Just for the record
A generation committed to recording the everyday on devices and social media is taking to oral history, with help from the Oral History Association of India
A generation committed to recording the everyday on devices and social media is taking to oral history, with help from the Oral History Association of India
We are at a major point of transition. There are stories that need to be caught so that they don’t fall through the cracks.
S BHARAT, 29, OHAI member and archivist at the French Institute of Pondicherry
To the digital recorder, Vincent Stone talked about his father, John Stone, the army intelligence man. Vincent, a businessman in his 50s, had stopped at a cafe in Shillong in 2017, to narrate the story of his dad, a music teacher who gave up that life to join the Indian army in the ’60s.
In 1968, he called his family to say he was returning home. Then he vanished without a trace. Through the narration, Vincent barely looked up at oral historians Indira Chowdhury and Alessandro Portelli. He had clearly waited years to get his story out.
It eventually appeared as a blog post by Chowdhury and Portelli, on theoralhistorian.com.
With the world in a tailspin, oral histories have never seemed more urgent. For selfpreservation. To add to collective memory. And to make sense of who we were, how we got here, and where it could all be headed.
“Oral history works on recording, presenting and interpreting the voices of those who are often not included in mainstream history. This is about preserving an alternative public history,” says Chowdhury who teaches at the Centre for Public History of the Srishti Institute of Art, Design and Technology, Bengaluru. She is one of the founders of the Oral History Association of India (OHAI), set up in 2013.
In the pandemic, a new generation has been logging on. As OHAI moved all its activities online, in October, its Zoom workshop, Starting Your Oral History Project, was overbooked. Over 90 people — most of them students — signed up, and OHAI had to conduct two workshops instead of one.
This was followed by two public lectures, again well attended, on Zoom and Facebook. The themes here were how Partition touched the lives of ordinary people, conducted by OHAI member and author Saaz Aggarwal, and oral histories of the Narmada struggle, conducted by current OHAI president Nandini Oza, 55, a writer and archivist.
OHAI members include chief archivist of the Godrej Archives Vrunda Pathare; Surajit Sarkar, associate professor at the Centre for Community Knowledge, Ambedkar University, Delhi; and Pramod Kumar Srivastava, retired professor of Western history at Lucknow University.
If it seems surprising that Gen Z would be interested in oral histories, it might help to think of them as public histories instead. And, in that sense, it is easy to see why the OHAI mission resonates with a generation committed to recording the everyday in real time — on Instagram, Twitter, Facebook, YouTube.
So, is any person willing to tell their story automatically an oral historian? “While personal memoirs and diaries can be a rich historical source, these do not fall under oral histories as here, an interviewer is absent. In oral history, the interviewer or oral historian is an integral and an important part of the process,” Oza says.
A core skill for all oral historians to develop is the ability to listen without judgement, to probe with the right questions. “For example, when someone says ‘my first salary was Rs 100 per month’, ask gently or curiously, how much did bread cost in those days, or what was the rent for your home. And you might learn that the Rs 100 was a respectable sum back then,” says author Saaz Aggarwal, 59, who has recorded the oral histories of Sindhis and is an OHAI member.
What are the histories that OHAI hopes young people will record? S Bharat, 29, an OHAI member and archivist, French Institute, Pondicherry, says young historians should find interesting ways of “capturing the contemporary moment”.
“We are at a major point of transition. There is so much social upheaval. There are stories and conversations, such as those of the migrants, that need to be caught so that they don’t fall through the cracks when we try to tell larger narratives of the nation,” he adds.
Bharat, a volunteer since July, joined OHAI in December. “I joined because I felt it was important for practitioners to come together in a space that can give rise to collaborative work,” he says. “Archiving can be lonely work. You can’t just work in isolation.”