for adults. It's terrible that censorship is happening in our country and of course, it is politicise­d. It is a bad sign for democracy because you

don't know what you'll say that will hurt someone. In the last six months, every other week there is a new controvers­y where people are trying to ban content. That is such a terrible sign for us as a modern society. We've also become too petty as a society. One of the biggest conditions for good art and creativity to flourish is the freedom and safety of your thoughts and expression­s. If you make our creativity criminal and if people can go to jail for having a certain expression, then we have to go back to the nonsense formula of filmmaking with item numbers, cars flying and the same old storyline.

What do you feel about escapist cinema compared to realistic stories?

It is fine to have escapist cinema but one day they'll come to control our fantasies also. If you can't crack a joke today, one day they'll tell you, you can't dream a dream. Your fantasies will hurt their sentiments. No genre is problemati­c. Look at Avatar. It is a prime example of cinema that can be called escapist but look at the kind of critique it is making of authoritar­ianism, capitalism and the American foreign policy. So the problem is not the genre but the mentality we have as a society.

How was it working with Shabana Azmi and Divya Dutt in Sheer Qorma?

Shabana ji and Divya ma'am are two of my most favourite actors in the industry. Shabana ji is an inspiratio­n for me and she's someone I've always looked upto. So when I heard that they both were going to be in the film, I didn't care what it was about, I knew I wanted to be in it. I was okay if I had one line, I would still go ahead and say it. To share screen space with Shabana ji after ten years of my career, I feel fulfilled. It's a lovely film with great performanc­es and Shabana ji and Divya ma'am are both in great form.

What next on your plate?

I have started shooting for my next film Jahan Chaar Yaar which is a fun story of four housewives from a small town in Uttar Pradesh who decide to take a vacation to Goa. It stars my 'veere' Shikha Talsania, Meher Vij and Pooja Chopra. Fingers crossed, this year I'm also planning to turn producer. There's something I've written and I'm trying to make sure that it goes on the floor. So it's going to be a busy year.

Prachi Desai hopes to give her career another push, by making her digital debut in the thriller, Silence... Can you Hear It?

Co-starring Manoj Bajpayee, the film has been getting good reviews.

The television actress, who has been a successful transition to films, looks back at her career and tells "If you keep writing about television actors and say they haven't been able to create a mark, then that's what people will think. But if you say they have broken barriers and they came this far, imagine how much your outlook will change towards them."

Did you enjoy playing a cop in Silence...Can You Hear It? More than you can imagine!

At the back of your head, you know it is a huge responsibi­lity to be in uniform and I couldn't stop thinking about it before we started shooting.

The minute you wear that uniform, it naturally changes the frame of your mind.

Your stance changes, your walk and the way you conduct yourself, it's so instant.

It's pretty amazing to be in uniform.

Manoj Bajpayee is an excellent performer. As his co-star, did you look up to him?

Absolutely! I couldn't stop observing him up to a point where it was like, creepy!

I would keep watching what sir was up to, how he was preparing.

As an artiste, he is someone so many of us actors hope to share the screen with.

What I observed about him is how hardworkin­g he is, regardless of the fact that this could be his 50th or 100th film. He gives it his 100%.

Even if it is a simple scene or shot, he doesn't treat it as a cakewalk.

He is a lot of fun to work with.

He cracks jokes.

He breaks the silence with his humour and one-liners.

But when seriousnes­s is required, he pulls us up.

There are times when we have been scolded by him for laughing too much or creating a ruckus.

From playing a sweet girl-next-door to a cop, does this transition surprise you?

No, I am glad that someone finally has woken up to this.

As an actor, you know you can do so many things.

What happens is when you do one thing well, everybody wants you to keep doing that.

I had to wait for something nice to come my way to break out of that.

I let go of a lot of good things because I didn't want to keep repeating the same thing.Silence... came out of nowhere and it was so easy for me to say yes.

There are so many stories being told on OTT, and it gives us a chance to do a variety of things. It gives us a chance to be fearless with choosing roles.

Earlier, with theatrical releases, people were very calculativ­e. These things don't matter anymore (on OTT) and that's the best part of it.

Your Bol Bachchan co-star Abhishek Bachchan recently defended your hard work and talent when he was trolled

well he treats all of us.

You have done a horror film called Kosha. When is it releasing?

That film requires a lot of VFX, which is very timeconsum­ing.

There is very little shooting left and I think we should complete that soon.

It shows me in a very different light.

How excited are you about the horror genre?

It is my favourite genre!

I am a sucker for horror, thrillers and espionage thrillers. I am that annoying friend who forces people into watching horror films.

I am also one of those who after watching a horror film, gets very scared.

I can't let even a toe get out of my blanket because I am so scared but that won't stop me from watching horror films.

When Kasamh Se completed 15 years, Ekta Kapoor shared a promo video of the show saying she feels old. Do you get nostalgic about the show and your television days?

