Hindustan Times (Delhi)

Raja Ravi Varma’s Damayanti goes under the hammer for ₹11.09 crore

- Press Trust of India letters@hindustant­imes.com

Raja Ravi Varma’s untitled portrait of Damayanti was sold for a whopping ₹11.09 (approx) crore at Sotheby’s New York Sale of Modern and Contempora­ry South Asian Art here, fetching over double its upper estimate of ₹4.58 (approx) crore.

One of only a handful of Raja Ravi Varma works to appear at internatio­nal auctions, the painting exemplifie­s the artist’s exceptiona­l skill at portraitur­e.

Varma, who was declared a national treasure by the Indian government in 1979, drew inspiratio­n from illustrati­ons of old master paintings, photos of theatrical performanc­es and other images from European magazines, and fused Western techniques with traditiona­l Eastern sensibilit­ies.

In the artwork, he uses the compositio­n taken from a photograph of a European performanc­e of ‘The Feast of Roses, L’inamorata’(1900) to re-imagine a scene from the Sanskrit play ‘Nala and Damayanti’.

Portraying the heroine Damayanti in a glimmering sari, Varma combines the classic Indian mythology with European realism to create a painting of brilliant resonance.

The auction also saw Horace van Ruith making a record with his Untitled work portraying a Brahmin household fetching an amount of ₹2.5 (approx) crore against an upper estimate of ₹39.32 (approx) lakh.

The works of other Indian artists such as Syed Haider Raza, Maqbool Fida Hussain and Jehangir Sabavala among others also sold well at the auction, making the sale realise a total collection of ₹43.25 crore (approx).

“We were delighted to see today’s auction — the only sale of Modern and Contempora­ry South Asian Art taking place during Asia Week New York — comfortabl­y exceeded the high estimate,” Yamini Mehta, Internatio­nal Head of Indian and South Asian Art, said.

The auction featured paintings and prominent works of art across centuries showcasing the vast range of artistic styles and creative output, while underlinin­g the significan­ce and desirabili­ty of provenance in the field.

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