Hindustan Times ST (Jaipur)

Director’s choice

How did he go from garment exports to Shyam Benegal films, Shakespear­e at the Globe Theatre and now the Marvel cineverse? Loads of luck, Patel says with a laugh. But it’s his talent that’s had filmmakers and viewers hooked for decades

- Harish Patel Madhusree Ghosh

This is a rare Mumbai success story, the tale of a man who never dreamed of being an actor but ended up on TV anyway, then in the movies, and is now part of the Marvel Cinematic

Universe.

Harish Patel, 67, started out as an export manager at a garments company. Through his teens, that’s what he always assumed he would do, following in the cheery footsteps of his father and grandfathe­r. Instead he ended up working with the likes of Shyam Benegal and appearing in iconic films and TV series such as Malgudi Days, Andaz Apna Apna and Bharat Ek Khoj, through the 1980s and ’90s.

After that he sort of dropped off the map, but he didn’t really. You’d have seen him if you stopped by the Globe Theatre in London in 2017, when he played Friar Laurence in Daniel Kramer’s production of Shakespear­e’s Romeo and Juliet. He played an eccentric landlord in the 2007 comedy Run Fatboy Run, directed by David Schwimmer. And most recently played a dad in the 2019 remake of Four Weddings and a Funeral, co-created for Hulu by Mindy Kaling.

Then, last week, the actor popped up in the teaser for the upcoming Marvel film, Eternals, directed by Oscar winner Chloé Zhao and due for release in November. It was a blink-and-you-miss-it sighting, but it began to trend online. Was that Harish Patel? Could it be him? Where had he been all these years?

He’s spent the last week telling everyone who calls, “Haan, woh main hi hoon (Yes, that’s me),” Patel says with a bellowing laugh. “I’m enjoying the attention,” he adds. “My 11-year-old grandson in the US is excited because his friends are amazed that is grandfathe­r is in the MCU!”

Patel’s acting career began with small roles in village plays, during vacations to the family’s hometown of Almora in Uttarakhan­d. “I remember playing Sita in a Ram

Leela. I loved singing, but never thought I would be a profession­al actor,” Patel says.

It was while studying for a degree in Commerce that he first took to the stage in Mumbai. A college mate suggested he sign up for a play, and Patel did. “We became good friends and started doing theatre together. Another friend introduced me to the legendary theatre director Satyadev Dubeyji and I started acting in his plays. That’s how Shyam Benegalji spotted me and cast me in his film Mandi (1983). There was no going back after that!” The college friend, incidental­ly, was Shankar Nag, who later directed Malgudi Days.

In a city of strugglers, this reads like a most unlikely film plot, and Patel takes it all with a pinch of salt. He doesn’t hanker after bigger roles; meanwhile, small ones in plum projects continue to fall in his lap. By his 30s and 40s, he was a familiar face on screen, known and loved for memorable character roles in films such as Mr India, Maine Pyar Kiya and Gupt.

If the makers of Eternals had seen him in any of these films, they would never have thought of casting him, ever, Patel says laughing. “After all these years, I’m still not comfortabl­e in English. I think in Hindi, I dream in Hindi. I studied at a Hindi-medium school.”

But he’s never said no to an opportunit­y, and he’s never backed away from a challenge. Not even when it involved the Globe Theatre? Not even then, he nods. “When I first met Kramer, I told him ‘I’m bad in speaking English’, but he had faith in me.”

It helps that he has great teachers — all the best actors from decades of Hindi cinema. “Whenever I’m in the UK or US acting, I carry DVDS of films like Pyaasa, Mughal-eazam and Teesri Manzil because watching actors like Guru Dutt, Balraj Sahni and Shammi Kapoor and learning from them has led me to MCU. Whenever I’m stuck with any scene, I take out a DVD and start watching these old actors,” Patel says.

A big turning point, he adds, was 1992, when director Roger Michell cast him as Changez, an Indian immigrant to the UK, in his screen adaptation of Hanif Kureishi’s novel The Buddha of Suburbia. “After working in the Hindi film industry, I was so pleasantly surprised to work in the UK. They are so discipline­d. People give you so much respect, make you feel wanted as an artist. You don’t have to think about whether you will be paid at the end; agents take care of that. I was amazed,” Patel says.

Another turning point came in 2007, when he played the lead character, the firstgener­ation immigrant and patriarch Ishwar Dutt, in the play Rafta, Rafta, staged by the Royal National Theatre, London, directed by Nicholas Hytner. It was the role that led to the Globe and eventually the MCU.

He was shooting for Run Fatboy Run when Hytner’s team reached out. “I almost said no to the audition. I had no idea who Nick Hytner was. Schwimmer and the crew, after pulling my leg incessantl­y, convinced me to let go of the small roles in the Hindi films I was supposed to do that year and give theatre a chance,” Patel says. “I think I was at the right time, right place and with the right people to guide me.” WATCH

When Chloé Zhao won her Golden Globe for Nomadland, I sent her a congratula­tory email. She replied, ‘Karun (Harish’s character in Eternals), I can’t wait for you to watch the (Marvel) movie. You will be a fan favourite.’ That meant a great deal to me.

Harish Patel, 67, is best known for his character roles in iconic films and TV series such as Malgudi Days, Andaz Apna Apna and Bharat Ek Khoj, in the 1980s and ’90s. In 1992, director Roger Michell cast him as Changez, an Indian immigrant to the UK, in his screen adaptation of Hanif Kureishi’s novel The Buddha of Suburbia. After that Patel began to be approached for roles in plays and films in the UK and US. His latest project is the Marvel film Eternals, directed by Oscar winner Chloé Zhao and due for release in November. When taking on a new kind of project, he says, he often turns to his great teachers — all the best actors from decades of Hindi cinema. “Whenever I’m in the UK or US acting, I carry DVDS of films like Pyaasa, Mughal-e-azam and Teesri Manzil because watching actors like Guru Dutt, Balraj Sahni and Shammi Kapoor and learning from them has led me to MCU,” he says. Harish Patel discuss his favourite projects from recent years

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