Hindustan Times (Lucknow)

‘Novels never feel completed’

On his new book, where the protagonis­t is caught between twin identities — of being brown in the US and savarna in India — that complicate her life

- Chintan Girish Modi letters@hindustant­imes.com

1 Who or what were you thinking of showing the middle finger to while writing this novel?

Haha, great question! The title comes from a medieval Jain retelling of the Ekalavya story recounted by Wendy Doniger in The Hindus: An Alternativ­e History. In this version, it is Arjun who cheats Ekalavya of his thumb. Drona becomes angry with Arjun upon discoverin­g this, and offers the blessing that a Bhil warrior will be able to shoot arrows without his thumb, using his index and middle finger. The phrase suggests unusual or unexpected strength that is rudely disruptive of establishe­d power, and it has a literary implicatio­n in the novel.

2 Megha seems to represent a certain type of American desi academic – the Fabindia-loving capitalism basher networking furiously at the Modern Language Associatio­n Convention in Chicago, and holidaying at Neemrana Fort Palace. You seem to have had a lot of fun writing this book.

Well, yes... but Megha is also a bit lost in this world, no? She’s been to very good schools, but she also inhabits a world where literature, particular­ly poetry, occupies a precarious place, notwithsta­nding its undergroun­d appeal. And privileges of race and labour alter depending on where you are and how your skin colour merges — or does not merge — with the background.

Also, a culturally privileged and imaginativ­e articulate person can be quite out of sync, even cornered, in a world dominated by networks of material power and wealth. I think Megha realises the irregular relationsh­ip between the imaginatio­n and material power quite early in the novel. It’s confusing, and always unpredicta­ble.

3 What kind of effort did you have to put into writing Megha in the US, and Megha in India? They seem like two different people.

A brown person’s life is radically different in the US and in India — the experience­s, the privileges, the identity itself feels changed. Her racial marginalis­ation shapes a kind of poetry for Megha in the US, and once she is in India, in a relative bubble of privilege, her artistic voice is stunted for a while. That is also why Poonam is such a crucial presence for Megha, for political reasons that are also deeply personal.

4 The publisher has not marketed The Middle Finger as a queer love story. Why is that? Queerness is very much a process of exploratio­n in this novel. The unexpected magic of Megha and Poonam’s relationsh­ip is at the heart of the novel. But it is a relationsh­ip that develops when no one is looking. Their social difference makes a consciousn­ess of this relationsh­ip difficult, though they reckon with this as the novel comes to an end.

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