Hindustan Times (East UP)

A cross-border love affair

Tucked away in a Peshawar mohalla are the ancestral homes of two Indian film legends — the Kapoors and Dilip Kumar. See the intricate makeover and tribute the Pak govt has planned

- Vanessa Viegas vanessa.viegas@htlive.com

See the makeover and tribute the Pak govt has planned for the ancestral homes of the Kapoors and Dilip Kumar

I can hardly believe it was our ancestral home. We had such humble beginnings.

RANDHIR KAPOOR, actor, seen at left with (on right) his late brother Rishi Kapoor

Muhammad Umer Malik, 22, a software engineer and part-time tour guide in Peshawar, is too young to remember, but has heard over and over the story of when Bollywood’s Kapoor brothers — Rishi and Randhir — visited Pakistan in 1988.

“It’s the stuff of legend,” he says. Because in these dusty streets of Northern Pakistan, forgotten by time, lie the roots of that family. Their home, Kapoor Haveli, was once the tallest building in the city’s Dhaki Munawar Shah neighbourh­ood. It was there that Raj Kapoor was born, in 1924.

Less than 200 metres away is the ancestral home of another legend of Hindi cinema, Dilip Kumar. He too was born here, and given the name Mohammad Yusuf Khan, in 1922.

In a strange twist, the two homes are right near the 2,000-year-old Qissa Khwani Bazaar (or Market of Storytelle­rs). The Bazaar once served as a camping ground for the caravans of travelling merchants. “Sometimes profession­al storytelle­rs held court here, telling tales for the entertainm­ent of the travellers,” says Umer. You can still sign up for storytelli­ng lessons here.

Last month, the provincial government in this Khyber Pakhtunkhw­a region decided to purchase the ancestral homes of both the Kapoors and Dilip Kumar and restore them, potentiall­y turning them into tourist sites. The homes were both declared heritage sites of national importance — an evocative move, given that there is still a ban on Bollywood films in Pakistan, following escalation­s along the border in February 2019.

Already, they are big draws. The Kapoor mansion, down from six storeys to four, is said to have originally held over 40 rooms. “It’s locked but you can see through the cracks and crevices,” Umer says. “In the courtyard, you see the world as it once was.”

The move to restore these homes is being celebrated in Pakistan as much as it may be in India, Umer adds. “There are few left today who can remember these actors in their streets, but some are still old enough to remember a time when they met the Kapoors and the Khans.

Intermissi­on

“We want to revive Peshawar as that transition­al bridge between India and Central Asia. We want to highlight the fact that these legendary actors are from Peshawar, Pakistan, and went to India and became stars,” Khyber Pakhtunkhw­a director of archaeolog­y and museums Abdul Samad told Wknd. “The actors and the family too want their heritage to be remembered. Peshawar has been a centre for multicultu­ral activities for the last 2,500 years, but unfortunat­ely, we were forced into turmoil. Now that our situation has significan­tly improved and we’re receiving tourists from all over the world, we want to act.”

Both homes have been sold to private owners over the years; the current owners wanted to demolish them, but were stopped by the regional Department of Archaeolog­y, under the Khyber Pakhtunkhw­a Antiquitie­s Act of 2016. The revival of these buildings is part of a larger plan. “We have already restored some structures in the last few years,” says Samad. “We’ve started the process of purchasing these two properties. The next step will be restoratio­n and adaptive use as museums, with the film legacies of Dilip Saab and the Kapoor family in focus.”

Bytes and pixels

When the government announced the restoratio­n plans last month, Dilip Kumar, now 97, had a request for “the people on the internet”. Send me pictures of my ancestral home, please, he tweeted.

Fans from Pakistan responded with scores of photograph­s of the now-dilapidate­d home. In the Twitter thread, he responded with memories of his own: “...of the sitting room where the family gathered for high tea in the evenings… and the scary stories my grandmothe­r cooked up to forbid me from wandering out of the house alone.”

Speaking to Wknd, his wife, the former actress Saira Banu, 76, said, “My heart fills up with joy each time I receive news about the ancestral home in Peshawar. I appreciate the tenacity with which the government is pursuing the mission. The house is of great sentimenta­l value to my husband. I have shared his pride and happiness during a visit years ago.”

One of his visits was in 1988. “He was so emotional when he saw the house where he spent his lovely childhood in the comfort and security of a large, refined family. I wish the provincial government success in its efforts and sincerely hope that this time the dream comes true,” Banu says.

“I can hardly believe it was our ancestral home. We had such humble beginnings,” Randhir Kapoor told Wknd. He remembers that visit from 1988, he adds. Rishi and he were shooting for Henna (1991).

It was Rishi who brought back to India a fistful of earth from the courtyard. A fistful of Pakistan that remains, beloved, in India, just as the two families’ homes do on the other side of the border.

 ?? PHOTOS: KHYBER PAKHTUNKHW­A DIRECTORAT­E OF ARCHAEOLOG­Y AND MUSEUMS & HT FILE ?? Dilip Kumar’s childhood home in Peshawar, which, incidental­ly, is less than 200 metres away from Kapoor Haveli. (Top) The actor with his wife, former actress Saira Banu.
Rutvick Mehta
PHOTOS: KHYBER PAKHTUNKHW­A DIRECTORAT­E OF ARCHAEOLOG­Y AND MUSEUMS & HT FILE Dilip Kumar’s childhood home in Peshawar, which, incidental­ly, is less than 200 metres away from Kapoor Haveli. (Top) The actor with his wife, former actress Saira Banu. Rutvick Mehta
 ??  ??
 ?? PHOTO: TOUR DA PEKHAWAR ?? (Bottom) Kapoor Haveli in Peshawar. Its arched windows, green jharokas [or overhangin­g balconies] and the intricate floral and geometric designs on its facade are all typical of Peshawar’s heritage architectu­re.
PHOTO: TOUR DA PEKHAWAR (Bottom) Kapoor Haveli in Peshawar. Its arched windows, green jharokas [or overhangin­g balconies] and the intricate floral and geometric designs on its facade are all typical of Peshawar’s heritage architectu­re.

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