Bollywood collections cross ₹4,000 cr in 2019

A CUT IN TAX RATE FOR TICKETS PRICED ABOVE ₹100 FROM 28% TO 18% LAST DEC HELPED BOOST REVENUE

NEW DELHI: Revenue from Bollywood films jumped more than 30% to cross the ₹4,000 crore-mark this year, notching up a surprise first in the middle of an economic slowdown that has hit multiple bellwether sectors such as automobiles and retail.

Trade experts said this is the first time the box office collections in a calendar year have crossed the ₹4,000 croremark for Bollywood, clearly making for a milestone.

Atul Mohan, editor of trade magazine Complete Cinema estimated the final net domestic box office collection for Hindi films in 2019 at ₹4,350 crore, several notches above the ₹3,300 crore collected in 2018 and the ₹3,000 crore in 2017. “We’ve seen a lot of successes in 2019 thanks to a variety of content, from mindless comedies to patriotic and slice-oflife, realistic films,” Mohan said.

Bollywood’s highest grosser of the year, at ₹292.71 crore, was Yash Raj Films’ action thriller War. It is followed by Kabir Singh (₹276.34 cr), Uri-The Surgical Strike (₹244 cr), Housefull 4 (₹205.60 cr), Bharat (₹197.34 cr), Mission Mangal (₹192.67 cr), Kesari (₹151.87 cr), Total Dhamaal (₹150.07 cr), the Hindi version of Saaho (₹148.84 cr) and Chhichhore (₹147.32 cr).

A cut in entertainment tax helped boost revenue. Last December, the tax rate for movie tickets priced above ₹100 was brought down to 18% from 28%.

However, content deserves credit for the numbers. “We realize that streaming services are a big option for audiences but they will still come to theatres provided they get the right cinematic experience backed by good storytelling,” said Film trade and exhibition expert Girish Johar.

“Earlier, there were only five to six faces you could rely on to open films but now even smaller budget films and names are doing fantastic business.”

These include films like Chhichhore, Badla, Luka Chuppi and, most importantly, Uri, all of which have strong stories.

In contrast, some big-budget spectacles like Kalank and Panipat failed to recover their production costs.