Global Movie

Sadhana, 1958

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Ayear before Sujata, it was Vyjanthima­la in Sadhana whom a righteous professor brings home from a kotha and presents her as his wife to his ailing mother. In the end, Duttsaab insists on marrying the tawaif.

Even though samaaj thinks she doesn't deserve a second chance, he does. Sahir Ludhianvi's hard-hitting poetry against the perverse practice of patriarchy still rings true: Aurat ne janam diya mardo ko, mardo ne use bazar diya. jab jee chaha masla kuchla, jab jee chaha dutkar diya.

Vyjanthima­la, who did three ilms with Dutt, says, "He was a true gentleman and a progressiv­e man and a rational artiste. The way he conducted himself with Nargisji made every woman in India wish he could be their husband."

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