Absolutely! When I think of that now, it feels like I was a different person.

I was a teenager and I don't know how time just flew by. To be doing such an intense role at that age shocks me. It was like a training ground for someone who had never faced the camera before. There was so much learning in a short period of time, in the two years that I did the show. My co-stars were amazing, and that bond lasts forever.

But those were also very tough times because we used to shoot for very, very long hours.

Still, to get an opportunit­y like that was amazing. A teenager from nowhere got a chance to become a household name and then share screen space with her

for having more followers than you. Do you feel success is judged by the number of followers you have on social media?

It was incredibly big-hearted of AB, who is one of my favourite people and among my favourite co-stars, to say something like that out of nowhere.

I want to give him a big hug for that.

As far as social media is concerned, does the public even know how many people have fake followers?

People spend money to buy followers because having a big following means something -- maybe to brands or to somebody who is casting you.

There is a good side and bad side to social media.

If you want to put yourself out there, at the same time you also have to know when to detach yourself.

When Bol Bachchan completed eight years, Ajay Devgn posted a throwback, where he forgot to include you and other cast members.

It was a blast shooting that film.

We couldn't stop laughing during the scenes because they were hilarious.

These moments are always nostalgic and special because you created something together.

I am very fond of them from the film.

It was really basic about reminding someone.

It was me telling my older brother, hey, you forgot about me -- because I played his younger sister in the film. I think the most basic thing for anyone to do is acknowledg­e everyone in the team; that is something we are all taught in school.

It was so basic, but a lot of people thought it was a very big deal, and that surprised me.

Honestly, Ajay sir has been here for so long.

I have seen him on the set and how inclusive he is, how

favourite director (Farhan Akhtar directed Prachi in Rock On!!).

Dil Chahta Hai used to be my favourite film, so I felt this show opened doors for me.

You did films like Rock On!!, Once Upon a Time in Mumbaai, Azhar and Bol Bachchan, but the big offers seem to have dried up.

I would say that the big offers are still there.

In the last couple of years, there have been some big and amazing projects, but I feel they were doing nothing for me. I knew I wanted to do something different.

I started out so young and have done quite a bit of work. At some point, you have to re-invent yourself.

You cannot keep doing the same thing for the rest of your life. That's the good thing about doing films -- you get to be something different with every project. But when that also started getting repetitive, I just knew I had to change the route. While waiting (for something different), a whole year or more went by. There was the lockdown also. Some of these big projects didn't work out and for an actor, you never know whether something is going take half a year, three months or a whole year...so when a project doesn't work out, you don't know that the whole year has passed by. It is very uncertain. When Silence came, I instantly knew that I wanted to do it.

Bollywood is about having powerful connection­s. Do you agree?

I think we have all woken up to some amazing talent, thanks to OTT. For example, did anyone give Pratik Gandhi the break or opportunit­y that he deserved before this? But he came out of nowhere and changed the dynamics. I am so glad that he is getting all the appreciati­on that he deserves. Then, there is Sushmita Sen. She did Aarya and knocked everyone in their tracks because she is so amazing.

OTT gave her that platform and she got what she deserves. Hopefully, the last one year has been a new learning for Bollywood, where they realise what they have been doing and that they cannot go on with this forever. We talk about how much we ape the West, and do what they are doing.

We are always trying to win Hollywood awards but what we don't realise is the mediocre content that we have been putting out there, just because we don't give the right talent a chance. Some of the shows that we have loved are good because the actors are fabulous in them. The writers, directors and actors have to be amazing, and we are doing that now. So I hope that these people wake up from that slumber and hope they realise that they need to reinvent with time because it cannot keep going on the way it has been forever.

They have to learn and move with times.

Do you think the industry doesn't take outsiders seriously and that is why many television actors are still struggling to make their mark in Bollywood?

I will say that people here don't make it easy for you, that's for sure. But the fact that TV actors can cross that line and break that barrier, that's a huge credit in itself. The fact that they risk their TV careers by doing something different in films, I think that's massive. Bollywood influences the press, and they influence the general public's minds to think like that.

If you keep writing about television actors and say they haven't been able to create a mark, then that's what people will think. But if you say they have broken barriers and they came this far, imagine how much your outlook will change towards them.

So I will always give them credit because I know how tough it is, especially with stereotypi­ng.

When you write off good artistes, it's easier for them to beat their drums about their own people and that is how Bollywood functions.

How many people would have known that Ayushmann Khurrana or Yami Gautam were television artistes?

Yami was such a beautiful face on TV, she totally deserves to be where she is.

Mrunal Thakur is from television.

I wish people don't write others off when they publish articles.

If you actually see their work in films or whatever they are doing, it's far better than what a lot of people in privileged positions are doing.

Let's be more supporting because TV is such a difficult medium.

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