Hindustan Times (Delhi)

The azaan that can enliven all, irrespecti­ve of religion

- Mayank Austen Soofi htreporter­s@hindustant­imes.com

5.25 am. The sky is still dark. Holding the microphone close to his lips, he opens his mouth to recite the azaan, and… time stops.

We are in Jamat Khana, a mosque built on one corner of the sufi shrine of Hazrat Nizamuddin Dargah in central Delhi. We’re watching Muhammed Iftikhar, a young Quran teacher, call the faithful to perform fajr. It’s the first of the five prayers that Muslims enact daily.

Some people, not necessaril­y only Muslim, find azaan beautiful; others may think of it as nuisance. Today singer Sonu Nigam created controvers­y, tweeting, “God bless everyone. I’m not a Muslim and I have to be woken up by the azaan in the morning. When will this forced religiousn­ess end in India,” he wrote.

It is nobody’s argument that the Indian air is oversatura­ted with all kinds of sounds: azaans, aartis, gurbanis, and not to speak of night-long songs during the wedding season. To many of us, some of these sounds are sheer music; to many others, it is plain noise. To Iftikhar, the sound of azaan is a part of himself. It comes from within him. He performs it, after all.

He is in a white cap and a black-and-white kifayah. His eyes are closed, as a soft, lyrical sound emerges from him.

Lifting his palms to his ears, the bearded young man repeats the words, God is Great.

Each morning, Muslims across the world wake up to a similar holy cry from their neighbourh­ood mosques. Most muezzins, the people who lead the prayer, simply produce a perfunctor­y call; a few create magic through soulful solitary tunes. Iftikhar’s voice is unremarkab­le in conversati­on, but now it has transcende­d to an extraordin­ary tenderness.

After concluding the call, Iftikhar sits down on the carpet. The mosque was commission­ed by one of the sons of Sultan Allaudin Khilji in the 14th century. Its entrance opens to Hazrat Nizamuddin’s tomb.

“I live in this mosque and sleep in the hujra there,” Iftikhar says, pointing to a door adjacent to the wall that faces Mecca. Muslims pray facing towards this town in Saudi Arabia. “I teach the holy Quran to children.”

Two elderly people enter for prayer.

Iftikhar blushes as we congratula­te him on the melodious style of his azaan. “I learned it from Maulana Siddiq, my ustad (master).”

Iftikhar’s father is a maulavi (priest) in Jamshedpur, an industrial town in the eastern state of Jharkhand. More than a decade ago, his parents sent him for studies to a madrasa (Islamic school) in Hapur, a town 60km from Delhi. After he memorized the Quran and became a hafiz, Iftikhar came to the capital. “It is an honour to lead the call to prayer.”

Another man enters the mosque; he is wearing flannel trousers and sits down to perform his prayers.

“I have to do other things in life too,” Iftikhar says, “I want to marry. But first, I wish to return to Jamshedpur. Although I frequently talk to my parents on the phone, I miss them desperatel­y, especially my three brothers and my only sister.”

Only a few people have gathered to pray in the mosque. Getting up to join them, Iftikhar says, “One day I will go back to my watan (meaning home town).” We ask, “What will you do there?”

He thinks for a moment, and then turning towards Mecca, his voice fading, as if he is talking to himself, he says, “I’ll start a karobaar (business).”

 ?? MAYANK AUSTEN SOOFI ?? People gather to perform namaz at the Jamat Khana, a mosque located on one corner of Hazrat Nizamuddin dargah. (Below) Muhammed Iftikhar recites the azaan and a gate of the mosque, which was built by a son of Sultan Alauddin Khilji
MAYANK AUSTEN SOOFI People gather to perform namaz at the Jamat Khana, a mosque located on one corner of Hazrat Nizamuddin dargah. (Below) Muhammed Iftikhar recites the azaan and a gate of the mosque, which was built by a son of Sultan Alauddin Khilji
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